Headshot of La Cieca

Cher Public

  • Lurker_del_Cairo: Oh, and PS – thank you Jungfer Marianne for the recording and Manou for the libretto! 8:13 PM
  • Ruxxy: Dear Armer if you live in the USA you live in a country which preaches human rights while allowing any... 7:38 PM
  • armerjacquino: I think a country which tells people what they are or aren’t allowed to wear, for any... 7:31 PM
  • Ruxxy: Racist ? Don’t make me laugh. The veil is not only a very primitive expression, it insults every... 7:17 PM
  • manou: Per molti anni dear Batty – you don’t look a day older than yesterday. 6:50 PM
  • Flora del Rio Grande: Well, well; that lovely old song! Whoever played the piano for Katherine Hepburn... 6:06 PM
  • Flora del Rio Grande: Let me recommend a reading of Heidi Waleson’s review of Klinghoffer in... 5:58 PM
  • LittleMasterMiles: Where is the f**king “Like” button on this thing? 5:48 PM
  • MontyNostry: Rather than La clemenza della Cieca, how about La moderazione della Cieca, which makes itself... 5:44 PM
  • Cicciabella: Autocorrect won’t have her any other way. 5:30 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]

2 comments

  • Henry Holland says:

    But neither text nor music has anything remotely interesting to communicate about the experience of war — not even “what is it good for?”

    Hahahaha, I’m sure the ghosts of Norman Whitfield and Barrett Strong would approve of that sentence.

  • killthewabbit says:

    Glad to see you got this one squarely in the crosshairs. At least one of the other local critics seems to be too busy exchanging high fives with the composer and company on Facebook to issue sound judgement.