Headshot of La Cieca

Cher Public

  • hamish: Saw the show in Williamstown. Not a great comedy but it was fun and Renee sent herself up hilariously 8:59 PM
  • quibbleglib: Ooooo you saucy bitch!!! “Break the internet” literally made me ROTFLASMP. Pure gold. 7:21 PM
  • laddie: Ivy, It’s lovely to see so much support for your blog; indeed, your style is completely unique... 6:45 PM
  • SF Guy: And heavy reliance on the kindness of strangers. 6:39 PM
  • Rackon: Oh no! I loved your blog for your insight on both music and dance! Plus you’re hilarious!... 6:35 PM
  • Grane: “As one would.” 6:24 PM
  • SF Guy: But that would require, like, acting. 5:54 PM
  • NPW-Paris: He could have thrown in Leyla Gencer for good luck. 5:45 PM
  • Salome Where She Danced: She could also do Blanche du Bois, in the original version of “A Streetcar... 5:44 PM
  • Harold: Maybe I’m missing something, but I see it as a good thing. I entered ticket lottery several... 5:38 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]

2 comments

  • Henry Holland says:

    But neither text nor music has anything remotely interesting to communicate about the experience of war — not even “what is it good for?”

    Hahahaha, I’m sure the ghosts of Norman Whitfield and Barrett Strong would approve of that sentence.

  • killthewabbit says:

    Glad to see you got this one squarely in the crosshairs. At least one of the other local critics seems to be too busy exchanging high fives with the composer and company on Facebook to issue sound judgement.