Headshot of La Cieca

Cher Public

  • zinka: Yes..they were among the worst..along with Mario Ortica and Primo Zambruno..plus Giulio Gari..we had... 8:30 PM
  • Jungfer Marianne Leitmetzerin: No, Regina: Nuotio and Parley sang only Wagner roles at the Met, but... 8:02 PM
  • Milady DeWinter: “A hearty thanks to Coloraturafan̶ 1; for including O’Flynn̵ 7;s Elvira-... 7:55 PM
  • Milady DeWinter: Oh for sure, almavivante – that aria is sort of the “Il balen” of the... 7:52 PM
  • Regina delle fate: Scotto was mercilessly booed as Norma at the Met, I recall….. 6:36 PM
  • Regina delle fate: Didn’t she just have a success at the Met as Musetta, Grim? THat’s what we... 6:35 PM
  • Regina delle fate: Ticho Parly and Pekka Nuotio sang Pinkerton at the Met? 6:33 PM
  • manou: Is this what we are talking about? http://www.gobsqua d.com/projects/my- square-lady 6:32 PM
  • vilbastarda: Yes, started yesterday. After googling a little I found an imperfect solution. Go to: Settings... 6:28 PM
  • Regina delle fate: Grim – we can’t be absolutely sure, but La Cieca’s “worth her... 6:28 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]

2 comments

  • Henry Holland says:

    But neither text nor music has anything remotely interesting to communicate about the experience of war — not even “what is it good for?”

    Hahahaha, I’m sure the ghosts of Norman Whitfield and Barrett Strong would approve of that sentence.

  • killthewabbit says:

    Glad to see you got this one squarely in the crosshairs. At least one of the other local critics seems to be too busy exchanging high fives with the composer and company on Facebook to issue sound judgement.