Headshot of La Cieca

Cher Public

  • manou: httpv://www.youtub e.com/watch?v=HR0f 5jQGRjc 5:09 AM
  • La marquise de Merteuil: That woman has spoilt so many opera recordings for me that I refuse to listen to her... 4:39 AM
  • MontyNostry: The Montemezzi is a revival of a production from, I think, 2007. It was very exciting –... 3:20 AM
  • Krunoslav: Maureen Lehane has always been a favorite, and the clip you provide leads to some more SERSE... 2:20 AM
  • Henry Holland: Complete Franchetti operas: I saw Franchetti’s Germania in Berlin a few years ago. I... 1:37 AM
  • antikitschychick: FABULOUS PIECE!!! Thank you so much sharing this truly beautifully-writte n tribute to La... 1:08 AM
  • Quanto Painy Fakor: I wonder where the outtakes for so many recordings are and if they will ever be... 12:50 AM
  • La Cieca: It’s not a mezzo aria; what the role wants is a Donna Elvira voice. I directed this show... 12:43 AM
  • Krunoslav: I know I’ve seen Marcellina’s aria done once onstage, and can’t recall where.... 12:29 AM
  • Buster: httpv://www.youtub e.com/watch?v=7A5J IIUPSZ4 12:23 AM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]

2 comments

  • Henry Holland says:

    But neither text nor music has anything remotely interesting to communicate about the experience of war — not even “what is it good for?”

    Hahahaha, I’m sure the ghosts of Norman Whitfield and Barrett Strong would approve of that sentence.

  • killthewabbit says:

    Glad to see you got this one squarely in the crosshairs. At least one of the other local critics seems to be too busy exchanging high fives with the composer and company on Facebook to issue sound judgement.