Headshot of La Cieca

Cher Public

  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=ap7u BqXaz4o 2:47 PM
  • Krunoslav: Let me guess: the **unbearable** Jason Schwartzman as Leonard Cohen? 2:44 PM
  • La Cieca: Okay, operaassport, you have earned the title of “Chatte de la semaine.” Moderation for... 2:22 PM
  • Krunoslav: Oh, no! Surely the Milanese loggionisti will let her know what they think of her singing.... 2:21 PM
  • redbear: I am more and more amazed at what passes for dialogue in press and conversations – even here... 1:45 PM
  • tannengrin: I hope Mark Hampton and/or Mary Louise Wilson are available to write. “Full Gallop”... 1:30 PM
  • Feldmarschallin: httpv://www.youtub e.com/watch?v=b_nu 2Z8IGt0 Does anyone know if this was taped complete? 1:29 PM
  • Feldmarschallin: BTW Kruno have you seen who will be the Marzelline in the new Scala Fidelio? Our favorite... 1:24 PM
  • Jamie01: With the Biebs as Graham Nash? 1:22 PM
  • Krunoslav: “EEF you haff to cut something, you haff to cut COUNTESS ALMAVIVA’S arias. Not.... 1:13 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]

2 comments

  • Henry Holland says:

    But neither text nor music has anything remotely interesting to communicate about the experience of war — not even “what is it good for?”

    Hahahaha, I’m sure the ghosts of Norman Whitfield and Barrett Strong would approve of that sentence.

  • killthewabbit says:

    Glad to see you got this one squarely in the crosshairs. At least one of the other local critics seems to be too busy exchanging high fives with the composer and company on Facebook to issue sound judgement.