Cher Public

  • Don_Dano: Does anyone have problems with the Metropolitan Opera being able to process corporate matching gifts. Each year, I make a... 7:58 PM
  • Jungfer Marianne Leitmetzerin: There is absolutely NO official rule at Bayreuth about not applauding at the end of Act I of... 7:41 PM
  • brackweaver: This is the clearest summary of the plot I’ve encountered. Too bad it is such a mess. Mascagni’s operas have so... 7:36 PM
  • Jack Jikes: Bi “Yes!’ to La Cieca ond Ivy. Standing at Messiah? Precious. 7:10 PM
  • Operngasse: Dear JML, Many thanks for posting this. I was lucky to have heard Astrid Varnay near the end of her career in Elektra and she... 6:44 PM
  • PCally: LOVE her Färberin, even finer than Ludwig, her only rival in the role at the time. 6:30 PM
  • Olivero is my Drug of Choice: Mostly Mozart program for tonight looks fun. Christine Goerke doing D’Oreste, d’Aiace among other things:... 6:27 PM
  • Krunoslav: Great cast. Am I the only one who expected from the original buzz that this would be concert arias and arias from the much less... 6:20 PM

Winged victory

“A wayward bouquet conked Kristine Opolais on her noggin during the ovation Friday night in La Rondine—but that was the only mishap in the Latvian soprano’s spectacular Met debut. Her coolly glamorous voice rose to the many challenges of the role of Magda, a Parisian courtesan who tries to live out a fantasy of finding true love in Puccini’s 1917 opera.” [New York Post]

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