Headshot of La Cieca

Cher Public

  • Ilka Saro: “bodygebuild ete” looks plenty English to me. 6:27 PM
  • MontyNostry: It looks as though something has gone terribly wrong with the commedia dell’arte troupe in... 6:24 PM
  • pasavant: This is America. Speak English! 6:20 PM
  • Archaeopteryx: Here is what you are looking for, in full HD glory: http://www.amazon. de/Verdi-Trovat... 6:10 PM
  • Lindoro Almaviva: Yum… I’d do him 5:48 PM
  • operaassport: Okay, I’ll say it. He’s HOT! 5:48 PM
  • semira mide: Boy, didn’t they! 5:48 PM
  • Jungfer Marianne Leitmetzerin: I am just in from the Britten “War Requiem” – today is the 100th anniversary... 5:47 PM
  • semira mide: Yes,but I was assuming that the broadcasts needed the GM’s support, approval etc. 5:47 PM
  • operaobserver: That’s exactly what’ he’s trying to do, bring the trajectory of compensation... 5:34 PM

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

24 comments

  • kennedet says:

    Alagna has of late been using the “technique” of taking his high notes in a combination of mixed voice or falsetto. I’ve heard it in his performance of Carmen and Aida. Am I delusional or has anyone else heard this kind of “cheating” for lack of a better word?