Headshot of La Cieca

Cher Public

  • Camille: One hopes that Lurquito’s chastity has managed to remain intact!! Please do not apologise for... 9:43 PM
  • marshiemarkII: Lurquito but you left out the bed with the silks….. :D 9:29 PM
  • marshiemarkII: Mi chiamasti?!?!?!?!? Oh I have sinned I have sinned I have sinned my adored gurls, but this... 9:27 PM
  • Operngasse: Krunoslav – thank you for the correct information – the question mark meant I really... 9:20 PM
  • La Valkyrietta: Camille, No, me no guaso chileno, but I was easily assimilated, and did spend some years of... 9:09 PM
  • DellaCasaFan: Just as I had typed it I noticed the snafu… her Elena, of course .. Mafalda Favero was... 8:44 PM
  • Lurker_del_Cairo: Camille and La V – I will give Marshie a nudge – he HAS been busy (but... 8:43 PM
  • DellaCasaFan: Jungfer Marianne, it’s very kind of you to offer it. I don’t believe that any of... 8:41 PM
  • Jungfer Marianne Leitmetzerin: I have Arangi-Lombardi on two complete Columbia recordings: Mascagni:... 7:47 PM
  • MontyNostry: And Arangi-Lombardi was Leyla’s mentor. httpv://www.youtub e.com/watch?v=2L1r hK11KfQ 7:27 PM

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

24 comments

  • kennedet says:

    Alagna has of late been using the “technique” of taking his high notes in a combination of mixed voice or falsetto. I’ve heard it in his performance of Carmen and Aida. Am I delusional or has anyone else heard this kind of “cheating” for lack of a better word?