Headshot of La Cieca

Cher Public

  • m. croche: Overall, the orchestra sounded beautiful, if consistently rushed by right tempos that did not... 7:11 AM
  • manou: Libretto here: http://t.co/xEOlI1 hOoW 6:39 AM
  • tiger1: Thanks a lot, Jungfer. I am happy to say that now I have at least heard it. I did not listen... 6:30 AM
  • Dabrowski: Don’t give him any ideas. 4:41 AM
  • Dabrowski: Phyllis Chesler is a joke, one of those hacks that the far right likes to trot out as a convert to... 4:40 AM
  • Quanto Painy Fakor: Viva Sheila Nadler! 2:54 AM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=Vc5e qmucGl4 httpv://www.youtub e.com/watch?v=8... 2:51 AM
  • SF Guy: Typo alert–I̵ 7;ve made no attempt to smooth out Anna’s charmingly fractured English,... 2:47 AM
  • mb: I suggest you re-check your dictionary. https://de.wikiped ia.org/wiki/Meiste rsinger &... 2:44 AM
  • La Cieca: What better place for a performance of gravitas than Boston? 2:38 AM

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

24 comments

  • kennedet says:

    Alagna has of late been using the “technique” of taking his high notes in a combination of mixed voice or falsetto. I’ve heard it in his performance of Carmen and Aida. Am I delusional or has anyone else heard this kind of “cheating” for lack of a better word?