Headshot of La Cieca

Cher Public

  • 98rsd: I never know where my post is going to go. I would have responded directly to LV if there had been a... 2:28 PM
  • 98rsd: or perhaps more than a bit… 2:25 PM
  • La Valkyrietta: Oh dear, had I known that my little post would be taken so seriously I would never have... 2:10 PM
  • MontyNostry: Is that Kevin Kline on the left in the Csárdásfürstin image too? 1:41 PM
  • Feldmarschallin: Well doesn’t every production have a Regisseur? In Europe one never says it is a... 1:15 PM
  • overstimmelated: “… it would be a reggie production” And a senseless one perhaps, but that... 12:49 PM
  • Feldmarschallin: Faites attention Manou. 12:28 PM
  • SF Guy: La Cieca–I interpreted La V’s post as deadpan satire, a long and honorable tradition... 12:13 PM
  • Milady DeWinter: Thank you much for posting this, Quanto – what a kind, wise lady she is. 12:09 PM
  • bluecabochon: Klinghoffer director Tom Morris will answer questions live today at 1 PM EST at the Guardian:... 11:40 AM

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

24 comments

  • kennedet says:

    Alagna has of late been using the “technique” of taking his high notes in a combination of mixed voice or falsetto. I’ve heard it in his performance of Carmen and Aida. Am I delusional or has anyone else heard this kind of “cheating” for lack of a better word?