Headshot of La Cieca

Cher Public

  • Often admonished: She sang both soprano and mezzo parts for Abbado. At two separate performances, fortunately. 8:41 AM
  • Feldmarschallin: Ja danke. Klar, Freitag habe ich den Türken. :) 8:16 AM
  • Lohengrin: Zur Info: 27. November ist Donneestag. 8:08 AM
  • Feldmarschallin: OK dann am Freitag. Danke und viel Spaß. 8:03 AM
  • Lohengrin: Falls ich gemeint war: nein, erst am 27.Nov. Ansonsten Viiiiiiiiel Vergnügen heute! 7:51 AM
  • Feldmarschallin: Bleibst es dabei heute abend? Chocolate brown is the colour. :) Vor der Königsloge in der... 7:47 AM
  • Feldmarschallin: She also sang the Verdi Requiem :) which sort of counts. 6:44 AM
  • Krunoslav: Are you speaking of Jessye Norman? She sang Selika in L’AFRICANA ( Firenze, 1971) and Aida (... 6:25 AM
  • Feldmarschallin: Thanks DellaCasaFan. I do have an icon on my Handy that says Spotify so I will try it there.... 4:52 AM
  • Ruxxy: All kudos to Mr Fry – this documentary is incredibly good. 3:34 AM

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

24 comments

  • kennedet says:

    Alagna has of late been using the “technique” of taking his high notes in a combination of mixed voice or falsetto. I’ve heard it in his performance of Carmen and Aida. Am I delusional or has anyone else heard this kind of “cheating” for lack of a better word?