Headshot of La Cieca

Cher Public

  • Bill: Grane – Rachel Willis-Sorensen had a pleasant voice – the voice is basically attractive and... 8:54 PM
  • peter: Rachel Willis-Sorensen was one of the bright spot on today’s broadcast. Not only is the voice... 8:27 PM
  • Jungfer Marianne Leitmetzerin: As Dolores Gray sings in “It’s Always Fair Weather,” “Thanks a Lot But No... 8:13 PM
  • Grane: What did you think of the Countess, Bill? I came in on the Thursday radio broadcast at Sull’... 8:07 PM
  • DellaCasaFan: JML, Some voices came across clightly differently on radio. You could hear that Keenlyside... 7:59 PM
  • Jungfer Marianne Leitmetzerin: Satisfied: Entire production in black and white except for Maddalena in a red... 7:33 PM
  • Jungfer Marianne Leitmetzerin: Yes: Morley was totally swamped by all the other singers and the orchestra,... 7:31 PM
  • NPW-Paris: And Greece? 6:24 PM
  • Bill: The Met broadcast of Le Nozze di Figaro today was vocally rather wretched as well – the sextet... 5:58 PM
  • NPW-Paris: I know this isn’t the main point but your remark about Erin Morley was interesting. She was... 5:49 PM

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

24 comments

  • kennedet says:

    Alagna has of late been using the “technique” of taking his high notes in a combination of mixed voice or falsetto. I’ve heard it in his performance of Carmen and Aida. Am I delusional or has anyone else heard this kind of “cheating” for lack of a better word?