Headshot of La Cieca

Cher Public

  • Milady DeWinter: P.S. Sorry about the repetitive adverb usage – guess my ‘mot du jour’ is... 10:55 AM
  • Quanto Painy Fakor: But I don’t think the NYT cares much what Santuzza has to say or sing about. 10:52 AM
  • Quanto Painy Fakor: JJ’s review is admirable and enjoyable to read. Now that the NYT has made heads... 10:51 AM
  • Milady DeWinter: Anyone listen or attend last night’s opening of Hansel and Gretel? I listened via... 10:38 AM
  • tatiana: Nor the messy and bullet-ridden end of Sonny Corleone! 10:32 AM
  • DeepSouthSenior: Tenor Fabiano “is a tall, slim young man with the sort of brooding good looks you’d... 10:09 AM
  • kennedet: Agreed. Also, all praises due to Christopher Macatsoris of AVA,who had training from Serafin, Cleva... 9:53 AM
  • pasavant: Thanks for the help. I see that Mr. Costello is scheduled to sing in Traviata on December 27th. In... 8:34 AM
  • marshiemarkII: CammiB adoree!!! I was just thinking about you tonight as I was back again at Bar Boulud, and... 1:25 AM
  • Poison Ivy: “X-RAY STORY: A type of DIVA ANECDOTE that’s all windup and no delivery. Named for a... 10:52 PM

En proie à la maladie

Pretty Yende will make her Met debut as Countess Adèle in this season’s performances of Rossini’s Le Comte Ory, replacing Nino Machaidze, who is ill. (This from the Met’s press office.)

41 comments

  • Bianca Castafiore says:

    Is it me or she sort of looks like Barbara Hendricks?

    • semira mide says:

      It is NOT just you -- she really does look like Barbara Hendricks. Not so much in the video, but the photo shows an amazing likeness.

  • parpignol says:

    Dwayne Croft was announced as singing through a cold this evening, but for his dull Chorebe it hardly mattered, and still less for partnering Voigt who is singing like a mouse; no volume, no color, no tonal beauty, she’s peeping out the notes; we’ve asked it before, but we have to ask it again: is she really going to sing Brunnhilde at the end of the season? I love the ‘Fall of Troy’ acts, so I really hate to say this: but if you’re going to see Les Troyens this season, go at a civilized hour after the first intermission, because it gets a whole lot better when you get to Carthage, Voigt disappears, and Susan Graham begins to sing; she’s giving the performance of her career, even up against very powerful memories of LHL in this production; Giordani was good enough in acts 3 and 4 in the ensembles and love duet, but does not, at least at this stage, have the goods and the artistry to bring off the big aria in the last act; Appleby very fine in the sailor’s aria at the beginning of the last act. . . the production is uneven; Luisi not very interesting conducting Berlioz. . . it could have been Alan Gilbert. . .