Cher Public

  • antikitschychick: Thank you messa di voce :-). Still have to write about Anna Bolena and Turandot. Hope to get it done by tonight.... 4:15 PM
  • messa di voce: Wonderful reviews, AKC. Longer is ALWAYS better. 4:10 PM
  • zinka: httpv://www.youtub PMovdFQ Adored Leyla (1928) birthday Oct.10…On the way to her Attila,friend played some... 4:05 PM
  • antikitschychick: not ‘an app’ but several in fact. 3:33 PM
  • antikitschychick: They now have an app for the on Demand. I downloaded it yesterday :-D. 3:33 PM
  • armerjacquino: Yep. I’m quite an advocate for Met on Demand- it’s really very good value for the library you get access to. 3:27 PM
  • Patrick Mack: The only reason the Met spreads out some of their telecasts to two dvd’s is so the bit rate his high and the they get... 3:24 PM
  • Signor Bruschino: I never thought that Madagascar was such an opera loving locale! The things you learn! Kidding aside, La Cieca’s... 3:11 PM

En proie à la maladie

Pretty Yende will make her Met debut as Countess Adèle in this season’s performances of Rossini’s Le Comte Ory, replacing Nino Machaidze, who is ill. (This from the Met’s press office.)


  • Bianca Castafiore says:

    Is it me or she sort of looks like Barbara Hendricks?

    • semira mide says:

      It is NOT just you -- she really does look like Barbara Hendricks. Not so much in the video, but the photo shows an amazing likeness.

  • parpignol says:

    Dwayne Croft was announced as singing through a cold this evening, but for his dull Chorebe it hardly mattered, and still less for partnering Voigt who is singing like a mouse; no volume, no color, no tonal beauty, she’s peeping out the notes; we’ve asked it before, but we have to ask it again: is she really going to sing Brunnhilde at the end of the season? I love the ‘Fall of Troy’ acts, so I really hate to say this: but if you’re going to see Les Troyens this season, go at a civilized hour after the first intermission, because it gets a whole lot better when you get to Carthage, Voigt disappears, and Susan Graham begins to sing; she’s giving the performance of her career, even up against very powerful memories of LHL in this production; Giordani was good enough in acts 3 and 4 in the ensembles and love duet, but does not, at least at this stage, have the goods and the artistry to bring off the big aria in the last act; Appleby very fine in the sailor’s aria at the beginning of the last act. . . the production is uneven; Luisi not very interesting conducting Berlioz. . . it could have been Alan Gilbert. . .