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  • Olivero is my Drug of Choice: I saw ATS in the ’84 run of Lohengrin with Domingo and Marton. She was... 6:59 PM
  • Niel Rishoi: Mercadante, I looked up Leah Partridge on YouTube, and found this clip of her singing “Ah!... 6:55 PM
  • MontyNostry: I saw ATS quite a number of times. I didn’t think Tosca was her role either, but I can... 6:51 PM
  • Quanto Painy Fakor: I love wearing fur in the cold, but have you seen the huge fur coat on Netrebko̵... 6:34 PM
  • armerjacquino: Thanks, Monty! I never saw ATS live- I was supposed to get her as Ariadne, but she cancelled... 6:31 PM
  • armerjacquino: To be fair to Romano, she was given a place in the final- although on the other hand, not all... 6:28 PM
  • MontyNostry: Mazel tov, armer! The whole opera’s a riot, so you should have fun, though the obvious... 6:25 PM
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  • steveac10: It’s been gone here for more than 30 years. As a vocal performance undergrad I got 1 hour a... 6:10 PM
  • dexter: It makes me feel very old (and god knows what it does to her) to realise that I heard Rosalind... 6:05 PM

En proie à la maladie

Pretty Yende will make her Met debut as Countess Adèle in this season’s performances of Rossini’s Le Comte Ory, replacing Nino Machaidze, who is ill. (This from the Met’s press office.)

41 comments

  • Bianca Castafiore says:

    Is it me or she sort of looks like Barbara Hendricks?

    • semira mide says:

      It is NOT just you -- she really does look like Barbara Hendricks. Not so much in the video, but the photo shows an amazing likeness.

  • parpignol says:

    Dwayne Croft was announced as singing through a cold this evening, but for his dull Chorebe it hardly mattered, and still less for partnering Voigt who is singing like a mouse; no volume, no color, no tonal beauty, she’s peeping out the notes; we’ve asked it before, but we have to ask it again: is she really going to sing Brunnhilde at the end of the season? I love the ‘Fall of Troy’ acts, so I really hate to say this: but if you’re going to see Les Troyens this season, go at a civilized hour after the first intermission, because it gets a whole lot better when you get to Carthage, Voigt disappears, and Susan Graham begins to sing; she’s giving the performance of her career, even up against very powerful memories of LHL in this production; Giordani was good enough in acts 3 and 4 in the ensembles and love duet, but does not, at least at this stage, have the goods and the artistry to bring off the big aria in the last act; Appleby very fine in the sailor’s aria at the beginning of the last act. . . the production is uneven; Luisi not very interesting conducting Berlioz. . . it could have been Alan Gilbert. . .