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Cher Public

  • la vociaccia: I didn’t listen to the broadcast but I’m going to this production later in the... 10:29 PM
  • Krunoslav: I was so angry as a 15 year old drama student when I first saw this show that I booed loudly from... 10:09 PM
  • Batty Masetto: But the important question: did she have the Habsburg tail? (Which I doubt would have shown... 10:08 PM
  • Guestoria Unpopularenka: Joan looks very pretty here. The prettiest I’ve ever seen her. 10:07 PM
  • laddie: In Santa Fe, we clutch our squash blossoms which can be very dangerous. 9:44 PM
  • Poison Ivy: Well before the days of photographs royals just commissioned portraits that took out their flaws.... 9:42 PM
  • laddie: Wasn’t Carsen’s NP of Zauberflöte done last year at Baden-Baden? 9:41 PM
  • Guestoria Unpopularenka: Turning men into jelly is not a compliment to a lady’s charms :D 9:40 PM
  • laddie: I thought she sang much better than the dress videos in cantabile/cabalett a, especially the... 9:35 PM
  • Guestoria Unpopularenka: I really didn’t think the rehearsal clip was bad at all. 9:33 PM

Crave the date

It only just occurred to La Cieca that the opening night of New York City Opera’s 2013 season—the premiere of their new production of Powder Her Face—is February 15, a date that sounds oddly familiar somehow.

5 comments

  • Quanto Painy Fakor says:

    I don’t get it? Other than the need for certain critics to be present at the important premieres, how will this affect the audiences? NYCO will be lucky if they don’t have to paper the house.

  • Will says:

    I agree that audiences for the Ades and the Wagner most probably do not overlap too much (except for certain fanatics like me who go to everything from Monteverdi to what was written last week). My guess is that Tommasini will show up for Parsifal and Zachary Woolfe will cover NYCO, this being a good Ades year in in the city. Each may then show up for the other opera later in their runs, who knows?

  • Buster says:

    Ades will dislike Wagner even more now.