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  • antikitschychick: well, I respect your opinion but I have a slightly different pov on the matter. What I got... 7:27 PM
  • DonCarloFanatic: Wow. According to that calculator, my grandmother’ s 1912 designer wedding dress,... 7:21 PM
  • manou: This is the Alagna discussion: http://intermezzo. typepad.com/interm ezzo/2009/10/ho... 6:23 PM
  • Guestoria Unpopularenka: $5000 in 1900 is $142 THOUSAND today! http://www.daveman uel.com/inflati... 6:20 PM
  • irontongue: That looks familiar – Robert Tuggle’s published data on (century-old :) singer pay at... 6:17 PM
  • YigeLi: For what I read, Patti was paid $5,000 per concert in 1883, which was much more than everyone else.... 6:12 PM
  • Guestoria Unpopularenka: And which ones those singers would be bar Domingo? 5:54 PM
  • antikitschychick: Ok this might get me in trouble with our doyenne but I really liked the trailer :-P. It was... 5:53 PM
  • irontongue: No, it is not the Alagna discussion. 5:48 PM
  • irontongue: Is that the discussion where Alagna was quoted saying he got $60,000 per concert versus whatever... 5:47 PM

Crave the date

It only just occurred to La Cieca that the opening night of New York City Opera’s 2013 season—the premiere of their new production of Powder Her Face—is February 15, a date that sounds oddly familiar somehow.

5 comments

  • Quanto Painy Fakor says:

    I don’t get it? Other than the need for certain critics to be present at the important premieres, how will this affect the audiences? NYCO will be lucky if they don’t have to paper the house.

  • Will says:

    I agree that audiences for the Ades and the Wagner most probably do not overlap too much (except for certain fanatics like me who go to everything from Monteverdi to what was written last week). My guess is that Tommasini will show up for Parsifal and Zachary Woolfe will cover NYCO, this being a good Ades year in in the city. Each may then show up for the other opera later in their runs, who knows?

  • Buster says:

    Ades will dislike Wagner even more now.