Headshot of La Cieca

Cher Public

  • Lurker_del_Cairo: Not enough! They need to BURN THOSE BAGS TO THE GROUND! :wink: 6:42 PM
  • La Valkyrietta: :) You flatter me Dabrowski, or jest; whatever, it is funny. To go to your questions,... 6:42 PM
  • parpignol: they first inspected the bags, and then made (only the men) check the (already inspected) bags... 6:20 PM
  • Lurker_del_Cairo: You had to check your bags? Or did they just inspect them like they do with women’s... 5:56 PM
  • Krunoslav: Question addressed to zinka, bien sur. 5:55 PM
  • Krunoslav: Do you mean the dropping out before the interpolation or the flat, awkward cutoff at the end of... 5:54 PM
  • Krunoslav: Q; How many of those male dancers in the 1958 WONDERFUL TOWN clip were at THE Judy Concert? A:All... 5:47 PM
  • Blanche Tourterelle: Not an expert, but Kirsten Fladstad sang the premier of Vier Letzte Lieder in London in... 5:16 PM
  • Dabrowski: First of all, I am honored to be addressed as “mon cher,” LV; it feels like I’ve... 4:58 PM
  • Dabrowski: And by filth I mean Bocelli, of course, not Corelli! 4:54 PM

Crave the date

It only just occurred to La Cieca that the opening night of New York City Opera’s 2013 season—the premiere of their new production of Powder Her Face—is February 15, a date that sounds oddly familiar somehow.

5 comments

  • Quanto Painy Fakor says:

    I don’t get it? Other than the need for certain critics to be present at the important premieres, how will this affect the audiences? NYCO will be lucky if they don’t have to paper the house.

  • Will says:

    I agree that audiences for the Ades and the Wagner most probably do not overlap too much (except for certain fanatics like me who go to everything from Monteverdi to what was written last week). My guess is that Tommasini will show up for Parsifal and Zachary Woolfe will cover NYCO, this being a good Ades year in in the city. Each may then show up for the other opera later in their runs, who knows?

  • Buster says:

    Ades will dislike Wagner even more now.