Cher Public

  • Jamie01: It’s not necessary to suspend my disbelief to appreciate Dialogues. I don’t have to believe in God. I only have to... 1:04 PM
  • JohninSeattle: OT… to be sure… I love this opera. But when you say: “so I wonder why is it so hard for an unbeliever to... 12:22 PM
  • pavel: Well, I don’t think you can properly evaluate a production until you’ve seen it at least 25 times! 12:15 PM
  • JohninSeattle: It really is a tragedy that there wasn’t enough money in the costume budget to purchase fabric for sleeves. Should... 11:44 AM
  • moritz: From Latin “fistulaR 21; = reed pipe, syrinx, panpipes. The German expression “Fistelstimm e” means more or... 11:04 AM
  • zinka: OT httpv://www.youtub e.com/watch?v=nb8N lupfrmM Rest in Peace (93) VERY exciting soprano. 10:57 AM
  • Lohengrin: I agree with Feldmarschallin. Saw the production 4 times, love it! 10:51 AM
  • La Valkyrietta: The girl can’t help it, the girl can’t help it… httpv://www.youtub e.com/watch?v=soxN 55f7fzU 10:51 AM

Crave the date

It only just occurred to La Cieca that the opening night of New York City Opera’s 2013 season—the premiere of their new production of Powder Her Face—is February 15, a date that sounds oddly familiar somehow.

5 comments

  • Quanto Painy Fakor says:

    I don’t get it? Other than the need for certain critics to be present at the important premieres, how will this affect the audiences? NYCO will be lucky if they don’t have to paper the house.

  • Will says:

    I agree that audiences for the Ades and the Wagner most probably do not overlap too much (except for certain fanatics like me who go to everything from Monteverdi to what was written last week). My guess is that Tommasini will show up for Parsifal and Zachary Woolfe will cover NYCO, this being a good Ades year in in the city. Each may then show up for the other opera later in their runs, who knows?

  • Buster says:

    Ades will dislike Wagner even more now.