Headshot of La Cieca

Cher Public

  • Olivero is my Drug of Choice: I didn’t know she had recorded these. Netrebko/Barenboim in Four Last... 5:37 AM
  • SF Guy: SFO has done Tosca so often lately, there are now four clipfest previews on YouTube; Jagde has been... 5:33 AM
  • Lohengrin: There is another clip: https://www.youtub e.com/watch?v=N3o6 yCtflzk 5:29 AM
  • Lohengrin: See Haroutounian as Elisabetta from London on YT (poor acting – JK tries to act arround her,... 5:27 AM
  • Jungfer Marianne Leitmetzerin: I think we petty much established that the Radamès is Giovanni Martinelli most... 3:57 AM
  • WindyCityOperaman: Sorry – in between the time I chose it and now someone turned the light off on the... 3:56 AM
  • Guestoria Unpopularenka: Only 1 night. Why? I have no clue. 3:34 AM
  • La Cieca: Selecting video clips for the “On this day” feature is difficult: how, for example, is... 3:17 AM
  • Cicciabella: Finally! Soneone who likes Haroutounian for herself and not because she comes to the aid of an... 2:41 AM
  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM

Working “Tito”

“After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.” [New York Post]

107 comments

  • Nerva Nelli says:

    Armer, I heard McLaughlin as Susanna, Despina and Zerlina-- also Marzelline-- and liked her in all of them. The top eventually receded, but a very good artist.

    However, I heard Donath as Marzelline and Susanna and she (then over 50) sang gloriously. And she’s anything but faceless--try the TURN OF THE SCREW Governess and Zdenka and Gretel and Frau Fluth, for starters.

    I too fail to understand how anyone could find Lucia Popp charmless. There are things like RIGOLETTO that I don’t need to hear her sing, but she was a sublime recitalist and concert artist and wonderful the one time I heard her onstage, as Pamina.

    Dr. Karl and HvK as “the greatest”? The greatest self-promoters under the Third Reich, perhaps. I enjoy Boehm’s Mozart for what it is, but agree that it tends to the foursquare Romantic Mozart of several generations ago.

    • marshiemarkII says:

      Nerva, Cara, I miss the old feistiness, what happened to the old Nerva? you disappear for a while and come back so tame! Happy TG also!

      • Nerva Nelli says:

        Nerva chooses her battles (and donaths and popps)!

        I hope all enjoy Thanksgiving--especially la Castafiore, who must treasure memories of the originary event.