Headshot of La Cieca

Cher Public

  • alejandro: THANK YOU! This is one of my favorite shows ever. I’m a Japanophile and a Sondheimite . . .... 8:10 AM
  • La Valkyrietta: Enjoyed the review. I loved the performances Monday. Camarena is definitely a new star in New... 8:04 AM
  • Cocky Kurwenal: I saw the opening night PI, which I don’t suppose was the broadcast performance, but... 7:52 AM
  • Cocky Kurwenal: I would also go with Sills for this opera, overall, even though I have never particularly... 7:47 AM
  • Regina delle fate: Surely La Cenerentola is Rossini’s comic masterpiece, Camille. Which are your other... 6:54 AM
  • Regina delle fate: Bartoli at the Met is an entirely different thing from Bartoli in Zurich or at the Haus... 6:51 AM
  • manou: mskapay – it is very clear that you are not happy with the tone of this blog (“it’s really... 6:49 AM
  • Regina delle fate: I’ve got it already Buster! But not played it yet. Grim – thanks for the... 6:48 AM
  • Regina delle fate: Camille – I didn’t see her at La Scala, but I’ve seen her Elsa twice at... 6:46 AM
  • oedipe: Great. But you don’t consider baroque opera to be synonymous with Handel, I hope. How about a... 5:56 AM

Working “Tito”

“After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.” [New York Post]

107 comments

  • Nerva Nelli says:

    Armer, I heard McLaughlin as Susanna, Despina and Zerlina-- also Marzelline-- and liked her in all of them. The top eventually receded, but a very good artist.

    However, I heard Donath as Marzelline and Susanna and she (then over 50) sang gloriously. And she’s anything but faceless--try the TURN OF THE SCREW Governess and Zdenka and Gretel and Frau Fluth, for starters.

    I too fail to understand how anyone could find Lucia Popp charmless. There are things like RIGOLETTO that I don’t need to hear her sing, but she was a sublime recitalist and concert artist and wonderful the one time I heard her onstage, as Pamina.

    Dr. Karl and HvK as “the greatest”? The greatest self-promoters under the Third Reich, perhaps. I enjoy Boehm’s Mozart for what it is, but agree that it tends to the foursquare Romantic Mozart of several generations ago.

    • marshiemarkII says:

      Nerva, Cara, I miss the old feistiness, what happened to the old Nerva? you disappear for a while and come back so tame! Happy TG also!

      • Nerva Nelli says:

        Nerva chooses her battles (and donaths and popps)!

        I hope all enjoy Thanksgiving--especially la Castafiore, who must treasure memories of the originary event.