“After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.” [New York Post]
Armer, I heard McLaughlin as Susanna, Despina and Zerlina-- also Marzelline-- and liked her in all of them. The top eventually receded, but a very good artist.
However, I heard Donath as Marzelline and Susanna and she (then over 50) sang gloriously. And she’s anything but faceless--try the TURN OF THE SCREW Governess and Zdenka and Gretel and Frau Fluth, for starters.
I too fail to understand how anyone could find Lucia Popp charmless. There are things like RIGOLETTO that I don’t need to hear her sing, but she was a sublime recitalist and concert artist and wonderful the one time I heard her onstage, as Pamina.
Dr. Karl and HvK as “the greatest”? The greatest self-promoters under the Third Reich, perhaps. I enjoy Boehm’s Mozart for what it is, but agree that it tends to the foursquare Romantic Mozart of several generations ago.
Nerva, Cara, I miss the old feistiness, what happened to the old Nerva? you disappear for a while and come back so tame! Happy TG also!
Nerva chooses her battles (and donaths and popps)!
I hope all enjoy Thanksgiving--especially la Castafiore, who must treasure memories of the originary event.
Copyright © 2013 parterre box - All Rights ReservedPowered by WordPress · Parterror Theme by Nick Scholl for DIS Magazine