Headshot of La Cieca

Cher Public

  • m. croche: Speaking of which, I’m not entirely sure what the monkey in part three at 53:50 is trying to... 1:29 AM
  • luvtennis: I must confess. I adore and revere Elizabeth Montgomery. Those early black and white episodes... 12:42 AM
  • Batty Masetto: Fascinating. (Leave it to Croche). In light of Manou’s lament about not looking at... 12:41 AM
  • Rackon: +1 12:37 AM
  • ML: Quanto, souffleur/souffleu se not feasible on large stage. 12:16 AM
  • m. croche: (Blue mask, in case you were wondering….) 12:04 AM
  • DeepSouthSenior: Maybe we’re getting a glimpse into which line items of the budget were – ahem!... 11:58 PM
  • m. croche: Manou – off topic to your off topic. You asked in chat about Tibetan opera. I finally found... 11:54 PM
  • Batty Masetto: Manou dear, after such a plethora of grand-offspring in nappies that must be changed I should... 11:24 PM
  • Operngasse: From the roundtable of Sutherland, Horne, and Arroyo, a great Met prompter anecdote from 4:10 to... 11:13 PM

Small scale

In art, less is more — at least most of the time. But Dicapo Opera’s presentation of The Martyrs is a little more less than ideal. [New York Post]

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