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  • m. croche: Comparatively traditional operettic fare – “Ich studiert Anatomie” –... 1:11 PM
  • m. croche: Considerate of them to allow us to take mental-health breaks between clips. 1:09 PM
  • Milady DeWinter: I agree Avanti- I don’t hear the Deutekom “gargle̶ 1; in the coloratura at... 1:07 PM
  • Porgy Amor: Well, he was consistent. Almost every time he revised an existing movement, the revision was... 12:37 PM
  • Poison Ivy: Yes, the unexpectedly fussy vocal lines in the 1853 version are really jarring to the ear when... 12:20 PM
  • Porgy Amor: I almost linked to Ivy’s clip myself, but the meat of what I was talking about is just... 12:19 PM
  • armerjacquino: The 1853 edition is the biggest drawback of the Carsen version for me. It’s fascinating... 12:04 PM
  • armerjacquino: Yes, I agree. The interesting thing about Germont is that he thinks he’s a good man... 12:02 PM
  • Dabrowski: “The only operetta ever written about Subpart F of the Internal Revenue Code made its debut... 11:59 AM
  • Porgy Amor: On that point, aj, I agree. He has come armed with several methods of persuasion, and this is... 11:54 AM

Se non e vero, e ben Trovatore

A tip of the hennin to Our Own Phoenix for his nightmarish Trovatore scenario, once again suggesting a Stefan Herheim production pushed only gently over the edge. As such, Phoenix will be the proud recipient of two tickets to WQXR’s exclusive season preview for the Met at the charming downtown Greene Space, featuring Ildar AbdrazakovIsabel Leonard, David AldenThomas Adès and (health permitting) Dolora Zajick. Congratulations, and understand that La Cieca feels just the the proudest of mother hens!

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