Cher Public

  • Porgy Amor: RIP, director Nikolaus Lehnhoff. httpv://www.youtub e.com/watch?v=4yVD jsthCnU 12:14 AM
  • Rosemont: re Seattle Nabucco. +1 John. I thought the musicianship excellent; production awful. When the giant bright red wiggling blobs... 12:09 AM
  • Camille: Marie Collier. [Mawrdew Czgowchwz...???] 11:48 PM
  • mjmacmtenor: How sad. I saw her at the beginning of her career. She sang Mamma Lucia in Caveleria with Opera Pacific (Orange County, CA).... 11:03 PM
  • armerjacquino: For a 15 year old in the house, it was one of the most thrilling things I’d ever heard. Still is. 11:01 PM
  • operablogger: I can only take Handel in small doses, so that clip of Ann Murray was perfect. She did a great job, too — I was out... 10:00 PM
  • Krunoslav: “Ye Bare and Ye Cubb remains the earliest known performance of a play in the British North American colonies ”... 10:00 PM
  • WindyCityOperaman: Here’s a little bit of it . . . httpvh://www.youtu be.com/watch?v=NLW wT_hsEN8 8:08 PM

An unknown object draws us

Could there possibly be any more providential day of the year for New York City Opera to announce their Annual Fall Vintage Event?

38 comments

  • Quanto Painy Fakor says:

    For those of you who never saw him and for the rest of us who will never forget him

    • Benedetta Funghi-Trifolati says:

      Grazie. I always thought he could do more with one slightly-raised eyebrow or pinky finger than other singers/actors could with their entire bodies. Saw him as Scarpia, Iago, Falstaff and the Count in NOZZE. As Scarpia he managed to draw magnetic attention even while “dead” and lying on the floor with those glazed-over, open, staring-directly-at-the-audience-fish-eyes. To say nothing of the still menacing from the afterlife sound (which echoed and reverberated through the entire theatre) when he let his fist fall to the floor after Tosca retrieved the salvacondotto from his deathly grip. Maestro!