Headshot of La Cieca

Cher Public

  • manou: Yes indeed: http://www.theguar dian.com/music/201 2/jan/29/alice-goo dman-death-klingho ffer-interview... 9:48 AM
  • la vociaccia: blah blah blah american inferiority blah blah blah. Do you have another channel besides... 9:47 AM
  • ML: inapt 9:45 AM
  • manou: How “certainR 21; must the age be? I am longing to speak my mind. 9:44 AM
  • operaassport: Friends of mine are often stunned when they return from trips to Europe at how much overt... 9:39 AM
  • DellaCasaFan: Sorry, redbear, I believe your analogy is inept. This is not about pro- or anti-intellectu... 9:36 AM
  • la vociaccia: Certainly not planned, but Fedora reportedly shed a few of her furs before the “Dalla... 9:19 AM
  • pasavant: Thanks for posting the Jan Peerce Bluebird. What a wonderful way to start the day! 9:18 AM
  • arepo: eric: I never thought of it in that way. It makes such good sense though. I wonder what the reply... 8:46 AM
  • perfidia: But neither one of them shirtless. 8:41 AM

An unknown object draws us

Could there possibly be any more providential day of the year for New York City Opera to announce their Annual Fall Vintage Event?

38 comments

  • Quanto Painy Fakor says:

    For those of you who never saw him and for the rest of us who will never forget him

    • Benedetta Funghi-Trifolati says:

      Grazie. I always thought he could do more with one slightly-raised eyebrow or pinky finger than other singers/actors could with their entire bodies. Saw him as Scarpia, Iago, Falstaff and the Count in NOZZE. As Scarpia he managed to draw magnetic attention even while “dead” and lying on the floor with those glazed-over, open, staring-directly-at-the-audience-fish-eyes. To say nothing of the still menacing from the afterlife sound (which echoed and reverberated through the entire theatre) when he let his fist fall to the floor after Tosca retrieved the salvacondotto from his deathly grip. Maestro!