Headshot of La Cieca

Cher Public

  • Chanterelle: Vocabulary gleaned from Schubert lieder amused my German professor enormously. 10:48 AM
  • Krunoslav: ‘I’m sure there must be precedents for interrupting in the middle of the scene in the... 10:48 AM
  • Krunoslav: Historic maybe in the Danilo Princip sense–an augur of worse to come–but she was 19... 10:31 AM
  • kashania: Yes, it’s hard to imagine what could be gained from keeping the performance going at that... 10:28 AM
  • DellaCasaFan: I wonder if Chung should have stopped and save everyone an embarrassment. You could hear... 10:24 AM
  • DeepSouthSenior: Language lesson to accompany Ralph Kramden’s line in The Honeymooners, “One of... 10:23 AM
  • Grane: When being recruited for volunteer work or fundraising activities: “Ich hilfe nie.” 10:19 AM
  • kashania: Thanks for the in-house report, Marianne. Wow. I can’t believe the audience would boo a... 10:15 AM
  • DeepSouthSenior: . . . demise . . . 9:56 AM
  • DeepSouthSenior: Sony executives reflecting on the demine of “The Interview”: “Addio, del... 9:56 AM

An unknown object draws us

Could there possibly be any more providential day of the year for New York City Opera to announce their Annual Fall Vintage Event?

38 comments

  • Quanto Painy Fakor says:

    For those of you who never saw him and for the rest of us who will never forget him

    • Benedetta Funghi-Trifolati says:

      Grazie. I always thought he could do more with one slightly-raised eyebrow or pinky finger than other singers/actors could with their entire bodies. Saw him as Scarpia, Iago, Falstaff and the Count in NOZZE. As Scarpia he managed to draw magnetic attention even while “dead” and lying on the floor with those glazed-over, open, staring-directly-at-the-audience-fish-eyes. To say nothing of the still menacing from the afterlife sound (which echoed and reverberated through the entire theatre) when he let his fist fall to the floor after Tosca retrieved the salvacondotto from his deathly grip. Maestro!