Headshot of La Cieca

Cher Public

  • "Haven’t seen it yet, but Mad Max is getting a lot of buzz for being an..." - turings
  • "Comparing opera to Mad Max makes me uncomfortable. Mad Max is entertainment, pure and..." - redbear
  • "[TRUTH IN ADVERTISING DIVISION] Zinka: “ONE NOTE”" - Krunoslav
  • "httpv://www.youtub e.com/watch?v=m4DP F6kA0aI OK…Think back!!! Can ONE NOTE tell..." - zinka
  • "“And their monthly or bi-monthly magazine is free (though printed programs..." - Krunoslav
  • "If the GM of an opera company isin the mind set that the young generation should trade..." - CwbyLA
  • "Some European houses have considered these issues. A few examples off the top of..." - Chanterelle
  • "Maybe I can convince Jonas to come to Ptown…..." - Olivero is my Drug of Choice

How monarchic was my sprezzatura!

“Yet the evening’s first words, heard in the set-piece Ombra ma fui—like all of Xerxes’ arias sung with monarchic sprezzatura and amoral relish by Stella Doufexis—came unexpectedly in Italian. It was flagrant violation of this house’s fundamental principle, here brushed aside by the cultural capital of the aria and deemed insufficient to sunder the inextricable bonds between the Italian text and Handel’s melody. It was as if the composer and his music, through his advocate Herheim, was holding ground at least at the outset against appropriation of his music by the moderns.”

Oh, what’s not to like in a review like this one?

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