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Cher Public

  • Cicciabella: A big thank you to everyone who reported on Klinghoffer and reviewed the performance. This... 4:37 AM
  • Walther von Holzhaufen: Ivy, I just read your blog on Klinghoffer. I found your review and reflections to be... 4:33 AM
  • Often admonished: more http://leplus.nouv elobs.com/contribu tion/1251812-une-f emme-voilee-exp... 4:15 AM
  • Often admonished: Some kind of Intolerance Index considering all forms of censorship, artistic and aesthetic... 4:12 AM
  • tiger1: Dear Ms Ivy, Just read your review. Really really great. About giving the terrorists a back story,... 3:47 AM
  • Cicciabella: Nadja Michael is one hot 300-year old cougar in that trailer! I don’t know this opera very... 3:45 AM
  • tiger1: In my view, it is an error of the people who do not like DoK, who thinks it spends to much of an... 3:16 AM
  • Feldmarschallin: I had previously seen Behrens in 1988. It certainly is a diva role and she has by far the... 3:15 AM
  • tiger1: Actually, having now read the libretto and listened to the music, I think it is incorrectly to say... 3:12 AM
  • Buster: Thanks! I’ll definitely watch it next week. My Emilias thus far have been Catherine Malfitano,... 3:06 AM

How monarchic was my sprezzatura!

“Yet the evening’s first words, heard in the set-piece Ombra ma fui—like all of Xerxes’ arias sung with monarchic sprezzatura and amoral relish by Stella Doufexis—came unexpectedly in Italian. It was flagrant violation of this house’s fundamental principle, here brushed aside by the cultural capital of the aria and deemed insufficient to sunder the inextricable bonds between the Italian text and Handel’s melody. It was as if the composer and his music, through his advocate Herheim, was holding ground at least at the outset against appropriation of his music by the moderns.”

Oh, what’s not to like in a review like this one?

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