Cher Public

  • Quanto Painy Fakor: Excellent. Brava, bastarda! That is exactly what I was hoping people would feel and I agree with your entire... 12:09 PM
  • antikitschychick: Afternoon all, Happy Friday :-). Stayed up late last night reading the posts on this thread (am still catching up) and... 12:07 PM
  • LT: I can see her point. Otello is the object of Iago’s destructive hatred. Desdemona is more like collateral damage. 11:49 AM
  • armerjacquino: It’s still there, albeit under another name https://en.m.wikip ll_Performing_Arts _Center 11:48 AM
  • kashania: Glad to see the great W. Meier getting the top billing for “on this day” feature. What a career she has had (and... 11:46 AM
  • DonCarloFanatic: Maybe it was the director’s insistence, but SR spent much of Trov on her knees or falling to the ground, and she... 11:40 AM
  • chicagoing: Reviewing the Met Opera calendar for the next several days it struck me that not only did LOC present a Tannhauser with Johan... 11:05 AM
  • zinka: httpv://www.youtub zr1_a88 Just THINK….Only 11 more days till Oct.21….for Virginia̵... 10:48 AM

Ass backwards

“If you think that elegant transitions like these are the crucial elements in the Ring — if you view Wagner’s cycle primarily as a series of logistical puzzles waiting to be solved with advanced technology — Ka might convince you, as it apparently did Mr. Gelb, that Mr. Lepage is the man for the job.  But if you care more about the cycle’s nuances — its characters and their relationships, its emotions, its philosophical complexities — then the idea of giving the reins to the creator of Ka, which is wholly devoid of all those complexities, is preposterous.” Zachary Woolfe went to Las Vegas and all we got was a thoughtful analysis of why Robert Lepage never was a good fit for the Ring.