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Cher Public

  • m. croche: Perhaps we can stipulate that it is always harder to do something convincingly than to do... 12:20 AM
  • Batty Masetto: If this was supposed to be about iconoclasm, Barry has an odd way of explaining it. The... 12:18 AM
  • LT: I was there. Certainly a big success for him. First time hearing him live. Yes, it’s a big voice,... 12:10 AM
  • Camille: ORION! thanks a billion for all the reports!!! I can hardly wait to hear it on the 18th! GRAND... 11:56 PM
  • Camille: Just back from the Lucia. No fooling at all, a beautiful representation of the role of Edgardo. The... 11:54 PM
  • Belfagor: Well it is much easier to smash something down than to build something convincingly new. It... 11:51 PM
  • Porgy Amor: Well, the thing about Garanca — however she comes off as Carmen or Charlotte or whatever... 11:38 PM
  • m. croche: One of the best things you can do with an icon is to smash it to bits (non-violently, of course).... 11:12 PM
  • DeepSouthSenior: Thanks, -Ed. I still have a lurking suspicion that my grandson was more interested in The... 11:00 PM
  • Orion: “O Souverain, O juge, O père” Roberto Alagna (captured on 30/03/2015 – Opera... 10:52 PM

Ass backwards

“If you think that elegant transitions like these are the crucial elements in the Ring — if you view Wagner’s cycle primarily as a series of logistical puzzles waiting to be solved with advanced technology — Ka might convince you, as it apparently did Mr. Gelb, that Mr. Lepage is the man for the job.  But if you care more about the cycle’s nuances — its characters and their relationships, its emotions, its philosophical complexities — then the idea of giving the reins to the creator of Ka, which is wholly devoid of all those complexities, is preposterous.” Zachary Woolfe went to Las Vegas and all we got was a thoughtful analysis of why Robert Lepage never was a good fit for the Ring.