Cher Public

  • Camille: Jungfer Because a girl’s duenna comes first, I am disobeying the edict to be die schweigsame Frau: (Monsieur Camille is... 2:06 PM
  • Camille: I read a part of TT’s book report summary and do not recall him even mentioning the excellent Kundry. In fact, Mr... 1:58 PM
  • Camille: Bluecabachon– ;I left and then you came in and now you left? So I’m leaving as there is nothing to talk about this... 1:45 PM
  • PCally: The Karajan has Rysanek and Ludwig. Nilsson didn’t add the opera to her rep until the mid-1970s, by which time... 1:11 PM
  • Camille: Following the 1841 Schott republished score of Der Fliegende Holländer, which was the author’s original libretto and which... 1:09 PM
  • jackoh: Peter Gelb has taken a significant step in making the Met opera experience accessible to the decidedly nonwealthy. And it... 12:42 PM
  • armerjacquino: Michael Moore and opera: http://notsowunder bar.blogspot.co.uk /2010/02/first-thi ng-we-do-is-kill-a ll-tenors.html?m=1 12:16 PM
  • Camille: Well, Jungferissima— I have been commanded to remain die Schweigsame Frau until Monsieur Camille has a chance to see The Dritter... 11:58 AM

Fairy-lit

It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal,” an aphorism that has since been borrowed by many. La Cieca will leave it up to the reader to decide whether the Handa Opera on Sydney Harbour production of La traviata ranks as a “good” or a “great” example of idea appropriation; meanwhile she will just sit back and marvel at Francesca Zambello‘s idea that setting Verdi’s opera on an comically oversized silver tea tray beneath an even more comically oversized chandelier might be considered “art” anywhere in the civilized world. (So shiny!)

Photo by Lisa Tomasetti

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