Cher Public

  • Porgy Amor: An infamous production. Whenever the anti-Gelbites get nostalgic for the Volpe years, when, in a rosy revisionist view, all... 7:59 PM
  • Signor Bruschino: What about the final scene with him and Zajick on the crazy merry-go-round thing? That night is burned in my brain! How... 7:58 PM
  • PCally: Big big fan, particularly as Hoffmann. He could be a bit much at times and I never found the sound the most intrinsically... 7:39 PM
  • Krunoslav: Well, thanks. I rather liked “IPHIGENIA IN TAURUS”, which sounds like a former Alden AD’s elevator pitch. 7:11 PM
  • armerjacquino: Heh! You are KILLING it this week, sir. 7:01 PM
  • Krunoslav: It took me four days to hitchhike from Fermanagh. 6:57 PM
  • armerjacquino: I’d agree with everything you say, with a slight caveat about ‘sounding more or less like herself’. The... 6:47 PM
  • The Poet Lenski: I suppose finding Shicoff’s behavior “so repulsive” that it impedes enjoyment of his art is a personal... 6:28 PM

Le sigh

Prepare to swoon, cher public, as the Bayerische Staatsopera presents yet another of their hunk-o-rama webcasts, Eugene Onegin, starring Simon Keenlyside and Pavol Breslik.

The live performance of the controversial “Brokeback” production of Tchaikovsky’s opera directed by Krzysztof Warlikowski will be webcast on Saturday, March 24 at 19:00 Munich time (2:00 PM EDT.)

Russian soprano Ekaterina Scherbachenko sings Tatiana and the Bavarian State orchestra will be led by young Finish conductor Pietari Inkinen. The webcast will transmit directly from the Bayerische Staatsoper’s website.

55 comments

  • 21
    DonCarloFanatic says:

    I kept falling asleep watching Onegin today and missed some of the action that presumably explained Onegin’s motivation and Lenski’s. And was Onegin hitting on Tatiana at the end only because he sees her as his last hope to live the straight life? Is he sincere here, or confused, or in love? The final line of the opera has been translated sometimes to suggest Onegin is more humiliated than broken-hearted. His last action in this production suggests the same. So what was all that begging on his knees about?

    Anybody want to recap and interpret?

  • 22
    louannd says:

    From Intermezzo today regarding Glyndebourne free/live streams this summer:

    The Cunning Little Vixen, Le Nozze di Figaro and the double bill of L’Heure Espagnole and L’Enfant et les Sortilèges will all be streamed live. The Fairy Queen and La Cenerentola are to be recorded and broadcast later. The only production from this year’s Festival that won’t be shown is La bohème (a David McVicar revival).