Cher Public

  • Jamie01: It’s not necessary to suspend my disbelief to appreciate Dialogues. I don’t have to believe in God. I only have to... 1:04 PM
  • JohninSeattle: OT… to be sure… I love this opera. But when you say: “so I wonder why is it so hard for an unbeliever to... 12:22 PM
  • pavel: Well, I don’t think you can properly evaluate a production until you’ve seen it at least 25 times! 12:15 PM
  • JohninSeattle: It really is a tragedy that there wasn’t enough money in the costume budget to purchase fabric for sleeves. Should... 11:44 AM
  • moritz: From Latin “fistulaR 21; = reed pipe, syrinx, panpipes. The German expression “Fistelstimm e” means more or... 11:04 AM
  • zinka: OT httpv://www.youtub e.com/watch?v=nb8N lupfrmM Rest in Peace (93) VERY exciting soprano. 10:57 AM
  • Lohengrin: I agree with Feldmarschallin. Saw the production 4 times, love it! 10:51 AM
  • La Valkyrietta: The girl can’t help it, the girl can’t help it… httpv://www.youtub e.com/watch?v=soxN 55f7fzU 10:51 AM

Le sigh

Prepare to swoon, cher public, as the Bayerische Staatsopera presents yet another of their hunk-o-rama webcasts, Eugene Onegin, starring Simon Keenlyside and Pavol Breslik.

The live performance of the controversial “Brokeback” production of Tchaikovsky’s opera directed by Krzysztof Warlikowski will be webcast on Saturday, March 24 at 19:00 Munich time (2:00 PM EDT.)

Russian soprano Ekaterina Scherbachenko sings Tatiana and the Bavarian State orchestra will be led by young Finish conductor Pietari Inkinen. The webcast will transmit directly from the Bayerische Staatsoper’s website.

55 comments

  • DonCarloFanatic says:

    I kept falling asleep watching Onegin today and missed some of the action that presumably explained Onegin’s motivation and Lenski’s. And was Onegin hitting on Tatiana at the end only because he sees her as his last hope to live the straight life? Is he sincere here, or confused, or in love? The final line of the opera has been translated sometimes to suggest Onegin is more humiliated than broken-hearted. His last action in this production suggests the same. So what was all that begging on his knees about?

    Anybody want to recap and interpret?

  • louannd says:

    From Intermezzo today regarding Glyndebourne free/live streams this summer:

    The Cunning Little Vixen, Le Nozze di Figaro and the double bill of L’Heure Espagnole and L’Enfant et les Sortilèges will all be streamed live. The Fairy Queen and La Cenerentola are to be recorded and broadcast later. The only production from this year’s Festival that won’t be shown is La bohème (a David McVicar revival).