Take the Monnaie and run
“Though Mr. Herheim’s work is rigorous, it is also fun, and this Rusalka is serious but the opposite of dour. It’s a circus: brightly colored and full of dancing and neon lights. The ball scene becomes a full-theater party, with confetti cannons fired from the upper balconies. The production is as scrupulous in its deconstruction of the text as a Wooster Group show, but with the joyous excess of Franco Zeffirelli’s Metropolitan Opera production of Turandot.” Zachary Woolfe reviews Stefan Herheim‘s production of Rusalka at La Monnaie.
The theater will offer a webcast version of this Rusalka beginning March 27; in the meantime here’s a trailer for the Dresden Semperoper’s presentation.
Photo: Sébastien Forthomme