We hold these truths to be self-evident
“Rufus Wainwright Talks Opera Prima Donna and Why the Genre’s ‘Not for Sissies’” [Papermag]
“Rufus Wainwright Talks Opera Prima Donna and Why the Genre’s ‘Not for Sissies’” [Papermag]
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Opera is for sissies don’t know how to compose their own music.
She really should cut back on the eye makeup.
it just dawned on me, quite violently actually, that there is no opera about an opera singer
Oh, nooooooo! Not again! Did no one bother to debrief him about this in the last year or so since this statement first appeared in this same context?
The quote makes much more sense in context. I certainly can’t think of an opera that is about the occasional artistic crises a diva may have; only characters in opera who happen to be opera singers, which is background secondary to the real story.
Of course that doesn’t mean that the story of a diva has been told effectively, or is a particularly interesting plot device for an opera.
whitney houston, the opera?
Yes, the problem here seems to be that he’s not terribly articulate.
He always comes off like a poorly read high school kid.
Pasatieri’s La Divina (written in 1965) is about the last performance of a famous opera singer. The is an excellent recording with Sjeri Greenawald in the title role. Both Tosca and The Impressario come to mind as operas with singers portraying important parts.
Sheri Greenawald.. sorry.
I stopped reading when Woofus told me there’s no opera about an opera singer. Baseball players hit runs; violinists play them – what a crock.
Other opera about opera singers:
LE CANTATRICE VILLANE (by Fioravanti)
DER SCHAUSPIELSDIREKTOR
LES CONTES D’HOFFMANN (Antonia, La Voix, Stella)
VEC MAKROPULOS
THE TENOR (by Weisgall)
THE ASPERN PAPERS
And does Rufus really think that Monteverdi’s operas are 500 years old? POPPEA is 369 and counting…
“I DUE ILLUSTRI RIVALI”–ossia
La vera storia della piccolissima Bianca Castafiore e la grandissima Nerva Nelli.
Roofus, callate la boca and go read the Victor Book of Opera.
“I DUE ILLUSTRI RIVALI”–ossia
La vera storia della piccolissima Bianca Castafiore e la grandissima Nerva Nelli.
…….
Castafiore had no rivals as DON CARLOS’ Countess of Aremburg, her only role at the Paris Opera and created by Verdi with his usual shrewdness as to matching role to vocalità. Too bad she retired *decades* too early to have been able to create Janacek’s Cleaning Lady.
And she doesn’t look a day over 347.
Ariadne auf Naxos is definitely about a diva’s search for identity as much as it is a composer’s search for the ‘truth.’
And the Makropulos Affair is all about an aging diva.
Wainwright has plenty of strengths, but articulating his ideas isn’t one of them. As for opera composing, I’ll decide for myself when I see his opus this Saturday.
oops, see you already listed that one.
Nessun dorma
Well, that was hideous. Can we blame the sound system or singing in English?
New subject for Wainwright opera he can take the leading role:
httpv://www.videosurf.com/video/marilyn-monroe-scene-from-ladies-of-the-chorus-1239127253
sorry