Headshot of La Cieca

Cher Public

  • Feldmarschallin: The new Siegfried which opens on Pfinstsonntag at BSO. Funny that Lance Ryan sounds Eastern... 2:56 AM
  • MontyNostry: … and does Stemme’s voice really have a “bright sheen”? Oh, I’d... 2:55 AM
  • MrGuy1804: You are right on the money. I was not terribly impressed with any of the singing. There were a few... 12:29 AM
  • Camille: That was fun, thanks! I had completely forgotten Eastern Airlines, the Wings of Man. With a name like... 12:22 AM
  • Henry Holland: Thanks! Too bad they didn’t do Der Zwerg instead of the (wonderful) Puccini. The LA Opera... 12:09 AM
  • Camille: Thanks Blue, for the review. Lord, what are “earthy colorings”? 12:06 AM
  • Gualtier M: Here is Carmelita Pope in the actual 70′s era Pam commercial at 2:36 in: httpv://www.you... 12:03 AM
  • CruzSF: kashania, please tell us more about these performances. Who? How presented? And don’t neglect the... 12:03 AM

People get regie

Heavens, what with breakdown of the site a couple weeks ago, the Regie quiz has been forgotten for all too long! The answer to the previous edition (which as La Cieca recalls it, someone guessed correctly) is Schoenberg’s Von Heute auf Morgen, as produced by John Fulljames at the Opéra national de Lyon. And now, something more from “Gestern,” if you get my drift.

14 comments

  • Quanto Painy Fakor says:

    This is definitely verdi’s FALSTAFF either that or Watch on the Rhein with Jane Fonda

  • Ilka Saro says:

    The lute gives it all away, of course. This is an all white production of Joplin’s Treemonisha, scored for an early music ensemble.

    1. The cast waits onstage in trepidation as the orchestra plays the overture.
    2. Treemonisha’s mothers sings the tale of how she found Treemonisha as a baby.
    3. The people of the village ask Treemonisha to lead them.

  • justanothertenor says:

    Il ritorno d’Ulisse in Patria?

  • WindyCityOperaman says:

    Yes, Mme Cieca, it was I who thought it was the Schoenberg – but I wasn’t completely correct as I thought the two other pics were part of a triple bill, namely Trouble in Tahiti, followed by The Telephone followed by the Schoenberg.

    The current production is some rethought version of either Weisgall’s Esther or Bellini’s Norma (top: Pollione and Adalgisa; middle Norma and Clotilde at her hideout; bottom is the finale).

  • rysanekfreak says:

    Lana Del Rey in Anna Bolena?

    1. King Henry tries to convince Jane that everything will be okay.

    2. Anne “sways” during the duet with Percy.

    3. Lana does the final cabaletta. The ghost of Smeaton is in the lower left corner, starting up another ballad.

  • sidessa says:

    POPPEA, of course!

  • Sir Ferris says:

    Ruslan and Ludmila.

  • WeillFan says:

    How about RISE AND FALL OF THE CITY OF MAHAGONNY (or AUFSTIEG UND FALL DER STADT MAHAGONNY)?
    1. Jimmy tells Jenny to “Skip the undies” in their first intimate encounter.
    2. “Alabama Song”
    3. General Act II revelry as Jenny sings, “In this life you must make your own bed…”

  • BillysBuddy says:

    Hänsel und Gretel, in a production deconstructing gender:

    1) The Father (in a reworking of the score) upbraids Hänsel for breaking the jug before sending the children out into the woods. Regisseur’s comment: “Warum soll es, daß der Feind muß immer die Mutter sein?”

    2) Hänsel resists the lure of the Witch’s 100% refined sugar trees. Gretel (at left) has clearly not.

    3) Hänsel dreams of 14 zombies and transcending gender boundaries.