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World class

La Cieca has just learned that La Monnaie, recently awarded the prestigious title of Opera House of the Year by Opernwelt magazine, is planning to stream all of this season’s productions free online. Currently on view is Luigi Cherubini’s Médée, featuring Nadja Michael and Kurt Streit in a production by Opera Cake fave Krzysztof Warlikowski, with Les talens lyriques led by Christophe Rousset. Watch the complete performance.

Our commenters do need prizes

Congratulations to the winners of the “Long Live Passion” Photoshop competition! The identities of the victors and a glimpe of their scathingly beautiful creations, after the jump. Read more »

Gelt gait tzu Gelb

The Metropolitan Opera reports an “astonishing” $182 million in donations for last fiscal year, almost triple what the company garnered in 2003. The bad news is that James Levine is still collecting seven figures annually for duties that at this point seem restricted to New England pratfalls. [New York Times]

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Who is that masked man?

Peter Mattei will sing the opening night of the Met’s new Don Giovanni Thursday, replacing the injured Mariusz Kwiecien. Subbing for Mattei as Figaro in Il barbiere di Siviglia tomorrow and Friday nights will be Rodion Pogossov.

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Juan down

Barihunk Mariusz Kwiecien injured his handsome back during today’s dress rehearsal of Don Giovanni at the Met and was taken to the hospital, tweets Dan Wakin. As La Cieca writes this, Kwiecien’s cover Dwayne Croft is at the Met rehearsing the opera’s first act swordfight.  

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Beyond the pale

“Hey the line forms, on the right dear / Now that Macheath’s back in town / You’d better lock your doors, and call the law / Because Macheath’s back in town.” So concludes Marc Blitzstein’s famous English translation of the song that opens Die Dreigroschenoper.

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Savagery neglected

I’ll confess it. I am a bloodthirsty opera fan.  I’m not above judging the quality of a work by the size of the body count at the finale.  After sitting through Traviata or Boheme all evening I’m often disappointed when only one person dies in the last act. All the principals are dead at the end of Tosca. Now that’s an opera.  I want Samson pushing down the columns and wiping out all those pesky Philistines.  The nuns in Carmelites being led to their deaths with the sound of the guillotine written into the music ?  Bring it on. 

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Intermission feature

Here it is, cher public, your arena for effete knife-throwing the week of October 9.

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