Of course, we all know a Marilyn Horne anecdote without a four-letter word is about as plausible as a martini without gin, but the tale that kicks off her Q&A with Zachary Woolfe is particularly bracing. You’ll be both shaken and stirred by this interview in the current Capital New York.
Though the headline seems to apply a whole series of epithets to a revered critic (“Stand-In Meets Sweet Snake, Shrieky Diva, Grumpy Dad: Manuela Hoelterhoff”), the actual review of the Met’s Siegfried on Bloomberg offers more than purely comic interest. While La Hoelterhoff is no better than usual as an opera reviewer, she does briefly at least return to a line of work she does better than just about anyone else: cultural criticism. Read more »
The little gray cells of operalover9001 were functioning at full capacity last week, raciocinating that the fuller-figured soloists must imply a heavier sing. And, yes, the mystery opera was a very hard sing indeed, Les Troyens at the Badisches Staatstheater Karlsruhe, directed by David Hermann. This week’s quiz promises to be as difficult to guess as Énée is to perform, so cast your eyes past the jump. Read more »
Get your effete knives out for general interest and off-topic conversations for the week of October 30.
And standing in the door of La Casa della Cieca (pictured) was little Betsy Ann Bobolink, who, instead of lisping “Trick or treat!”, drawled affectedly, “In the spirit of mutual respect and commonality that so pervades our modern society, and has even at times crept onto these pages, here’s what’s available for listening (and chatting)…”
This may seem a bit of a stretch, cher public, but stay with me. La Cieca introduces a new feature on parterre, named after not Lois Lane (pictured) but rather Lois Kirschenbaum, legendary Gotham opera fan. This Lois is widely regarded as a bellwether of noteworthy performances; or, to put it another way, if Lois is there, you know you’re in the right place. As such, this column will offer suggestions culled from the New York Opera Calendar for “the” performance in the NYC area each night of the following week. The elite are free to meet or not to [...]
“It’s the understudy’s job to save the show, and that’s just what Jay Hunter Morris did Thursday at the Met in the daunting title role of Wagner’s Siegfried.” [New York Post]
Cher Public