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  • kashania: That’s right. I forgot about Lee (whose voice I really liked). Thanks, La Cieca. 8:35 PM
  • La Cieca: The Don Carlo was planned for Rolando Villazon. Alagna took on the part at such short notice that... 8:24 PM
  • kashania: Frittoli’s voice is still lovely but she hasn’t been at her best for several years. Her... 8:19 PM
  • kashania: When was the last time the Met offered Alagna a new production — one where he wasn’t... 8:09 PM
  • kashania: Orion: I don’t have time to watch those YouTube clips right now and I have no doubt that... 8:06 PM
  • tornado12: Although I’m not sure about the Kuchta. The pitch on the recording I found on YouTube was a... 8:04 PM
  • tornado12: I think, I’ve got it: 1) Rita Hunter 2) Kirsten Flagstad 3) Marilyn Horne 4) Hildegard... 8:01 PM
  • armerjacquino: She lists it very firmly in her rep: http://www.christi negoerke.com/#!rep ertoire/c4g2 7:56 PM
  • SilvestriWoman: I seriously doubt Goerke has Turandot in her future. Having worked with her many years ago,... 7:40 PM
  • jackoh: Here is what bothers me about this situation, or model. If opera, at least in the US, can exist only... 7:18 PM

Der Götter Ende dämmert nun auf

This is the end.

James Levine has just canceled all engagements between now and October, except for the two remaining peformances of Die Walküre at the Met May 9 and 14.  Fabio Luisi will take over the Carnegie Hall concert with Natalie Dessay on May 16 and Levine’s duties on the Japan tour, conducting Don Carlo and La Bohème.

The statement from the Met, which follows the jump, optimistically predicts that after “taking the summer off to rest and recuperate from his ongoing back condition,” the maestro will return to the podium for the new production of Don Giovanni opening October 13.

Following his doctors’ advice, James Levine is taking the summer off to rest and recuperate from his ongoing back condition. While he will conduct the remaining performances of Die Walküre at the Met (May 9 and 14 – a matinee performance that will be transmitted live in HD), he will not join the Met on its Japan tour this June or conduct the MET Orchestra’s Carnegie Hall concert on May 15. Fabio Luisi, the Met’s principal guest conductor, will replace him for these engagements, conducting Verdi’s Don Carlo and Puccini’s La Bohème in Japan, and the May 15 concert at Carnegie featuring soprano Natalie Dessay. Levine will return to the Met in the fall to conduct the new production of Don Giovanni, which opens October 13.

The Carnegie program will remain the same except that Richard Strauss’s Don Juan, Opus 20 will replace Debussy’s Images pour orchestre.

Maestro Luisi is currently conducting a run of Rigoletto at the Met and leads the first of three performances of Ariadne auf Naxos tomorrow.

55 comments

  • Quanto Painy Fakor says:

    Ynold: Et vos cheveux aussi, tout gris, tout gris!
    Gockley: “People say not to worry about the graying of donors, because there are people in their 40s who are graying and they’ll replace the grays,” he said. “To a certain extent I embrace that idea, that people become more consistently wedded to attending an art form like symphony or opera when they get older.”

    … people of advancing age, elderly opera lovers, would have been less offensive.
    I think Gockley’s remarks about “greying” people are repulsive, just as I think he is despicable.

    Take a look at that photo of yourself Gockley and wonder where your pigment went.

    • Quanto Painy Fakor says:

      Ask this 44 year old GREY for some of his millions on an installment plan and see what you get.

    • Arianna a Nasso says:

      Well, it is a fact that people’s hair turns gray or white as they age. I’ve been graying since my 30s, my mother long has had snow white hair, and we both look pretty fabulous if I do say so myself. I don’t understand why Gockley’s phrasing should offend me. Could you explain so that I may be properly piqued?