Headshot of La Cieca

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  • lastregamarzapane: Janis Martin was also great as the Witch in Hansel and Gretel back in 1988(with Blegen and... 1:57 AM
  • Poison Ivy: Another review from last night: http://www.gbopera .it/2014/12/new-yo rk-metropolitan... 12:38 AM
  • Orion: Act II “Nuit divine…” http://www.youtube .com/attribution_l ink?a=c_WJx-wnvq8& amp;u=%2Fwatch%... 12:01 AM
  • Poison Ivy: Here’s Marina Rebeka in Tell: httpv://www.youtub e.com/watch?v=x8cv LMhnnEU 11:58 PM
  • Orion: Last Tuesday in MADRID, a dream-trio was on the stage of the Teatro Real to sing « Romeo et Juliette... 11:56 PM
  • Porgy Amor: One of my favorite moments in the Carsen is when Alfredo throws the money at Violetta. We are... 10:46 PM
  • zinka: httpv://www.youtub e.com/watch?v=j-tW EKDYdvI OK..CONFESS!!!! Which queen on Parterre is this? She... 10:39 PM
  • Poison Ivy: I too love the Carsen production. I feel like it’s more emotionally engaging than the... 10:18 PM
  • alejandro: ^Haven’t seen that. 9:40 PM
  • Porgy Amor: Interesting, Will; I think that the view of him as cold is not entirely supported either. Once he... 9:24 PM

Garden variety

Kasper Holten, director of the hunkalicious film Juan as well as current artistic director of Royal Danish Opera, will succeed Elaine Padmore as director of opera at the Royal Opera House starting next year. [The Stage]

49 comments

  • oedipe says:

    Ah, the irony of the random juxtaposition of topics! Here we were, discussing Bieito’s Entfuehrung and the unmasking -through Regie- of the victimization and subordination of 18th century women, even when they were being “saved” by men. And what do I see next? Life supersedes art! With all the carefully thought out violence and scatological detail, Bieito still has a hard time competing in terms of shock value with the true story of the well-connected, highly successful, “hunky” Kasper Holten, who decides to dump his dying wife for a new look-alike in better condition. Talk about the victimization of women!
    Now let’s see how the “modern”, “feminist” solutions suggested in the previous thread for Konstanze would apply in the case of Holten’s wife (abandoned to die by herself): she could get therapy; she could “do what she wants”; or she could commit suicide…Other liberated, modern suggestions, anyone?

  • iltenoredigrazia says:

    If a thousand years from now some archaeologist discovers a transcript of some of these sessions and he/she doesn’t know what we meant by “opera,” he/she would have no idea that singing was involved. How would these differ from equivalent blogs on theatre or movies?