Headshot of La Cieca

Cher Public

  • sfmike: Here’s another vote for the “Galina̶ 1; autobiography, one of the most wild,... 1:50 AM
  • SilvestriWoman: Could Speight be going to San Francisco??? 1:32 AM
  • mrsjohnclaggart: I should be clear, it was not Alagna getting through “Part Two”. 12:40 AM
  • Guestoria Unpopularenka: No, dear, you’re way past that age. 12:35 AM
  • Henry Holland: I went the Staatsoper Billy Budd in 2011 and Shicoff was a fantastic Captain Vere. I was so... 12:01 AM
  • Flora del Rio Grande: You don’t mind a little irony now and then, do you sport? In fact, I do give him... 12:00 AM
  • operaassport: If Speight is an Old Master, I must be Albert Einstein. 11:53 PM
  • mrsjohnclaggart: Thank you, Della Casa Fan (of course I AM she); I am sorry to see DSS (“we are made... 11:53 PM
  • Henry Holland: I went to the Long Beach production, there was no kerfuffle I could see. From Wikipedia... 11:49 PM
  • mrsjohnclaggart: Backstage observer said that Alagna fell and hurt himself and asked if he could leave after... 11:46 PM

Garden variety

Kasper Holten, director of the hunkalicious film Juan as well as current artistic director of Royal Danish Opera, will succeed Elaine Padmore as director of opera at the Royal Opera House starting next year. [The Stage]

49 comments

  • oedipe says:

    Ah, the irony of the random juxtaposition of topics! Here we were, discussing Bieito’s Entfuehrung and the unmasking -through Regie- of the victimization and subordination of 18th century women, even when they were being “saved” by men. And what do I see next? Life supersedes art! With all the carefully thought out violence and scatological detail, Bieito still has a hard time competing in terms of shock value with the true story of the well-connected, highly successful, “hunky” Kasper Holten, who decides to dump his dying wife for a new look-alike in better condition. Talk about the victimization of women!
    Now let’s see how the “modern”, “feminist” solutions suggested in the previous thread for Konstanze would apply in the case of Holten’s wife (abandoned to die by herself): she could get therapy; she could “do what she wants”; or she could commit suicide…Other liberated, modern suggestions, anyone?

  • iltenoredigrazia says:

    If a thousand years from now some archaeologist discovers a transcript of some of these sessions and he/she doesn’t know what we meant by “opera,” he/she would have no idea that singing was involved. How would these differ from equivalent blogs on theatre or movies?