Headshot of La Cieca

Cher Public

  • Buster: Thank you for another smashing overview. Will start with all the French ones. 1:56 AM
  • Guestoria Unpopularenka: I had no idea she was that rich. 1:37 AM
  • Guestoria Unpopularenka: Damn, right, you won’t. Larry doesn’t scream like this. And why did Joan... 1:33 AM
  • Guestoria Unpopularenka: I haven’t seen more than the cabaletta. I will watch the duet. However, in... 1:13 AM
  • DeepSouthSenior: She slips and nearly falls flat on her pretty little face at 1:06. Now, that would have... 12:50 AM
  • dr.malatempra: Oh, for heaven’s sake. How can you possibly know before you go??? Yes, you may not, but... 12:29 AM
  • williams: Argh! Wrong place. Lead balloon is aloft. 12:15 AM
  • williams: Rowna-just beautiful and so are you. 12:10 AM
  • williams: I had a case of mild golf clap back in the 70′s 12:03 AM
  • zinka: httpv://www.youtub e.com/watch?v=xAEk rBbEELo I will be there Tues..but I KNOW I will hear absolutely... 12:00 AM

Garden variety

Kasper Holten, director of the hunkalicious film Juan as well as current artistic director of Royal Danish Opera, will succeed Elaine Padmore as director of opera at the Royal Opera House starting next year. [The Stage]

49 comments

  • oedipe says:

    Ah, the irony of the random juxtaposition of topics! Here we were, discussing Bieito’s Entfuehrung and the unmasking -through Regie- of the victimization and subordination of 18th century women, even when they were being “saved” by men. And what do I see next? Life supersedes art! With all the carefully thought out violence and scatological detail, Bieito still has a hard time competing in terms of shock value with the true story of the well-connected, highly successful, “hunky” Kasper Holten, who decides to dump his dying wife for a new look-alike in better condition. Talk about the victimization of women!
    Now let’s see how the “modern”, “feminist” solutions suggested in the previous thread for Konstanze would apply in the case of Holten’s wife (abandoned to die by herself): she could get therapy; she could “do what she wants”; or she could commit suicide…Other liberated, modern suggestions, anyone?

  • iltenoredigrazia says:

    If a thousand years from now some archaeologist discovers a transcript of some of these sessions and he/she doesn’t know what we meant by “opera,” he/she would have no idea that singing was involved. How would these differ from equivalent blogs on theatre or movies?