Headshot of La Cieca

Cher Public

  • Bill: Buster – My guess it is the Barber of Seville. Later in her career Pons was singing only a... 3:19 PM
  • Buster: Thanks, both, will look him up. How could Miss Pons possibly sing, wasp-waisted like that? 3:10 PM
  • Tamino: Glad to hear that the Lowell House Queen of Spades is so good. They have done some wonderful... 2:54 PM
  • ipomoea: Re: Lowell House Queen of Spades Has anyone heard the second cast? Tenor is Mikhail Urusov. On YT:... 2:32 PM
  • Bill: Buster – Conley was a lyric tenor singing at the Met in the early 1950s (perhaps before) in Don... 2:17 PM
  • armerjacquino: Rather lovely tenor. Most famous as the first recorded Tom Rakewell. 2:14 PM
  • Buster: http://tinyurl.com /qdmkrse 2:14 PM
  • Buster: Eugene Conley, apparently. Never heard of him: 2:11 PM
  • marshiemarkII: Wow Kashie, thanks for finding this!!!!!!!!!!! she is so GLORIOUS!!!! the tone is so noble and... 2:09 PM
  • kashania: Marshie: Well, this “Es gibt ein Reich” is definitely good. It’s probably the... 2:01 PM

Garden variety

Kasper Holten, director of the hunkalicious film Juan as well as current artistic director of Royal Danish Opera, will succeed Elaine Padmore as director of opera at the Royal Opera House starting next year. [The Stage]

49 comments

  • oedipe says:

    Ah, the irony of the random juxtaposition of topics! Here we were, discussing Bieito’s Entfuehrung and the unmasking -through Regie- of the victimization and subordination of 18th century women, even when they were being “saved” by men. And what do I see next? Life supersedes art! With all the carefully thought out violence and scatological detail, Bieito still has a hard time competing in terms of shock value with the true story of the well-connected, highly successful, “hunky” Kasper Holten, who decides to dump his dying wife for a new look-alike in better condition. Talk about the victimization of women!
    Now let’s see how the “modern”, “feminist” solutions suggested in the previous thread for Konstanze would apply in the case of Holten’s wife (abandoned to die by herself): she could get therapy; she could “do what she wants”; or she could commit suicide…Other liberated, modern suggestions, anyone?

  • iltenoredigrazia says:

    If a thousand years from now some archaeologist discovers a transcript of some of these sessions and he/she doesn’t know what we meant by “opera,” he/she would have no idea that singing was involved. How would these differ from equivalent blogs on theatre or movies?