Cher Public

  • moritz: I was about to write “I’ve never heard or read that someone used the verb “fistelnR 21; although... 3:25 AM
  • siegmund: I believe she sang almost all of the big wagner roles including brunnhilde and isolde in places like London and Vienna. 1:43 AM
  • Bluebeard: A pivotal scene features that image, plus it’s the poster used by other companies, such as the ROH. It’s a... 12:38 AM
  • Poison Ivy: I saw the livestream. Opolais is a great actress, and a decent musician, but her voice really lacks any bloom. It kind of... 11:19 PM
  • WindyCityOperaman: RIP singer Lynn Anderson httpvh://www.youtu be.com/watch?v=2g0 f3_Gke84 8:59 PM
  • aulus agerius: Why do the WRITTEN ON SKIN ads feature tats? It’s not about that is it? I decided not to go, BTW, affer viewing the... 7:46 PM
  • Bill: I liked Ludmila Dvorakova a great deal – she had a Flagstad like warmth to her voice – very rich in the middle. She sang... 6:37 PM
  • luvtennis: I would have a hard time suspending my disbelief too. How can you kill nuns to music that’s this much FUN!... 5:49 PM

From the House of Atreus

The team that made the Met’s 2009 production of From the House of the Dead one of the undisputed highlights of the Peter Gelb era will return five years from now to create a Richard Strauss tragedy.  According to Helsingin Sanomat, director Patrice Chéreau and conductor Esa-Pekka Salonen will collaborate on a new production of Elektra in 2016, to be shared between the Met and La Scala.

85 comments

  • Earl Koenig says:

    What about Herlitzius as Elektra? I listened to the broadcast from La Monnaie in 2010, and she was simply phenomenal. The metal in the top voice is just right for the role.