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  • La Cieca: Netrebko has already announced she is singing Aida. This “weepy waily” stuff is a... 11:32 AM
  • armerjacquino: We discussed this before, but Aida has agency as a character; she makes her own decisions and... 11:30 AM
  • alejandro: Wow. She sounds delish! My money is tight this season so not sure if I’ll make this but who... 11:21 AM
  • Porgy Amor: and how strong and modern she is That “she” being AN; her view of Leonora was just... 11:17 AM
  • Porgy Amor: But is weepy, wimpy Aida AN’s type of gal? Don’t think so. Well, I don’t think... 11:13 AM
  • Ouf: Karajan’s new staging. Hmm. Odd that the second performance wasn’t until June 12. If true,... 11:06 AM
  • Milady DeWinter: Thanks for that DSS! Sarah Willis is indeed a real joy – I always find her little so... 11:06 AM
  • DeepSouthSenior: The most famous passage from Luther on the gift and value of music: Foreword to Georg... 10:58 AM
  • DonCarloFanatic: This Aida production, for all its faults, is far better than the previous one, which was... 10:55 AM
  • Poison Ivy: By the way, I found this. He could barely stand, and his voice sometimes sounds weak and... 10:55 AM

From the House of Atreus

The team that made the Met’s 2009 production of From the House of the Dead one of the undisputed highlights of the Peter Gelb era will return five years from now to create a Richard Strauss tragedy.  According to Helsingin Sanomat, director Patrice Chéreau and conductor Esa-Pekka Salonen will collaborate on a new production of Elektra in 2016, to be shared between the Met and La Scala.

85 comments

  • Earl Koenig says:

    What about Herlitzius as Elektra? I listened to the broadcast from La Monnaie in 2010, and she was simply phenomenal. The metal in the top voice is just right for the role.