Cher Public

  • mrsjohnclaggart: Thank you, Porgy, for being so kind. After I had posted I realized there was more than one poster here with a handle that... 1:55 AM
  • Cicciabella: Thanks, Ed. Everytime I see Callas on video it reinforces how much expression she put in the voice. You can see that she is... 1:43 AM
  • Porgy Amor: Weep no more, mrsjohnclaggart. I just looked at the entry in question (“Soft Center”), and that question was posed... 1:42 AM
  • zinka: httpv://www.youtub LcdZU7s HOLD ON TO YOUR…… ……R 30;……. Albania presents... 1:35 AM
  • Lohenfal: Anti, thanks for the detailed Tosca reviews. It seems that you were able to ignore all the debatable aspects of the production... 12:18 AM
  • la vociaccia: Ignored Cieca’s title, saw “Mascagni 221; and “duet” and am now supremely depressed that it... 11:54 PM
  • lorenzo.venezia: Beware the lethal F shard. 11:34 PM
  • Greg.Freed: Lazy reporting meets lack of absolute pitch, I’m afraid. The press packet noted that it was transposed down, and I... 11:32 PM

Our weapons are useless

“With a career spanning half a century, Placido Domingo continues to be firmly against leaving the stage, where presently he is triumphing in his role as Oreste in the production of Iphigenie en Tauride that is being performed at New York’s Metropolitan Opera.” [Fox News]


  • poisonivy says:

    The problem I have with Domingo nowadays is that he has classic “old singer” sound — it’s not something that can be helped, any 70 year old still essaying the opera stage would have the same problems. His voice never crashed and burned, but what it did do was narrow in range (obviously), and his lower range IMO never became richer as he lost his top notes. So his voice sounds hollow and colorless. To be fair to Domingo a lot of singers a lot younger than him have the same problem (Debbie Voigt is a great example). Domingo now sings roles for which he has the notes, but the sound itself is no longer very attractive, at least to these ears.