Headshot of La Cieca

Cher Public

  • Guestoria Unpopularenka: Maybe he doesn’t think highly of her. I can see that. 11:49 PM
  • Quanto Painy Fakor: The very talented Angel Joy Blue, who nailed two glorius high C’s in the Trovatore... 11:15 PM
  • Chanterelle: Your auto-correct cracks me up! Or is it voice recognition software? 11:10 PM
  • Quanto Painy Fakor: I guess Siri does not know Waltraud. 11:04 PM
  • Quanto Painy Fakor: i have had a fantasy about this for some time, thinking that La Netrebko always dreamed... 11:03 PM
  • Lindoro Almaviva: Just attended the Boston Lyric Opera’s production of gravitas at the Schubert... 10:36 PM
  • Poison Ivy: I don’t know, I really remember a very frosty vibe from her, and sure enough when PBS... 10:28 PM
  • Dabrowski: Ivy: You read way more into this than I did, and I think you are misremembering it. I have the... 10:20 PM
  • Satisfied: Interesting point. 10:01 PM
  • javier: It could be a timing conflict issue. James Levine is old so he can’t rehearse and conduct two... 9:42 PM

Our weapons are useless

“With a career spanning half a century, Placido Domingo continues to be firmly against leaving the stage, where presently he is triumphing in his role as Oreste in the production of Iphigenie en Tauride that is being performed at New York’s Metropolitan Opera.” [Fox News]

38 comments

  • poisonivy says:

    The problem I have with Domingo nowadays is that he has classic “old singer” sound — it’s not something that can be helped, any 70 year old still essaying the opera stage would have the same problems. His voice never crashed and burned, but what it did do was narrow in range (obviously), and his lower range IMO never became richer as he lost his top notes. So his voice sounds hollow and colorless. To be fair to Domingo a lot of singers a lot younger than him have the same problem (Debbie Voigt is a great example). Domingo now sings roles for which he has the notes, but the sound itself is no longer very attractive, at least to these ears.