Cher Public

  • parpignol: I thought it was a recycling plant, didn’t realize it was an alcohol distillery; is that for sure? I thought Elisabeth... 12:15 AM
  • Camille: Hopefully, La Manuelita will have time in retirement to contemplate this sound advice about red lips on older women:... 12:10 AM
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  • Camille: Remembering the tempests that tossed the last such trip across the pond, and as this is an occasion of the utmost importance,... 11:47 PM
  • Camille: This is how most of us know Alma: httpv://youtube.co m/watch?v=zWFEy1lV UMI Or as this: httpv://youtube.co m/watch?v=cQDil... 11:41 PM
  • Bill: Will – I was able to view and hear the tapes. Vocally, the Otello sounded vile but it was obviously more a rehearsal for... 11:36 PM
  • gustave of montreal: Abomination !! 10:33 PM
  • pasavant: What language is Otello singing? It certainly is not Italian! And singing flat too! 10:24 PM

Our weapons are useless

“With a career spanning half a century, Placido Domingo continues to be firmly against leaving the stage, where presently he is triumphing in his role as Oreste in the production of Iphigenie en Tauride that is being performed at New York’s Metropolitan Opera.” [Fox News]

38 comments

  • poisonivy says:

    The problem I have with Domingo nowadays is that he has classic “old singer” sound — it’s not something that can be helped, any 70 year old still essaying the opera stage would have the same problems. His voice never crashed and burned, but what it did do was narrow in range (obviously), and his lower range IMO never became richer as he lost his top notes. So his voice sounds hollow and colorless. To be fair to Domingo a lot of singers a lot younger than him have the same problem (Debbie Voigt is a great example). Domingo now sings roles for which he has the notes, but the sound itself is no longer very attractive, at least to these ears.