Headshot of La Cieca

Cher Public

  • zinka: httpv://www.youtub e.com/watch?v=5fZd gMXd82E& Galvany at 3:33 Who here can do this???????????... 3:38 PM
  • la vociaccia: She sounded, really, really bad though. I’m not arguing that she ‘doesn’ ;t... 3:32 PM
  • La Valkyrietta: How about this, mon cher Dabrowski? All wrong, perhaps, but not ridiculous at all. Exciting.... 3:03 PM
  • overstimmelated: There were comments on the amplification and balance by tancredipasero in another thread... 2:40 PM
  • laddie: Paul Curran has done several productions at Santa Fe Opera, three of which I have seen, the best... 2:39 PM
  • bluecabochon: There are enormous speakers on either side of the Met’s proscenium for all to see, fwiw. 2:23 PM
  • rapt: Wow! Thanks so much for posting this truly illuminating– ;and touching, I think–articl e. 2:12 PM
  • La Valkyrietta: To illustrate the phrase “from the ridiculous to the sublime”. httpv://www.you... 1:41 PM
  • Vittelio Scarpia: Paul Curran, the director who will stage the new “La donna del lago” next year... 1:37 PM
  • La Valkyrietta: Dabrowski, Your question, “Is the Wagner “heavier” and appropriate only for dramatic... 1:32 PM

“Je suis heureux ici”

rattle_thumb“The decades-overdue debut of Sir Simon Rattle at the Met Friday night demonstrated brilliantly just what we’ve been missing: His conducting of Pelléas et Mélisande is the musical pinnacle of the season.” [New York Post]

99 comments

  • parpignol says:

    very fine review; I was also there on Friday, and was loving Rattle, even though I have always thought Levine was the greatest in this opera; and Finley’s performance was also great, showing remarkable stylistc range since we’ve now recently seen him giving great performances in NYC in Dr. Atomic and La Boheme before Pelleas! but time for a new production, the Miller production is dull, same crumbling castle we’ve seen in other Miller productions, but it was the only dull thing about Friday’s performance which was consistently gripping with no snoozing stretches. . .