Headshot of La Cieca

Cher Public

  • Ilka Saro: “gets cast only rarely” is an accurate and scary term. When contracts are signed 5... 6:55 AM
  • Ilka Saro: First good laff of the day! 6:48 AM
  • Ilka Saro: JDF can always console himself by continuing to singing with incomparable brilliance, as he has... 6:46 AM
  • Ilka Saro: That’s some very fine singing, and a very comely appearance! 6:33 AM
  • Rudolf: And I thought that Milano “Traviata 221; with Damrau was weird. Geneva gives us Alfredo in a... 6:16 AM
  • williams: Vostra Maesta, Regina delle fate, Exactly! To my taste the Benelli/Camarena style is more pleasing.... 6:11 AM
  • oedipe: When a singer is not on the Met’s radar, or gets cast only rarely by the Met, people’s... 6:11 AM
  • oedipe: http://www.vittori ogrigolo.com/sites /vgrigolo/files/im agecache/highslide _full/vittorio_... 5:51 AM
  • Feldmarschallin: http://www.hamburg ballett.de/form/vo rschau_14_15.pdf Some interesting casting…... 5:02 AM
  • Cocky Kurwenal: I saw John Osborn sign Arnold in the 5,000 seat Royal Albert Hall very convincingly, so while... 4:48 AM

“Je suis heureux ici”

rattle_thumb“The decades-overdue debut of Sir Simon Rattle at the Met Friday night demonstrated brilliantly just what we’ve been missing: His conducting of Pelléas et Mélisande is the musical pinnacle of the season.” [New York Post]

99 comments

  • parpignol says:

    very fine review; I was also there on Friday, and was loving Rattle, even though I have always thought Levine was the greatest in this opera; and Finley’s performance was also great, showing remarkable stylistc range since we’ve now recently seen him giving great performances in NYC in Dr. Atomic and La Boheme before Pelleas! but time for a new production, the Miller production is dull, same crumbling castle we’ve seen in other Miller productions, but it was the only dull thing about Friday’s performance which was consistently gripping with no snoozing stretches. . .