“Je suis heureux ici”
“The decades-overdue debut of Sir Simon Rattle at the Met Friday night demonstrated brilliantly just what we’ve been missing: His conducting of Pelléas et Mélisande is the musical pinnacle of the season.” [New York Post]
Cher Public
- MrGuy1804: You are right on the money. I was not terribly impressed with any of the singing. There were a few... 12:29 AM
- Camille: That was fun, thanks! I had completely forgotten Eastern Airlines, the Wings of Man. With a name like... 12:22 AM
- Henry Holland: Thanks! Too bad they didn’t do Der Zwerg instead of the (wonderful) Puccini. The LA Opera... 12:09 AM
- Camille: Thanks Blue, for the review. Lord, what are “earthy colorings”? 12:06 AM
- Gualtier M: Here is Carmelita Pope in the actual 70′s era Pam commercial at 2:36 in: httpv://www.you... 12:03 AM
- CruzSF: kashania, please tell us more about these performances. Who? How presented? And don’t neglect the... 12:03 AM
- bluecabochon: Lucky you, Bob! I;d see it again if I could. Here’s TT’s New York Times review:... 11:53 PM
- kashania: HH: I thought of you tonight while watching the COC’s double of Florentine Tragedy and Gianni... 11:28 PM
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very fine review; I was also there on Friday, and was loving Rattle, even though I have always thought Levine was the greatest in this opera; and Finley’s performance was also great, showing remarkable stylistc range since we’ve now recently seen him giving great performances in NYC in Dr. Atomic and La Boheme before Pelleas! but time for a new production, the Miller production is dull, same crumbling castle we’ve seen in other Miller productions, but it was the only dull thing about Friday’s performance which was consistently gripping with no snoozing stretches. . .