Headshot of La Cieca

Cher Public

  • Camille: One hopes that Lurquito’s chastity has managed to remain intact!! Please do not apologise for... 9:43 PM
  • marshiemarkII: Lurquito but you left out the bed with the silks….. :D 9:29 PM
  • marshiemarkII: Mi chiamasti?!?!?!?!? Oh I have sinned I have sinned I have sinned my adored gurls, but this... 9:27 PM
  • Operngasse: Krunoslav – thank you for the correct information – the question mark meant I really... 9:20 PM
  • La Valkyrietta: Camille, No, me no guaso chileno, but I was easily assimilated, and did spend some years of... 9:09 PM
  • DellaCasaFan: Just as I had typed it I noticed the snafu… her Elena, of course .. Mafalda Favero was... 8:44 PM
  • Lurker_del_Cairo: Camille and La V – I will give Marshie a nudge – he HAS been busy (but... 8:43 PM
  • DellaCasaFan: Jungfer Marianne, it’s very kind of you to offer it. I don’t believe that any of... 8:41 PM
  • Jungfer Marianne Leitmetzerin: I have Arangi-Lombardi on two complete Columbia recordings: Mascagni:... 7:47 PM
  • MontyNostry: And Arangi-Lombardi was Leyla’s mentor. httpv://www.youtub e.com/watch?v=2L1r hK11KfQ 7:27 PM

“Je suis heureux ici”

rattle_thumb“The decades-overdue debut of Sir Simon Rattle at the Met Friday night demonstrated brilliantly just what we’ve been missing: His conducting of Pelléas et Mélisande is the musical pinnacle of the season.” [New York Post]

99 comments

  • parpignol says:

    very fine review; I was also there on Friday, and was loving Rattle, even though I have always thought Levine was the greatest in this opera; and Finley’s performance was also great, showing remarkable stylistc range since we’ve now recently seen him giving great performances in NYC in Dr. Atomic and La Boheme before Pelleas! but time for a new production, the Miller production is dull, same crumbling castle we’ve seen in other Miller productions, but it was the only dull thing about Friday’s performance which was consistently gripping with no snoozing stretches. . .