Trash television gets the “royal” treatment. [Danny Knows Best]
Our Own Ercole Farnese discovered and translated this interview in La Stampa with Jonas Kaufmann, in which the tenor discusses his “his idolatrous success with ladies and gay men, four fifths of the opera-goers.” Read more »
Which director is driving his Met cast crazy with his perfectionism? As if the rush to opening night is not enough, he’s insisting that every time a scene is rehearsed the blocking must be identical “for the HD broadcast.”
The annual Richard Tucker gala came and went at Avery Fisher Hall with the usual quota of gaffes, wardrobe malfunctions, no-shows, too-much-shows, substitutions and surprise guests (well, guest). And sandwiched between the routine, the egocentric and the just plain dull were moments of true dementia, the moments that we melomanes live and die for. Most of those moments were due to the antics of a certain well-known Slavic diva (of whom more later). But first, the specs.
Guess who stole the show last night at the Richard Tucker gala? [ABC News]
Truth is more brutal than fiction. Particularly when the truth is the story of Colonel Floyd James Thompson, whose nine years in captivity in Vietnam made him America’s longest-held prisoner of war. It’s perfect material for a chamber opera: an epic war story focused on the intimacy of a single excruciating life. It seems to be the time for veterans of the Vietnam War to get the respect and attention that many felt have been lacking. In the past few years, recognition for Vietnam vets has been growing. Five states have passed laws honoring or welcoming home (however belatedly) Vietnam [...]
In the words of La Cieca’s old, old, old friend Mrs. Malaprop, “We will not anticipate the past, our retrospection will now be all to the future.” And that’s where our chat will be as well, if dear Betsy has anything to do with it.
Cher Public