As Strephon so tactfully intimated, last week’s Regie quiz did indeed represent a “domestic and intimate” production of Verdi’s Luisa Miller, as staged by Stephen Medcalf for the Buxton Festival. (The performance of the name part by Susannah Glanville sent veteran operagoers’ tongues to wagging “Not since Fretwell!”)
“James Levine has served the Boston Symphony Orchestra honorably, and deserves to continue as music director if his health bounces back quickly. If he’s not able to return to full strength in a reasonable time, he should resign and allow the orchestra to search openly for a replacement.” [Boston Globe]
What a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in a postmodern epoch-bending variation. What if, this staging asks, Manon were to survive her various torments and travails? What would her life be like at, say, age 60? And what if, instead of hanging around mosquito-ridden Louisiana, she invested in a condo in Miami Beach (circa 1975)? Read more »
The pickings are slimmish this week for online listening Saturday afternoon, but those of you who are up and around by 11 AM may want to tune in to Die Meistersinger on BBC Radio 3, a concert performance by the Welsh National Opera starring Bryn Terfel. (Though I warn you: per the the Beeb’s website, the duration of the performance is scheduled at 6 hours, 15 minutes.) A few briefer selections, courtesy of Our Own Betsy, follow the jump.
The building that used to house Amato Opera will be repurposed into “a 100-seat theater showcasing work from various theater troupes,” plus “a 70-seat restaurant and bar,” which means that it’s just possible that at least sometimes opera companies may perform there again — assuming the rental on the theater space is not too prohibitive. [Eater]
Okay, so here’s that Luc Bondy production of Tosca again, this time as seen at the Bayerische Staatsoper earlier this summer, with the “original cast” of Karita Mattila and the singer who did all the rehearsals in New York until the last week, Juha Uusitalo. They rehearsed again for the co-production in Munich for festival performances and a telecast.
La Cieca was thinking that what with all the reading ye cher public are doing at the beach (or, more likely, bars and steam rooms and museums or wherever you hole up) it might be an interesting experiment to convene a virtual (i.e., online) book discussion. Except, instead of Oprah’s Book Club, this will be Opera’s Book Club — get it?
Cher Public