My eyes, my eyes!
Who knows better than Peter Gelb that “into each life some rain must fall” — especially now, when the Met honcho may have to replace a director who was the rock upon which was built the upcoming season?
Cher Public
- Camille: I hope one day……e tc. 9:47 PM
- Camille: Nerva, you are the funniest. TY for the word pn Carmelita Pope. Supposing I know her from PAM. I am one... 9:46 PM
- Nerva Nelli: Surely it must be Christopher Alden’s ENO restaging of THE ENCHANTED ISLAND . 9:19 PM
- actfive: Also saw this at LOC…Zajick looked totally bored, occasionally annoyed (maybe she was pissed at... 7:56 PM
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- Henry Holland: Good Dame Gwyneth as Minnie, Domingo as Jack Rance, LA Opera, 90′s sometime. At the end of... 7:16 PM
- PushedUpMezzo: Well of course the mike’s the clue. She famously had no need of such things. The lady... 6:25 PM
- La Valkyrietta: I voted, but it was not easy. I mean, for example, how do you decide which was a lousier... 6:17 PM
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Stephen Wadsworth! Competent, pleasantly
conventional, just about right for Boris!
Lucky he’s available. That’s a huge amount
of work on short notice.
Will he keep the same sets as seen in the Godunov director video on the Met’s website?
The way the MET works, these sets will already have been built and may have gone through technical rehearsals or be about to do so this summer, so yes — Mr. Wadsworth will have to work withing the sets conceived as part of another director’s concept.
Oh goody, Betsy came to your aid, leboyfriend!
I cannot record it so I’m happy someone is able to do so for you.
So far the palm goes to the men, excellent all. Eboli’s Veil Song (Fedora Barbieri) restricted to one verse, as well the romanza of Elisabetta (Delia Rigal).
Robert Merrill the excellent Marchese di Posa, with Fritz Stiedry conducting.
Speaking of little Renata,of the many Don Carlo’s I’ve caught at the Met, I must say that her Elisabetta is one I’ll always remember and cherish (1979).