Headshot of La Cieca

Cher Public

  • La Valkyrietta: I guess HD DVDs are a good thing, otherwise performances are forgotten entirely when people that... 5:35 PM
  • erica: Actually, that’s kind of weirdly convincing. 5:19 PM
  • La Valkyrietta: Voigt ain’t Fanciulla, period. I loved her the last time I was happy seeing her live in that... 5:14 PM
  • brunettino: Shucks — AC was my guess too based partly on the French used in the clue, but I got here too... 5:10 PM
  • Camille: Gee, that is bizarre—R 11;I was thinking of you a while back and wanting to let you know I HAD... 4:02 PM
  • kashania: I also checked out the second act finale and agree completely. It’s rare that a moment of hysteria... 3:59 PM
  • Lucy: Like arepo, I’m seeing Andrea Chenier: 1. Courtroom scene, just before “Si, fui soldato.”... 3:51 PM
  • grimoaldo: Hi Camille, you were interested in “Craig’ ;s Wife” with Rosalind Russell.I watched... 3:20 PM

I’m the Sheik of a Regie

regie_06_27_05OpinionatedNeophyte was certainly heading in the right direction when he (she?) guessed our previous Regie quiz suggested Médée. That Greek sorceress was indeed in attendance, but maestro Cherubini had nothing to do with it, because the opera in question was Mayr’s Medea in Corinto. The director was Hans Neuenfels, at the Bayerische Staatsoper.

And that production went something like this:

Now, a little more exotica:
regie_07_05_01regie_07_05_02regie_07_05_03

34 comments

  • opera-cake says:

    Just in passing… ;)

    Uwe Eric Laufenberg is a GM of the Koeln Opera and is a cool guy. He’s not really what you’d call Regietheater or any kind of cutting edge. OK, that Don Giovanni is transposed to our days but the concept of his theatrical language is very classical (but very-very well done for what it is; c.f. his Rosenkavalier on DVD with Schwanewilms and Vondung).

    Thanks for the link to the video. It looks very interesting: Zerlina is a Turkish girl living in a suburb (there is a huge Turkish minority is Germany!). Turks in Germany are known to be very conservative which fits very well the way Masetto reacts to Don Giovanni, and how he (mis)treats Zerlina.

    The idea is excellent and that’s theater I like: it talks about Don Giovanni, but manages to tackle very subtle social issues that the politicians (and others) feel uncomfortable to talk about…

    Cheers