Headshot of La Cieca

Cher Public

  • m. croche: If you can’t come up with more than two MET-worthy operas written since 1945, I’d say... 10:24 PM
  • Hippolyte: I’ve been attending the Met regularly for over 30 years more often than not sitting (or... 10:07 PM
  • DonCarloFanatic: Never really cared for him in movies, and obviously not old enough to have seen him live and... 9:59 PM
  • PCally: The Rake’s Progress was staged at La Monnaie and subsequently traveled/was supposed to travel... 9:54 PM
  • Hans Lick: The problem with doing dramatically tight and focused productions at the Met for some hypothetical... 9:39 PM
  • m. croche: Jolson’s style has dated terribly, but I don’t know how many performers of his generation still... 9:36 PM
  • Hans Lick: PCally – Where did Lepage stage The Rake’s Progress? I feel that he basically did not... 9:34 PM
  • aulus agerius: When I grew up in GA in the 50s minstrels were regular fundraising events for PTAs and high... 9:30 PM
  • armerjacquino: I’ve not once seen a Zeff or Schenk production where the singers didn’t look as if they’d... 9:05 PM
  • La Cieca: Apparently (according to those who were there) he had enormous magnetism in live performance. The... 8:54 PM

Peter’s principles

gelb_poster_thumbOnce again it takes an out-of-towner to write sensibly about Peter Gelb and the Met, though the “out of town” here refers only to geography: Anne Midgette is at heart and soul a New York newshen. [The Classical Beat]

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