Headshot of La Cieca

Cher Public

  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM
  • basso profundo: He has a decent voice but, having met him, I’m not sure if “good-lookin g”... 1:14 AM
  • Guestoria Unpopularenka: LOL @ the bows after Celeste Aida. Who’s this tenor? 12:54 AM
  • Krunoslav: Oops! Thanks, Scared Monster– I now realize I confused him with Adam Diegel. I did hear... 12:19 AM
  • Flora del Rio Grande: . . . Oh, and I over looked Kansas City. It has not only a winning ball club, but a... 11:59 PM
  • Flora del Rio Grande: Well, the old Met house was a Real Opera House in spite of certain shortcomings. The... 11:58 PM
  • SacredMonster: Jagde has never sung @ Glimmerglass, don’t know who you heard but I don’t think... 11:47 PM
  • Krunoslav: To rephrase: “he impressed ONLY as being good-looking and stentorian” 11:37 PM
  • Quanto Painy Fakor: Perhaps someone who is familiar with the vintage of the vehicles can confirm the date. 9:24 PM
  • Quanto Painy Fakor: But it was the norm to dress like that for the opera and it’s definitely the... 9:23 PM

Darkest before the dawn

dak_hope_15_hoursThe greatest week in the history of show business begins today in preparation for the Drop of That Album here in the USA, at this writing barely 15 hours away. In support of this release, Renée Fleming is making a whirlwind tour of personal appearances, including a command performance last night before President and Mrs. Obama at historic Ford’s Theater. She shared the boards of the venue where the “Great Emancipator” was assassinated with Kelly Clarkson, George Lopez, Lionel Richie, Dick Van Dyke, and cast members from the Ford’s Theatre production of Little Shop of Horrors.

Undaunted by this lavishly star-studded extravaganza, Our Own proud parterrian Faux Paul devised an hommage, after the jump.

46 comments

  • CruzSF says:

    I meant to tell you: at Fanciulla, two women sitting next to me said they LOVED Armida. They specifically mentioned the “beautiful sets” and “amazing singing.” They were both well over the age of 60 — I would guess one of them was closer to 70. After I picked myself off the floor, I realized that somewhere out there lies an audience for Zimmerman’s and RF’s efforts. I’m afraid I was too stunned to ask what they thought of the earlier Sonnambula.

    (Disclosure: I didn’t have strong feelings about RF before Armida, but I felt so taken advantage of by that performance that I’m taking the summer off from her singing.)