Headshot of La Cieca

Cher Public

  • alejandro: THANK YOU! This is one of my favorite shows ever. I’m a Japanophile and a Sondheimite . . .... 8:10 AM
  • La Valkyrietta: Enjoyed the review. I loved the performances Monday. Camarena is definitely a new star in New... 8:04 AM
  • Cocky Kurwenal: I saw the opening night PI, which I don’t suppose was the broadcast performance, but... 7:52 AM
  • Cocky Kurwenal: I would also go with Sills for this opera, overall, even though I have never particularly... 7:47 AM
  • Regina delle fate: Surely La Cenerentola is Rossini’s comic masterpiece, Camille. Which are your other... 6:54 AM
  • Regina delle fate: Bartoli at the Met is an entirely different thing from Bartoli in Zurich or at the Haus... 6:51 AM
  • manou: mskapay – it is very clear that you are not happy with the tone of this blog (“it’s really... 6:49 AM
  • Regina delle fate: I’ve got it already Buster! But not played it yet. Grim – thanks for the... 6:48 AM
  • Regina delle fate: Camille – I didn’t see her at La Scala, but I’ve seen her Elsa twice at... 6:46 AM
  • oedipe: Great. But you don’t consider baroque opera to be synonymous with Handel, I hope. How about a... 5:56 AM

Darkest before the dawn

dak_hope_15_hoursThe greatest week in the history of show business begins today in preparation for the Drop of That Album here in the USA, at this writing barely 15 hours away. In support of this release, Renée Fleming is making a whirlwind tour of personal appearances, including a command performance last night before President and Mrs. Obama at historic Ford’s Theater. She shared the boards of the venue where the “Great Emancipator” was assassinated with Kelly Clarkson, George Lopez, Lionel Richie, Dick Van Dyke, and cast members from the Ford’s Theatre production of Little Shop of Horrors.

Undaunted by this lavishly star-studded extravaganza, Our Own proud parterrian Faux Paul devised an hommage, after the jump.

46 comments

  • CruzSF says:

    I meant to tell you: at Fanciulla, two women sitting next to me said they LOVED Armida. They specifically mentioned the “beautiful sets” and “amazing singing.” They were both well over the age of 60 — I would guess one of them was closer to 70. After I picked myself off the floor, I realized that somewhere out there lies an audience for Zimmerman’s and RF’s efforts. I’m afraid I was too stunned to ask what they thought of the earlier Sonnambula.

    (Disclosure: I didn’t have strong feelings about RF before Armida, but I felt so taken advantage of by that performance that I’m taking the summer off from her singing.)