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And the lorgnette goes to…

lorgnette_dorThe results are in for the first annual Pubie Awards, nominated and voted upon by you, the Cher Public. Turnout this year was spectacular, with some categories racking up as many as 2,647 votes. A few of the races were close, and La Cieca thinks you’ll see an upset or two among the winners, after the jump. 

Best new production at the Met:

house_of_the_dead_metFrom the House of the Dead

Worst New Production at the Met:

fernAttila

Best Revival at the Met:

boheme_metLa Boheme

Worst Revival at the Met:

Dutch_Boys_Lead_Party_1923Der Fliegende Hollander

Best NYCO production:

don_gDon Giovanni

Best “off-Broadway” opera production:

mondo_squirrelIl Mondo della Luna (Gotham Chamber Opera)

Best Performance by a Diva:

anna_bohemeAnna Netrebko in La boheme

Worst Performance by a Diva:

fleming_telephoneRenee Fleming in Armida

Best Performance by a Divo:

kaufmann_carmenJonas Kaufmann in Carmen

Worst Performance by a Divo:

chinese-takeoutMarcello Giordani in Turandot

Best Performance in a Non-Diva Role:

blythe_angelicaStephanie Blythe in Suor Angelica

Worst Performance in a Non-Diva Role:

invisiblemanCarlo Guelfi in Aida

Maestro of the Year:

mutiRiccardo Muti

Einspringer of the Year:

rachele_gilmoreRachele Gilmore in Les Contes d’Hoffmann

Worst Night of Filth:

dummyTosca on opening night

And now the honorary awards (the “Lorgnette d’argent”) also nominated by you, the cher public:

  • Best Bitch-fight: Luc Bondy vs. Franco Zefferelli
  • Most Anticipated Cancellation: Angela Gheorghiu (not) in Carmen.
  • Lifetime Achievement:  Charles Anthony
  • Special Recognition for Outstanding Excellence in the Fields of Tireless Indefatigability and Persistent Proflicacy: BETSY_ANN_BOBOLINK

67 comments

  • Jay says:

    BAB’s award was richly deserved. The lady is a camp! Cosi fan Muti instead of Cosi fan Luisi? Ah, well…

    • CruzSF says:

      Just a guess on my part: Muti might have won because he salvaged (musically) what was a massive failure of a production, thus his achievement looks bigger.

      • quoth the maven says:

        Muti’s conducting was thrilling. He would have been considered great in any circumstances.

  • peripetia says:

    It’s hard to argue with any of the “winners” though I thought that Turandot could have swept the worst awards. That was truly a miserable run of performances.

  • Flamingopera says:

    Somebody completely jacked the quiz and I’m serious.

    For the “Best Performance by a Diva” Joyce Didonato was heading by far the quiz, then somebody voted voted and voted for anna netrebko so that she could win.

    Same thing for the “Best Revival at the Met”. Lulu was first for the first five days.

    And same thing for the “Worst performance by a diva”. Maria Glueghina was first by far then after a few days somebody voted a lot for Renéé Fleming so that she could win the award.

  • peter says:

    I think many of us are anxiously awaiting BAB’s acceptance speech.

  • BETSY_ANN_BOBOLINK says:

    Miss Bobolink weeps.

    When she recovers, she will have a few things to say.

  • CruzSF says:

    Congrats to Miss Bobolink. A sweeter, juicier bird could hardly be found.

  • BETSY_ANN_BOBOLINK says:

    Thing One is “WTF is ‘proflicacy’?”

  • Graefin Geschmutz says:

    La Cieca, judging from your no-comment (so far) to opera dunce above, I gather there was no way for you to monitor & control multiple voting by the same party. A pity that the ‘Lulu’ revival lost its lead in the best revival category, since–surprise!–I think the ‘Lulus’ this season were among the best things I’ve heard at the Met in recent years. In their wake–I heard two in the house–I’ve been listening to the Boulez/Stratas recording as well as the Levine/Malfitano pirate from 1988. Im a huge fan of Chereau, Boulez, & Stratas, but boy do they get everything wrong in the ’78 recording! The scale of the piece is miniaturized, the performance is all but affectless, the orchestral account without inflection, and the theatrical tone deadly serious, killing all the black comedy. The Levine, by contrast, is hugely scaled, radiantly expressive, and often hilarious (like the recent Met performances). What a pity he had to bow out from this revival, since he has been giving some wonderful performances of late, although not the recent Tosca (maybe he’s bored with it); I’m thinking primarily of his recent work with the BSO.

    • La Cieca says:

      It does look like there were a lot of votes cast by a very small group of voters — this is strongly suggested by the large number of votes in several categories and a significantly smaller total number of votes in other categories. For next year’s Pubies La Cieca will set up the voting so each reader can vote once a day, and that should produce a more representative result. (This despite the fact that the posting got more pageviews than anything since the year-beginning Carmen chat.)

      • CruzSF says:

        To be fair, La Cieca, you DID say “vote early and often” (as thomas noted). *I* voted only once in every category for which I felt eligible, but we can hardly blame people for following instructions. (or CAN we …?)

      • kashania says:

        La Cieca: Think of it this way. You now have your own PUBIE-GATE!

  • well, congrats to all the winners. Like with every award given, I do not agree with several of the recipients (Nebby as Mimi, specially given the other choices?; Tosca a night of filth, given what we witnessed in Turandon’t?)

    That being said, just like La Cieca said, it is an honor just to be nominated. I hope some of the “worst” nominees are indeed notifies of their prize and come forward to claim the fruit of their effort.

    • Flamingopera says:

      It was supposed to be Joyce didonato but somebdy jacked the quiz by voting a lot so that Netrebko could win.

  • havfruen says:

    Too bad we can’t vote for “best picture associated with the winners” I would pick “Miss Fern” – Much better than the actual costuming and sets for Atilla.