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  • Clita del Toro: Live Siegfried from Munich is on new—Act I 10:48 AM
  • armerjacquino: Actually, that’s not true about Vickers- I have the Solti AIDA somewhere. 10:14 AM
  • armerjacquino: I don’t have any Crespin (just an accident) or any Vickers (who I consciously avoid). 10:13 AM
  • Clita del Toro: Dumb, off-topic topic: Singers whose recordings you have never, ever bought. Mine are: Domingo,... 9:07 AM
  • Cocky Kurwenal: They did it in Seattle after Vancouver and before the recording, so it looks like they’ve... 8:50 AM
  • Cocky Kurwenal: Quite surprised the Vicar hasn’t chimed in with your enthusiasm for Carolyn Sampson. Come... 8:42 AM
  • phoenix: On this inaugural festive weekend: very best wishes to Bobensane (and all parterrianensane comrades) for... 8:18 AM
  • rysanekfreak: In addition to our regular features at Parterre (Guess the Regie and Intermission and Criticize the... 7:43 AM

Brace yourselves

willetheoperaticwhaleOur operatic riddle of the day: what is due to be seen in New York in September, assuming the enormous weight doesn’t rupture another disc?

44 comments

  • Cassandra says:

    ‘And Terfel has his detractors, though his Scarpia has shut them up for now.’

    Scarpia is NOT Wotan.

  • willym says:

    In response to #22 – Betsy you are quite right about doing the Ring without the right voices but in none of the previous posts on this thread had I seen much about the voices or casting – only about how the production was going to create problems. That is what I was referring to.

  • BETSY_ANN_BOBOLINK says:

    Oh good, willym, you’re back.

    On this thread, maybe so, but a bunch of parterrians have been beating their plowshares into tuning forks ever since the casting was first announced.

  • willym says:

    Betsy, I’m heading up to Milan on the 13th – or at least hope I am – to catch the opening of the new Ring cycle there. Barenboim conducting – meh… – Pape as Wotan which should be interesting and Belgian director Guy Cassiers staging – again could be interesting particularly after the bizarre Tannhauser there last month which I reviewed for Opera Britannia.