“Marianne Cornetti‘s Amneris…. gives the audience a heart attack every time she opens her mouth, possessing an ability to literally drown out the orchestra.” La Cieca has a new favourite opera critic, and his name is Jamie Tabberer.
Dwayne Croft will make his Met role debut as Escamillo Saturday night, replacing Mariusz Kwiecien, who is ill.

Among the ten musical feasts that Paris staged to celebrate the coronation of the last Bourbon king, Charles X, in 1825, Il viaggio a Reims by Gioachino Rossini had undoubtedly the highest profile. Others, including La Route de Reims, a pastiche of Mozart music, are now long forgotten, and Rossini’s score once seriously risked suffering the same fate.
Our Own JJ lends his voice to the debate about nudity in art this afternoon on WNYC’s Soundcheck. UPDATE: you can now listen to the show after the jump.
Now that the exciting and welcome news about Fabio Luisi‘s new position as Principal Guest Conductor has had a chance to settle a bit, La Cieca would like to quote an old, old, old friend and suggest that “our retrospection shall be all to the future.” Let’s slip into our Zukunftsbrillen after the jump, shall we?
Last night, Manhattan School of Music presented a charming, funny and partially polished Le Nozze di Figaro that showcased the ability of the school’s opera program to take a pleasing singer and create a great performer, making for a wonderfully entertaining performance.
Cher Public