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Hun for all

riccardo_mutiSince Attila is in the forefront of our thoughts right now, and since the prima of the Met’s production won’t be broadcast, La Cieca thought it would be handy to have a Riccardo Muti performance of the Verdi work as a common point of reference. 

Attila (Verdi). Florence, 31 December 1972.

Attila: Nicolai Ghiaurov; Odabella: Leyla Gencer; Foresto: Veriano Luchetti; Ezio: Norman Mittelmann; Uldino: Ottavio Taddei; Leone: Mario Rinaudo. Riccardo Muti, conductor.

Prologue

Act 1

Act 2

Act 3

78 comments

  • Constantine A. Papas says:

    The public has choices too. Don’t show up and don’t buy tickets.

  • wladek says:

    Isn’t it a lovely smile he has -just like
    all undertakers when performing
    their duties . Let’s see – Attila 1846 a
    transitory work at best from the umpa pa period has been dug up and is now in the year 2010 being presented
    as a major achievment in the world of
    opera at the Met . A conductor who has no shame at the age of 60 something to present himself with this work . Of all the truly wonderful
    operas written in the past 150 yes
    150 years he drags out this-couldn’t
    he have found something closer to our times -dare I say at least in the last 100? He like most opera lovers
    will arrive in a 21st. century hearse
    with a 19th. century corpse in tow.
    Yea Muti !!! undertaker supreme .

  • Satisfied says:

    Thank you so very much, La Cieca! I had no prior experience with this opera and was becoming rather concerned about the Met’s production (namely because of production images). But now I can take comfort that this music (and Muti) will certainly keep me in my seat!

    Oh! There is an enjoyable (soft) article on mastro Muti in the Times’ Art Page: http://www.nytimes.com/2010/02/21/arts/music/21muti.html?hpw

    A perfect pairing for a Sunday afternoon!

    • Satisfied says:

      Side note: there have been rumblings floating around that this will be Muti’s first and last production at the Met. I was hoping (to no avail) to find some discussion of the subject in the Times’ article. Does anyone know if there is any veracity to this rumor, or is it simply unsupported speculation that has spilled from one opera blog to the next?