Cher Public

  • WindyCityOperaman: Here’s a little bit of it . . . httpvh://www.youtu be.com/watch?v=NLW wT_hsEN8 8:08 PM
  • DonCarloFanatic: All I know of this movie is the Mad Magazine spoof, which I believe was entitled, “The Agony and the Agony.” 7:47 PM
  • JohninSeattle: There was blocking?! How did I miss that. oh dear. And, yes, I was *barely* two when Buddy Hackett and Miss America of 1972... 7:12 PM
  • derschatzgabber: Yes,it was basically a concert performance of Nabucco. The projected images rarely made any sense, and the placement of... 6:58 PM
  • Quanto Painy Fakor: And on her way into the city, Mrs. Belasco noticed these strange people on the other side of the road httpv://www.yo... 6:30 PM
  • JohninSeattle: Ah, Verdi in the house that worships Wagner (and the reason I live to see opera in cities not named “Seattle&... 6:29 PM
  • Dolciamente Pipo: I was there! I also thought Mary Elizabeth Williams was terrific. I totally agree with your assessment: a few wayward... 6:14 PM
  • DerLeiermann: *Clutches pearls* 6:01 PM

Guardians of the flame

lurch_thumbRenée Fleming and Dmitri Hvorostovsky offer an object lesson in the traditional old school performance practice of “lurch and flail” operatic acting.

39 comments

  • callasorphan says:

    In my humble opinion, I think they sounded damn wonderful with both looking splendid! (by the way, I’m not a huge fan of Renee; however, I’ve liked Dmitri since his early days)

  • RDaggle says:

    There certainly is some strange physicality in this clip. I’ve never seen anything like it from these two before.

    On the other hand, I’ve also never seen them try to sing grand opera tragedy sandwiched into a
    four-foot-deep corridor between orchestra and audience.

    Is this the St. Petersburg Concert Hall and Dinner Theater? Maybe between selections the singers have to refill drinks and bread baskets.

  • Earl Koenig says:

    I agree with those that have speculated on Madame Fleming’s potential in this particular role. I’ve always thought that (this) Leonora would suit her voice magnificently. I was infatuated with Fleming before the mannerisms started saturating her performances, and I think her high pianissimi are exquisite (if a bit overly indulgent at times) -- a requisite for this Verdi role in particular. If she could work with a top-notch conductor who could rein her affectations in, I think she has the essential vocal goods to own this role.

  • Sanford says:

    Come to think of it, I think there are some other Verdi roles I’d like to hear her in. I’m not sure about the opening coloratura of Luisa Miller, but I think she’d nail T’amo d’amor and Tu Puniscimi. I’d also like to hear the Giovanna D’Arco aria.

  • La Marchesa Attavanti says:

    I think they both sound quite good. No surprise from him since I’ve seen him in the role (and his very Scarpia-like take on de Luna in this act) but she sounds like only she can sound when she’s geared up. I think this would be a good role for her and I think it would keep her vocally occupied enough so as not to leave room for the vocal “playing with her food” that drives us all nuts.

  • javier says:

  • callasorphan says:

    If I had my way, it would be Aprile Millo up there with Dmitri singing full throttle (the exposure of bosoms being optional). Nevertheless, I enjoyed Renee for the first time in a very long time!