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	<title>Comments on: Happy Birthday Giacomo Puccini</title>
	<atom:link href="http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/feed/" rel="self" type="application/rss+xml" />
	<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/</link>
	<description>where opera is king and you, the readers, are queens</description>
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		<title>By: Lucky Pierre</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111766</link>
		<dc:creator>Lucky Pierre</dc:creator>
		<pubDate>Sat, 26 Dec 2009 04:42:51 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111766</guid>
		<description>also, if you wouldn&#039;t change the man&#039;s gender...  : - )</description>
		<content:encoded><![CDATA[<p>also, if you wouldn&#8217;t change the man&#8217;s gender&#8230;  : &#8211; )</p>
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	<item>
		<title>By: La Cieca</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111696</link>
		<dc:creator>La Cieca</dc:creator>
		<pubDate>Thu, 24 Dec 2009 20:43:04 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111696</guid>
		<description>This is a .rar file, which is a file compression program similar to .zip. If your computer does not automatically deal with .rar files, you can install the free program http://www.win-rar.com/</description>
		<content:encoded><![CDATA[<p>This is a .rar file, which is a file compression program similar to .zip. If your computer does not automatically deal with .rar files, you can install the free program <a href="http://www.win-rar.com/" rel="nofollow">http://www.win-rar.com/</a></p>
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	<item>
		<title>By: paddypig</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111693</link>
		<dc:creator>paddypig</dc:creator>
		<pubDate>Thu, 24 Dec 2009 20:01:09 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111693</guid>
		<description>windows media player does not open these files, what program do I need to play them</description>
		<content:encoded><![CDATA[<p>windows media player does not open these files, what program do I need to play them</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: kashania</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111637</link>
		<dc:creator>kashania</dc:creator>
		<pubDate>Thu, 24 Dec 2009 04:36:22 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111637</guid>
		<description>Scotto really is magnificent in this clip!</description>
		<content:encoded><![CDATA[<p>Scotto really is magnificent in this clip!</p>
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	<item>
		<title>By: rysanekfreak</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111601</link>
		<dc:creator>rysanekfreak</dc:creator>
		<pubDate>Thu, 24 Dec 2009 00:24:33 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111601</guid>
		<description>Sound only.  Tosca.  Corelli, first in London, then the same passage in Parma.   Incredible audience hysteria in Parma.

http://www.youtube.com/watch?v=KqzZtMMylYw</description>
		<content:encoded><![CDATA[<p>Sound only.  Tosca.  Corelli, first in London, then the same passage in Parma.   Incredible audience hysteria in Parma.</p>
<p><a href="http://www.youtube.com/watch?v=KqzZtMMylYw" rel="nofollow">http://www.youtube.com/watch?v=KqzZtMMylYw</a></p>
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	<item>
		<title>By: iltenoredigrazia</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111596</link>
		<dc:creator>iltenoredigrazia</dc:creator>
		<pubDate>Wed, 23 Dec 2009 23:46:22 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111596</guid>
		<description>What a pity that DiStefano&#039;s did not maintain that quality of singing for very long.   Truly a voice for the ages.

DiStefano, Corelli, Bergonzi, Tebaldi, Scotto....it&#039;s not a matter of &quot;things were always better in the past.&quot;   The fact is that no one has come along yet to equal them.   Just listen.</description>
		<content:encoded><![CDATA[<p>What a pity that DiStefano&#8217;s did not maintain that quality of singing for very long.   Truly a voice for the ages.</p>
<p>DiStefano, Corelli, Bergonzi, Tebaldi, Scotto&#8230;.it&#8217;s not a matter of &#8220;things were always better in the past.&#8221;   The fact is that no one has come along yet to equal them.   Just listen.</p>
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	<item>
		<title>By: iltenoredigrazia</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-2/#comment-111589</link>
		<dc:creator>iltenoredigrazia</dc:creator>
		<pubDate>Wed, 23 Dec 2009 23:10:19 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111589</guid>
		<description>Thanks.   I had not seen that clip before.   It&#039;s not the first clip where I see Tebaldi not jump but instead walk off the set.   I saw her Tosca at the Met several times starting in 1964 and she jumped off the castello every time.   By that time she had lost weight and might have felt more comfortable jumping.   She was also putting more emphasis on her acting.

Nevertheless, I think that clip shows that she was a lot more involved in the drama that she&#039;s often given credit for.   

The scream?  Ah yes, she screamed from early in her career and probably took its toll.   I think it was after her first Maddalena at the Met in 1955 that the Times reviewer mentioned it and predicted damage to her voice.</description>
		<content:encoded><![CDATA[<p>Thanks.   I had not seen that clip before.   It&#8217;s not the first clip where I see Tebaldi not jump but instead walk off the set.   I saw her Tosca at the Met several times starting in 1964 and she jumped off the castello every time.   By that time she had lost weight and might have felt more comfortable jumping.   She was also putting more emphasis on her acting.</p>
<p>Nevertheless, I think that clip shows that she was a lot more involved in the drama that she&#8217;s often given credit for.   </p>
<p>The scream?  Ah yes, she screamed from early in her career and probably took its toll.   I think it was after her first Maddalena at the Met in 1955 that the Times reviewer mentioned it and predicted damage to her voice.</p>
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		<title>By: kashania</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-2/#comment-111587</link>
		<dc:creator>kashania</dc:creator>
		<pubDate>Wed, 23 Dec 2009 22:36:12 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111587</guid>
		<description>God bless this Puccini thread for giving us so many great clips. Brava Olivero!</description>
		<content:encoded><![CDATA[<p>God bless this Puccini thread for giving us so many great clips. Brava Olivero!</p>
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		<title>By: operaguy</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111586</link>
		<dc:creator>operaguy</dc:creator>
		<pubDate>Wed, 23 Dec 2009 22:32:56 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111586</guid>
		<description>Courage, Maestro.  Edgar will one day be recognized for the masterpiece it is!</description>
		<content:encoded><![CDATA[<p>Courage, Maestro.  Edgar will one day be recognized for the masterpiece it is!</p>
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		<title>By: operaguy</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111585</link>
		<dc:creator>operaguy</dc:creator>
		<pubDate>Wed, 23 Dec 2009 22:29:52 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111585</guid>
		<description>Scotto&#039;s Tosca was also wonderful, at least in the theatre.  Unfortunately, I don&#039;t think she ever sang it in New York - just on the MET tour in 1984 when I spent one Saturday in D.C. seeing Horne-Ramey-Valente-Raffanti in Rinaldo in the afternoon and Scotto-Milnes-Mauro-Tajo (under Levine) in the evening.</description>
		<content:encoded><![CDATA[<p>Scotto&#8217;s Tosca was also wonderful, at least in the theatre.  Unfortunately, I don&#8217;t think she ever sang it in New York &#8211; just on the MET tour in 1984 when I spent one Saturday in D.C. seeing Horne-Ramey-Valente-Raffanti in Rinaldo in the afternoon and Scotto-Milnes-Mauro-Tajo (under Levine) in the evening.</p>
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		<title>By: operaguy</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-3/#comment-111584</link>
		<dc:creator>operaguy</dc:creator>
		<pubDate>Wed, 23 Dec 2009 22:17:50 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111584</guid>
		<description>Yes, it made a fine filler for Beeecham&#039;s classic Boheme recording with the Spainiard, Viking and lots of Yanks, when Naxos remastered them.</description>
		<content:encoded><![CDATA[<p>Yes, it made a fine filler for Beeecham&#8217;s classic Boheme recording with the Spainiard, Viking and lots of Yanks, when Naxos remastered them.</p>
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		<title>By: operaguy</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111583</link>
		<dc:creator>operaguy</dc:creator>
		<pubDate>Wed, 23 Dec 2009 22:12:18 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111583</guid>
		<description>Leinsdorf conducted the Nilsson-Bjoerling-Tebaldi - I believe Molinari-Prandelli did the Nilsson-Corelli-Scotto.  The RCA was recorded in July of 1959 and was probably scheduled for Mitropoulos, who became sick in January of 1959 (when he cancelled for the premiere of Macbeth, which became Leinsdorf&#039;s as well).  I always wonder what that Macbeth could have been as originally cast: Warren-Callas-Mitropoulos, as well as production of Turandot that Stokowski eventually took over.</description>
		<content:encoded><![CDATA[<p>Leinsdorf conducted the Nilsson-Bjoerling-Tebaldi &#8211; I believe Molinari-Prandelli did the Nilsson-Corelli-Scotto.  The RCA was recorded in July of 1959 and was probably scheduled for Mitropoulos, who became sick in January of 1959 (when he cancelled for the premiere of Macbeth, which became Leinsdorf&#8217;s as well).  I always wonder what that Macbeth could have been as originally cast: Warren-Callas-Mitropoulos, as well as production of Turandot that Stokowski eventually took over.</p>
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		<title>By: La Cieca</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-2/#comment-111570</link>
		<dc:creator>La Cieca</dc:creator>
		<pubDate>Wed, 23 Dec 2009 19:04:08 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111570</guid>
		<description>When I heard this production on tour, the mezzo parts were done by Irene Dalis, in her final Met appearances. The trick is to get someone with the stature to sing La Zia Principessa and then convince her to two the two supporting comic roles.</description>
		<content:encoded><![CDATA[<p>When I heard this production on tour, the mezzo parts were done by Irene Dalis, in her final Met appearances. The trick is to get someone with the stature to sing La Zia Principessa and then convince her to two the two supporting comic roles.</p>
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		<title>By: Krunoslav</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111569</link>
		<dc:creator>Krunoslav</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:52:39 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111569</guid>
		<description>31

OK, here&#039;s the same Cavaradossi aria, but sung by *an artist* ( Carlo Bergonzi, just a sob or two..., 1059)

http://www.youtube.com/watch?v=9bKH6E38DjQ</description>
		<content:encoded><![CDATA[<p>31</p>
<p>OK, here&#8217;s the same Cavaradossi aria, but sung by *an artist* ( Carlo Bergonzi, just a sob or two&#8230;, 1059)</p>
<p><a href="http://www.youtube.com/watch?v=9bKH6E38DjQ" rel="nofollow">http://www.youtube.com/watch?v=9bKH6E38DjQ</a></p>
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		<title>By: Henry Holland</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111566</link>
		<dc:creator>Henry Holland</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:47:00 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111566</guid>
		<description>&lt;i&gt;Nilsson-Corelli-Scotto Turandot. My favorite version&lt;/i&gt;

It&#039;s too bad the conducting is so poor. WTF was Leinsdorf doing conducting that cast, RCA had no good Italian conductors on call?</description>
		<content:encoded><![CDATA[<p><i>Nilsson-Corelli-Scotto Turandot. My favorite version</i></p>
<p>It&#8217;s too bad the conducting is so poor. WTF was Leinsdorf doing conducting that cast, RCA had no good Italian conductors on call?</p>
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		<title>By: Henry Holland</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111565</link>
		<dc:creator>Henry Holland</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:45:16 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111565</guid>
		<description>It would help if I spelled the man&#039;s name correctly: Corelli. :-( :-( :-(</description>
		<content:encoded><![CDATA[<p>It would help if I spelled the man&#8217;s name correctly: Corelli. <img src='http://parterre.com/wp-includes/images/smilies/icon_sad.gif' alt=':-(' class='wp-smiley' />  <img src='http://parterre.com/wp-includes/images/smilies/icon_sad.gif' alt=':-(' class='wp-smiley' />  <img src='http://parterre.com/wp-includes/images/smilies/icon_sad.gif' alt=':-(' class='wp-smiley' /> </p>
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		<title>By: Cassandra</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-3/#comment-111564</link>
		<dc:creator>Cassandra</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:43:18 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111564</guid>
		<description>Oh my god, when I watch something like that it makes me love this art form again so deeply.  The audience could not hold back its applause it was so amazing. THAT is opera.  To get that visceral reaction...</description>
		<content:encoded><![CDATA[<p>Oh my god, when I watch something like that it makes me love this art form again so deeply.  The audience could not hold back its applause it was so amazing. THAT is opera.  To get that visceral reaction&#8230;</p>
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		<title>By: Henry Holland</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-4/#comment-111562</link>
		<dc:creator>Henry Holland</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:42:51 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111562</guid>
		<description>The most gorgeous man to ever trod an opera stage, Franco Correlli, in Parma singing &lt;i&gt;E lucevan le stelle&lt;/i&gt;.  The section from 1:55 - 2:07 is jaw dropping, almost as much as his legs in the picture.

httpv://www.youtube.com/watch?v=abip8QaHKb8

Brava! indeed.</description>
		<content:encoded><![CDATA[<p>The most gorgeous man to ever trod an opera stage, Franco Correlli, in Parma singing <i>E lucevan le stelle</i>.  The section from 1:55 -- 2:07 is jaw dropping, almost as much as his legs in the picture.</p>
<p><div style="text-align:center">
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</div></p>
<p>Brava! indeed.</p>
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		<title>By: The Vicar of John Wakefield</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-3/#comment-111561</link>
		<dc:creator>The Vicar of John Wakefield</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:41:18 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111561</guid>
		<description>Act Three of LA BOHEME is incomparably done by Dora Labette, Heddle Nash, John Brownlee and Robert Easton under &quot;Tommie&quot; Beecham. Far finer than that lot of Spaniards, Vikings and Yanks in the later set.</description>
		<content:encoded><![CDATA[<p>Act Three of LA BOHEME is incomparably done by Dora Labette, Heddle Nash, John Brownlee and Robert Easton under &#8220;Tommie&#8221; Beecham. Far finer than that lot of Spaniards, Vikings and Yanks in the later set.</p>
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	<item>
		<title>By: Cassandra</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-2/#comment-111560</link>
		<dc:creator>Cassandra</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:38:45 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111560</guid>
		<description>Wow!  Thanks!</description>
		<content:encoded><![CDATA[<p>Wow!  Thanks!</p>
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		<title>By: Lindoro Almaviva</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-2/#comment-111559</link>
		<dc:creator>Lindoro Almaviva</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:32:40 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111559</guid>
		<description>Thank you cieca. I noticed something I had not noticed before. The Met has a tradition of mezzos singing also all 3 roles. I thought that Blythe had been the 1st one, but i see i was mistaken.</description>
		<content:encoded><![CDATA[<p>Thank you cieca. I noticed something I had not noticed before. The Met has a tradition of mezzos singing also all 3 roles. I thought that Blythe had been the 1st one, but i see i was mistaken.</p>
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	<item>
		<title>By: Lindoro Almaviva</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111557</link>
		<dc:creator>Lindoro Almaviva</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:22:15 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111557</guid>
		<description>Cruz: Click on my name, send me a message through my blog and I might be able to help you listen to some of that recording.</description>
		<content:encoded><![CDATA[<p>Cruz: Click on my name, send me a message through my blog and I might be able to help you listen to some of that recording.</p>
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	<item>
		<title>By: La Cieca</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-2/#comment-111554</link>
		<dc:creator>La Cieca</dc:creator>
		<pubDate>Wed, 23 Dec 2009 18:09:27 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111554</guid>
		<description>PUCCINI: IL TRITTICO
Metropolitan Opera, January 22, 1976

IL TABARRO
Giorgetta...............Renata Scotto
Luigi...................Harry Theyard
Michele.................Cornell MacNeil
Frugola.................Lili Chookasian
Talpa...................Philip Booth
Tinca...................Charles Anthony
Song Seller.............Jon Garrison
Lover...................Betsy Norden
Lover...................Douglas Ahlstedt

SUOR ANGELICA
Angelica................Renata Scotto
Princess................Lili Chookasian
Genovieffa..............Betsy Norden
Osmina..................Mary Fercana
Dolcina.................Elizabeth Anguish
Monitor.................Marcia Baldwin
Abbess..................Jean Kraft
Head Mistress...........Batyah Godfrey Ben-David
Nurse...................Cynthia Munzer
Lay Sister..............Maureen Smith
Lay Sister..............Joyce Olson
Novice..................Linda Mays
Novice..................Shinja Kwak
Alms Collector..........Alma Jean Smith
Alms Collector..........Elena Doria

GIANNI SCHICCHI
Gianni Schicchi.........Frank Guarrera
Lauretta................Renata Scotto
Rinuccio................Raymond Gibbs
Nella...................Betsy Norden
Ciesca..................Marcia Baldwin
Zita....................Lili Chookasian
Gherardo................Charles Anthony
Betto...................Russell Christopher
Marco...................Gene Boucher
Simone..................Raymond Michalski
Gherardino..............Lawrence Klein
Spinelloccio............Richard Best
Amantio.................Andrij Dobriansky
Pinellino...............Herman Marcus
Guccio..................Edmond Karlsrud
Buoso Donati............Terry Allen

Conductor...............Sixten Ehrling

In-house, 256kbps stereo mp3.

&lt;a href=&quot;http://rapidshare.com/files/22953939/il_tabarro_76.rar&quot; rel=&quot;nofollow&quot;&gt;IL TABARRO&lt;/a&gt;

&lt;a href=&quot;http://rapidshare.com/files/22956071/suor_angelica_76.rar&quot; rel=&quot;nofollow&quot;&gt;SUOR ANGELICA&lt;/a&gt;

&lt;a href=&quot;http://rapidshare.com/files/22951734/gianni_schicchi_76.rar&quot; rel=&quot;nofollow&quot;&gt;GIANNI SCHICCHI&lt;/a&gt;





(PS: these are files I uploaded, so there&#039;s no foul in my linking to them here.)</description>
		<content:encoded><![CDATA[<p>PUCCINI: IL TRITTICO<br />
Metropolitan Opera, January 22, 1976</p>
<p>IL TABARRO<br />
Giorgetta&#8230;&#8230;&#8230;&#8230;&#8230;Renata Scotto<br />
Luigi&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Harry Theyard<br />
Michele&#8230;&#8230;&#8230;&#8230;&#8230;..Cornell MacNeil<br />
Frugola&#8230;&#8230;&#8230;&#8230;&#8230;..Lili Chookasian<br />
Talpa&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Philip Booth<br />
Tinca&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Charles Anthony<br />
Song Seller&#8230;&#8230;&#8230;&#8230;.Jon Garrison<br />
Lover&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Betsy Norden<br />
Lover&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Douglas Ahlstedt</p>
<p>SUOR ANGELICA<br />
Angelica&#8230;&#8230;&#8230;&#8230;&#8230;.Renata Scotto<br />
Princess&#8230;&#8230;&#8230;&#8230;&#8230;.Lili Chookasian<br />
Genovieffa&#8230;&#8230;&#8230;&#8230;..Betsy Norden<br />
Osmina&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Mary Fercana<br />
Dolcina&#8230;&#8230;&#8230;&#8230;&#8230;..Elizabeth Anguish<br />
Monitor&#8230;&#8230;&#8230;&#8230;&#8230;..Marcia Baldwin<br />
Abbess&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Jean Kraft<br />
Head Mistress&#8230;&#8230;&#8230;..Batyah Godfrey Ben-David<br />
Nurse&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Cynthia Munzer<br />
Lay Sister&#8230;&#8230;&#8230;&#8230;..Maureen Smith<br />
Lay Sister&#8230;&#8230;&#8230;&#8230;..Joyce Olson<br />
Novice&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Linda Mays<br />
Novice&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Shinja Kwak<br />
Alms Collector&#8230;&#8230;&#8230;.Alma Jean Smith<br />
Alms Collector&#8230;&#8230;&#8230;.Elena Doria</p>
<p>GIANNI SCHICCHI<br />
Gianni Schicchi&#8230;&#8230;&#8230;Frank Guarrera<br />
Lauretta&#8230;&#8230;&#8230;&#8230;&#8230;.Renata Scotto<br />
Rinuccio&#8230;&#8230;&#8230;&#8230;&#8230;.Raymond Gibbs<br />
Nella&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Betsy Norden<br />
Ciesca&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Marcia Baldwin<br />
Zita&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Lili Chookasian<br />
Gherardo&#8230;&#8230;&#8230;&#8230;&#8230;.Charles Anthony<br />
Betto&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Russell Christopher<br />
Marco&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Gene Boucher<br />
Simone&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Raymond Michalski<br />
Gherardino&#8230;&#8230;&#8230;&#8230;..Lawrence Klein<br />
Spinelloccio&#8230;&#8230;&#8230;&#8230;Richard Best<br />
Amantio&#8230;&#8230;&#8230;&#8230;&#8230;..Andrij Dobriansky<br />
Pinellino&#8230;&#8230;&#8230;&#8230;&#8230;Herman Marcus<br />
Guccio&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Edmond Karlsrud<br />
Buoso Donati&#8230;&#8230;&#8230;&#8230;Terry Allen</p>
<p>Conductor&#8230;&#8230;&#8230;&#8230;&#8230;Sixten Ehrling</p>
<p>In-house, 256kbps stereo mp3.</p>
<p><a href="http://rapidshare.com/files/22953939/il_tabarro_76.rar" rel="nofollow">IL TABARRO</a></p>
<p><a href="http://rapidshare.com/files/22956071/suor_angelica_76.rar" rel="nofollow">SUOR ANGELICA</a></p>
<p><a href="http://rapidshare.com/files/22951734/gianni_schicchi_76.rar" rel="nofollow">GIANNI SCHICCHI</a></p>
<p>(PS: these are files I uploaded, so there&#8217;s no foul in my linking to them here.)</p>
]]></content:encoded>
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		<title>By: Will</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111553</link>
		<dc:creator>Will</dc:creator>
		<pubDate>Wed, 23 Dec 2009 17:48:54 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111553</guid>
		<description>Actually, Mongelli is my very favorite Rance.  It&#039;s not necessarily a great voice but it&#039;s loaded with character.  He&#039;s a wonderful vocal actor; his &quot;Buona Notte!&quot; is laced with both venom and a kind of disgust that hints he could just possibly realize his adored Minnie had cheated.  

Why didn&#039;t we get more Matachic operas on disc?  He was a highly skilled and theatrically alive conductor--along with the singers he has, you can practically see this Fanciulla being played out in front of you as it comes from the speakers.</description>
		<content:encoded><![CDATA[<p>Actually, Mongelli is my very favorite Rance.  It&#8217;s not necessarily a great voice but it&#8217;s loaded with character.  He&#8217;s a wonderful vocal actor; his &#8220;Buona Notte!&#8221; is laced with both venom and a kind of disgust that hints he could just possibly realize his adored Minnie had cheated.  </p>
<p>Why didn&#8217;t we get more Matachic operas on disc?  He was a highly skilled and theatrically alive conductor&#8211;along with the singers he has, you can practically see this Fanciulla being played out in front of you as it comes from the speakers.</p>
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		<title>By: quoththemaven</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111551</link>
		<dc:creator>quoththemaven</dc:creator>
		<pubDate>Wed, 23 Dec 2009 17:31:10 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111551</guid>
		<description>Cruz--Callas never sang Minnie. It would have been like several other roles she sang on record, but not in the theater--Puccini&#039;s Manon, Mimi, Forza. Actually, I think it&#039;s just as well she didn&#039;t make that recording--her top had become pretty unreliable by 1959, and it&#039;s a role that calls for lots of high, loud singing. 

I have a real soft spot in my heart for the Nilsson recording. She is vocally stupendous, and Matacic creates a lot of excitement in his conducting.</description>
		<content:encoded><![CDATA[<p>Cruz&#8211;Callas never sang Minnie. It would have been like several other roles she sang on record, but not in the theater&#8211;Puccini&#8217;s Manon, Mimi, Forza. Actually, I think it&#8217;s just as well she didn&#8217;t make that recording&#8211;her top had become pretty unreliable by 1959, and it&#8217;s a role that calls for lots of high, loud singing. </p>
<p>I have a real soft spot in my heart for the Nilsson recording. She is vocally stupendous, and Matacic creates a lot of excitement in his conducting.</p>
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		<title>By: Camille</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111550</link>
		<dc:creator>Camille</dc:creator>
		<pubDate>Wed, 23 Dec 2009 17:30:27 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111550</guid>
		<description>I concur, about the loudness, that is.

In the review of the aftermath, Martin Bernheimer wrote something like this...&quot;Dame Jones emitted notes that peeled the paint off the Dorothy Chandler pavilion&quot;.  

Terribly afraid to say that I bailed after the second act; not to my taste so I am now sorry I missed the handcar entrance.  I prefer a horse.

A year or two later, her Faerberin in FRoSCH was just right, and she fabulously swathed herself in veils in the second act as she exited, taunting her poor hubby as if she had not managed to look in her datebook, and had mistaken the opera for Salome.  That woman had a 
way with veils.  

Also, fabulous was the way she threw the errant fishies back into the frying pan when they descended from the heavens and fell flat on the floor.  

No fish was going to f***k with Dame Gwyn!  She got a round of applause.</description>
		<content:encoded><![CDATA[<p>I concur, about the loudness, that is.</p>
<p>In the review of the aftermath, Martin Bernheimer wrote something like this&#8230;&#8221;Dame Jones emitted notes that peeled the paint off the Dorothy Chandler pavilion&#8221;.  </p>
<p>Terribly afraid to say that I bailed after the second act; not to my taste so I am now sorry I missed the handcar entrance.  I prefer a horse.</p>
<p>A year or two later, her Faerberin in FRoSCH was just right, and she fabulously swathed herself in veils in the second act as she exited, taunting her poor hubby as if she had not managed to look in her datebook, and had mistaken the opera for Salome.  That woman had a<br />
way with veils.  </p>
<p>Also, fabulous was the way she threw the errant fishies back into the frying pan when they descended from the heavens and fell flat on the floor.  </p>
<p>No fish was going to f***k with Dame Gwyn!  She got a round of applause.</p>
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		<title>By: Cassandra</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-2/#comment-111549</link>
		<dc:creator>Cassandra</dc:creator>
		<pubDate>Wed, 23 Dec 2009 16:48:12 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111549</guid>
		<description>Good god, this is a million miles past the garbage I sat through a few weeks ago.  THIS is what a soprano should sound like in this repertoire (minus the age in the top.)  So musical.</description>
		<content:encoded><![CDATA[<p>Good god, this is a million miles past the garbage I sat through a few weeks ago.  THIS is what a soprano should sound like in this repertoire (minus the age in the top.)  So musical.</p>
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		<title>By: Cassandra</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111548</link>
		<dc:creator>Cassandra</dc:creator>
		<pubDate>Wed, 23 Dec 2009 16:40:34 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111548</guid>
		<description>If you have no proof of what you&#039;re discussing, then accusations concerning Levine are quite clearly slanderous and if written here, libelous.  

In the years I&#039;ve worked in this business, I&#039;ve never seen actual proof of any of these claims, and Levine is simply not powerful enough, nor was he powerful enough at the time, to overcome such charges.  We&#039;ve seen much larger celebrities fall for much, much less.  Look at what&#039;s happening right now to Tiger Woods and Eliot Spitzer for example.  

Levine would not have been able to avoid such charges as have been rumored to be leveled at him.  The New York DA DOES NOT PLAY when it comes to these sorts of charges, no matter how politically connected Levine might be or have been.  I scoff at the idea of Renata Scotto, a singer who is no richer than Levine (certainly less so at this point,)  and someone who is neither a citizen of this country nor someone who wields political power or authority in this city, bailing him out of jail for such charges and then blackmailing him with knowledge of what he did for some roles well past her prime.  It&#039;s deeply insulting to Scotto to even allege this, and she&#039;d probably (deservedly) slap you in the face for even saying something like that to her.  The whole thing is just ridiculous, and is an absurd urban legend.  

Do you honestly think Levine had so much power he was not able to only buy off the NY DA&#039;s office, but the investigators, the judges, the law clerks, and the entire NY newspaper industry which of course would have caught wind of this and immediately printed anything, especially concerning a wealthy gay man sitting in a seat of artistic power at one of the most revered institutions of the social elite? The NY press loves nothing more than a good scandal and they would have eaten him and the Met board alive.  Lay off the dry martinis for a minute and think about it.  Come on.  Whatever its failings, the Met is not the Catholic church.

It&#039;s really time to let it go.  Making accusations of this sort is a very dangerous thing, and it&#039;s not funny or cute.  If you have no proof, you are playing a very ugly game, and no, &quot;I heard it from someone who heard it from a guy who is dating the daughter of one of the makeup artists backstage&quot; is not proof.</description>
		<content:encoded><![CDATA[<p>If you have no proof of what you&#8217;re discussing, then accusations concerning Levine are quite clearly slanderous and if written here, libelous.  </p>
<p>In the years I&#8217;ve worked in this business, I&#8217;ve never seen actual proof of any of these claims, and Levine is simply not powerful enough, nor was he powerful enough at the time, to overcome such charges.  We&#8217;ve seen much larger celebrities fall for much, much less.  Look at what&#8217;s happening right now to Tiger Woods and Eliot Spitzer for example.  </p>
<p>Levine would not have been able to avoid such charges as have been rumored to be leveled at him.  The New York DA DOES NOT PLAY when it comes to these sorts of charges, no matter how politically connected Levine might be or have been.  I scoff at the idea of Renata Scotto, a singer who is no richer than Levine (certainly less so at this point,)  and someone who is neither a citizen of this country nor someone who wields political power or authority in this city, bailing him out of jail for such charges and then blackmailing him with knowledge of what he did for some roles well past her prime.  It&#8217;s deeply insulting to Scotto to even allege this, and she&#8217;d probably (deservedly) slap you in the face for even saying something like that to her.  The whole thing is just ridiculous, and is an absurd urban legend.  </p>
<p>Do you honestly think Levine had so much power he was not able to only buy off the NY DA&#8217;s office, but the investigators, the judges, the law clerks, and the entire NY newspaper industry which of course would have caught wind of this and immediately printed anything, especially concerning a wealthy gay man sitting in a seat of artistic power at one of the most revered institutions of the social elite? The NY press loves nothing more than a good scandal and they would have eaten him and the Met board alive.  Lay off the dry martinis for a minute and think about it.  Come on.  Whatever its failings, the Met is not the Catholic church.</p>
<p>It&#8217;s really time to let it go.  Making accusations of this sort is a very dangerous thing, and it&#8217;s not funny or cute.  If you have no proof, you are playing a very ugly game, and no, &#8220;I heard it from someone who heard it from a guy who is dating the daughter of one of the makeup artists backstage&#8221; is not proof.</p>
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		<title>By: maddalenadicoigny</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-3/#comment-111546</link>
		<dc:creator>maddalenadicoigny</dc:creator>
		<pubDate>Wed, 23 Dec 2009 16:34:43 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111546</guid>
		<description>The Morgan Library has a small room dedicated to Puccini and last time I was there, it was empty. 
Try to pass by if you can. There in a case you will find an original copy of Boheme. I believe there is a 1909 Caruso recording on a listening station.</description>
		<content:encoded><![CDATA[<p>The Morgan Library has a small room dedicated to Puccini and last time I was there, it was empty.<br />
Try to pass by if you can. There in a case you will find an original copy of Boheme. I believe there is a 1909 Caruso recording on a listening station.</p>
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		<title>By: rapt</title>
		<link>http://parterre.com/2009/12/22/happy-birthday-giacomo-puccini/comment-page-1/#comment-111541</link>
		<dc:creator>rapt</dc:creator>
		<pubDate>Wed, 23 Dec 2009 15:54:33 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=11663#comment-111541</guid>
		<description>I love that MORC recording--conducted by Mitropolous! (which makes the cuts all the more infuriating).  Kirsten&#039;s technical security and dramatic grasp of the role make the best case for an opera I often find hard to take.</description>
		<content:encoded><![CDATA[<p>I love that MORC recording&#8211;conducted by Mitropolous! (which makes the cuts all the more infuriating).  Kirsten&#8217;s technical security and dramatic grasp of the role make the best case for an opera I often find hard to take.</p>
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