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And of course Magda Oliver at 83 singing Sola,Perduta, Abbandonata!
God bless this Puccini thread for giving us so many great clips. Brava Olivero!
For me, Corelli was one of the ultimate Puccini singers. One could accuse of him of sloppiness when singing Verdi but his Puccini rocked. That glamorous, throbbing sound, the passionate delivery, the sense of abandon…
The greatest of all Turandots; the live Riddle Scene doesn’t seem to be on YouTube:
The Gigli/Albanese Boheme.
Live, the greatest performances I’ve seen were Racette’s Butterfly and her recent Trittico at SF.
Sorry; used the YouTube embedding code, which didn’t work:
Eva Turner, “In Questa Reggia”
Wow, thanks for posting these clips. Kabaivanska, what a beautiful woman! Sad we never got her Tosca live this side of the Atlantic.
Olivero, beyond words. She must have sung that aria hundreds of times and it still looks like she’s living every bit of it, every word. And some question why giants of the past cast such shadows.
This excerpts never fails to give me goosebumps.
La signora Scotto, pucciniana per eccellenza: classic case of intelligence and supreme musicality triumphing over undeniable vocal limitations. Very few artists have been able to master the “canto di conversazione” like her: she chisels every phrase without sounding artificial, and it’s not easy task. Another one was of course Olivero. I saw the great lady only once, in Adriana, but unfortunately I have only vague remembrances because I was 7 years old.
Good god, this is a million miles past the garbage I sat through a few weeks ago. THIS is what a soprano should sound like in this repertoire (minus the age in the top.) So musical.
PUCCINI: IL TRITTICO
Metropolitan Opera, January 22, 1976
IL TABARRO
Giorgetta……………Renata Scotto
Luigi……………….Harry Theyard
Michele……………..Cornell MacNeil
Frugola……………..Lili Chookasian
Talpa……………….Philip Booth
Tinca……………….Charles Anthony
Song Seller………….Jon Garrison
Lover……………….Betsy Norden
Lover……………….Douglas Ahlstedt
SUOR ANGELICA
Angelica…………….Renata Scotto
Princess…………….Lili Chookasian
Genovieffa…………..Betsy Norden
Osmina………………Mary Fercana
Dolcina……………..Elizabeth Anguish
Monitor……………..Marcia Baldwin
Abbess………………Jean Kraft
Head Mistress………..Batyah Godfrey Ben-David
Nurse……………….Cynthia Munzer
Lay Sister…………..Maureen Smith
Lay Sister…………..Joyce Olson
Novice………………Linda Mays
Novice………………Shinja Kwak
Alms Collector……….Alma Jean Smith
Alms Collector……….Elena Doria
GIANNI SCHICCHI
Gianni Schicchi………Frank Guarrera
Lauretta…………….Renata Scotto
Rinuccio…………….Raymond Gibbs
Nella……………….Betsy Norden
Ciesca………………Marcia Baldwin
Zita………………..Lili Chookasian
Gherardo…………….Charles Anthony
Betto……………….Russell Christopher
Marco……………….Gene Boucher
Simone………………Raymond Michalski
Gherardino…………..Lawrence Klein
Spinelloccio…………Richard Best
Amantio……………..Andrij Dobriansky
Pinellino……………Herman Marcus
Guccio………………Edmond Karlsrud
Buoso Donati…………Terry Allen
Conductor……………Sixten Ehrling
In-house, 256kbps stereo mp3.
IL TABARRO
SUOR ANGELICA
GIANNI SCHICCHI
(PS: these are files I uploaded, so there’s no foul in my linking to them here.)
Thank you cieca. I noticed something I had not noticed before. The Met has a tradition of mezzos singing also all 3 roles. I thought that Blythe had been the 1st one, but i see i was mistaken.
Wow! Thanks!
When I heard this production on tour, the mezzo parts were done by Irene Dalis, in her final Met appearances. The trick is to get someone with the stature to sing La Zia Principessa and then convince her to two the two supporting comic roles.
An eccentric pairing, but I don’t care. I love it.
The greatest “tre assi e un paio” ever!!!
I’m not a Tebaldi fan – but thought this might be of interest to those who are and don’t know this vid from Tokyo 1960 in Tosca’s final few moments.
http://www.youtube.com/watch?v=dIwdILRjSgM&feature=related
Thanks. I had not seen that clip before. It’s not the first clip where I see Tebaldi not jump but instead walk off the set. I saw her Tosca at the Met several times starting in 1964 and she jumped off the castello every time. By that time she had lost weight and might have felt more comfortable jumping. She was also putting more emphasis on her acting.
Nevertheless, I think that clip shows that she was a lot more involved in the drama that she’s often given credit for.
The scream? Ah yes, she screamed from early in her career and probably took its toll. I think it was after her first Maddalena at the Met in 1955 that the Times reviewer mentioned it and predicted damage to her voice.
going back to tosca, OMG, has anyone seen this one? i thought she was gonna blow her brains out instead of jumping…
http://www.youtube.com/watch?v=UijJKHKjXeo
who’s the tenor?