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Happy Birthday Giacomo Puccini

puccini_thumbThe poet of “le piccole cose” was born 151 years ago today.

The cher public are encouraged to share YouTube clips featuring their favorite Puccini performances.

94 comments

  • Olivero is my Drug of Choice says:

    And of course Magda Oliver at 83 singing Sola,Perduta, Abbandonata!

  • kashania says:

    For me, Corelli was one of the ultimate Puccini singers. One could accuse of him of sloppiness when singing Verdi but his Puccini rocked. That glamorous, throbbing sound, the passionate delivery, the sense of abandon…

  • irontongue says:

    The greatest of all Turandots; the live Riddle Scene doesn’t seem to be on YouTube:

    The Gigli/Albanese Boheme.

    Live, the greatest performances I’ve seen were Racette’s Butterfly and her recent Trittico at SF.

  • irontongue says:

    Sorry; used the YouTube embedding code, which didn’t work:

    Eva Turner, “In Questa Reggia”

  • iltenoredigrazia says:

    Wow, thanks for posting these clips. Kabaivanska, what a beautiful woman! Sad we never got her Tosca live this side of the Atlantic.

    Olivero, beyond words. She must have sung that aria hundreds of times and it still looks like she’s living every bit of it, every word. And some question why giants of the past cast such shadows.

  • Ercole Farnese says:


    This excerpts never fails to give me goosebumps.
    La signora Scotto, pucciniana per eccellenza: classic case of intelligence and supreme musicality triumphing over undeniable vocal limitations. Very few artists have been able to master the “canto di conversazione” like her: she chisels every phrase without sounding artificial, and it’s not easy task. Another one was of course Olivero. I saw the great lady only once, in Adriana, but unfortunately I have only vague remembrances because I was 7 years old.

    • Cassandra says:

      Good god, this is a million miles past the garbage I sat through a few weeks ago. THIS is what a soprano should sound like in this repertoire (minus the age in the top.) So musical.

      • La Cieca says:

        PUCCINI: IL TRITTICO
        Metropolitan Opera, January 22, 1976

        IL TABARRO
        Giorgetta……………Renata Scotto
        Luigi……………….Harry Theyard
        Michele……………..Cornell MacNeil
        Frugola……………..Lili Chookasian
        Talpa……………….Philip Booth
        Tinca……………….Charles Anthony
        Song Seller………….Jon Garrison
        Lover……………….Betsy Norden
        Lover……………….Douglas Ahlstedt

        SUOR ANGELICA
        Angelica…………….Renata Scotto
        Princess…………….Lili Chookasian
        Genovieffa…………..Betsy Norden
        Osmina………………Mary Fercana
        Dolcina……………..Elizabeth Anguish
        Monitor……………..Marcia Baldwin
        Abbess………………Jean Kraft
        Head Mistress………..Batyah Godfrey Ben-David
        Nurse……………….Cynthia Munzer
        Lay Sister…………..Maureen Smith
        Lay Sister…………..Joyce Olson
        Novice………………Linda Mays
        Novice………………Shinja Kwak
        Alms Collector……….Alma Jean Smith
        Alms Collector……….Elena Doria

        GIANNI SCHICCHI
        Gianni Schicchi………Frank Guarrera
        Lauretta…………….Renata Scotto
        Rinuccio…………….Raymond Gibbs
        Nella……………….Betsy Norden
        Ciesca………………Marcia Baldwin
        Zita………………..Lili Chookasian
        Gherardo…………….Charles Anthony
        Betto……………….Russell Christopher
        Marco……………….Gene Boucher
        Simone………………Raymond Michalski
        Gherardino…………..Lawrence Klein
        Spinelloccio…………Richard Best
        Amantio……………..Andrij Dobriansky
        Pinellino……………Herman Marcus
        Guccio………………Edmond Karlsrud
        Buoso Donati…………Terry Allen

        Conductor……………Sixten Ehrling

        In-house, 256kbps stereo mp3.

        IL TABARRO

        SUOR ANGELICA

        GIANNI SCHICCHI

        (PS: these are files I uploaded, so there’s no foul in my linking to them here.)

        • Thank you cieca. I noticed something I had not noticed before. The Met has a tradition of mezzos singing also all 3 roles. I thought that Blythe had been the 1st one, but i see i was mistaken.

        • Cassandra says:

          Wow! Thanks!

        • La Cieca says:

          When I heard this production on tour, the mezzo parts were done by Irene Dalis, in her final Met appearances. The trick is to get someone with the stature to sing La Zia Principessa and then convince her to two the two supporting comic roles.

  • Quanto Painy Fakor says:

  • RDaggle says:

    An eccentric pairing, but I don’t care. I love it.

    • kashania says:

      The greatest “tre assi e un paio” ever!!!

    • La marquise de Merteuil says:

      I’m not a Tebaldi fan – but thought this might be of interest to those who are and don’t know this vid from Tokyo 1960 in Tosca’s final few moments.

      http://www.youtube.com/watch?v=dIwdILRjSgM&feature=related

      • iltenoredigrazia says:

        Thanks. I had not seen that clip before. It’s not the first clip where I see Tebaldi not jump but instead walk off the set. I saw her Tosca at the Met several times starting in 1964 and she jumped off the castello every time. By that time she had lost weight and might have felt more comfortable jumping. She was also putting more emphasis on her acting.

        Nevertheless, I think that clip shows that she was a lot more involved in the drama that she’s often given credit for.

        The scream? Ah yes, she screamed from early in her career and probably took its toll. I think it was after her first Maddalena at the Met in 1955 that the Times reviewer mentioned it and predicted damage to her voice.

  • Lucky Pierre says:

    going back to tosca, OMG, has anyone seen this one? i thought she was gonna blow her brains out instead of jumping…

    http://www.youtube.com/watch?v=UijJKHKjXeo

    who’s the tenor?