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	<title>Comments on: Love in the afternoon</title>
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	<link>http://parterre.com/2009/10/31/love-in-the-afternoon/</link>
	<description>where opera is king and you, the readers, are queens</description>
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		<title>CL in DC commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-105162</link>
		<dc:creator>CL in DC</dc:creator>
		<pubDate>Sat, 07 Nov 2009 19:23:34 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-105162</guid>
		<description>Jay,

My email to you kept bouncing back.  I&#039;ll be at tonight&#039;s performance - meeting some friends at 4:30 near the JFK bust.  CLinDC.2008@gmail.com</description>
		<content:encoded><![CDATA[<p>Jay,</p>
<p>My email to you kept bouncing back.  I&#8217;ll be at tonight&#8217;s performance &#8211; meeting some friends at 4:30 near the JFK bust.  <a href="mailto:CLinDC.2008@gmail.com">CLinDC.2008@gmail.com</a></p>
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		<title>Jay commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104458</link>
		<dc:creator>Jay</dc:creator>
		<pubDate>Mon, 02 Nov 2009 03:03:42 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104458</guid>
		<description>@50, and how long have you been flacking for Gelb?</description>
		<content:encoded><![CDATA[<p>@50, and how long have you been flacking for Gelb?</p>
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		<title>Alto commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104447</link>
		<dc:creator>Alto</dc:creator>
		<pubDate>Mon, 02 Nov 2009 00:37:37 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104447</guid>
		<description>&quot;Can you imagine Birgit, Leonie or Crespin putting up with such crap?&quot;

You don&#039;t see Gelb casting them either, do you?</description>
		<content:encoded><![CDATA[<p>&#8220;Can you imagine Birgit, Leonie or Crespin putting up with such crap?&#8221;</p>
<p>You don&#8217;t see Gelb casting them either, do you?</p>
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		<title>sogalitno commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104429</link>
		<dc:creator>sogalitno</dc:creator>
		<pubDate>Sun, 01 Nov 2009 21:36:20 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104429</guid>
		<description>just a note - these Opera on 3 productions are not live - they are taped and the intermission features are taped earlier as well - needless to say - the commentators are a cut above those utilized by the Met - there seems to be a more serious atmosphere to the enterprise and an expectation of the audience of a certain level of knowledge.  oh to be in england...</description>
		<content:encoded><![CDATA[<p>just a note &#8211; these Opera on 3 productions are not live &#8211; they are taped and the intermission features are taped earlier as well &#8211; needless to say &#8211; the commentators are a cut above those utilized by the Met &#8211; there seems to be a more serious atmosphere to the enterprise and an expectation of the audience of a certain level of knowledge.  oh to be in england&#8230;</p>
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		<title>Buster commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104378</link>
		<dc:creator>Buster</dc:creator>
		<pubDate>Sun, 01 Nov 2009 10:02:08 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104378</guid>
		<description>@39 I heard Theorin&#039;s Isolde, but not under ideal circumstances. Gergiev conducted, Bill Viola&#039;s film was projected above her head, and there was enormous competition from a Brangaene who was totally unimpressed by Gergiev and Viola, and just sung gloriously: Ekaterina Gubanova. I went twice to hear her, but both performances were all about Gergiev and his orchestra - the singers, Gubanova apart, just did not stand a chance.</description>
		<content:encoded><![CDATA[<p>@39 I heard Theorin&#8217;s Isolde, but not under ideal circumstances. Gergiev conducted, Bill Viola&#8217;s film was projected above her head, and there was enormous competition from a Brangaene who was totally unimpressed by Gergiev and Viola, and just sung gloriously: Ekaterina Gubanova. I went twice to hear her, but both performances were all about Gergiev and his orchestra &#8211; the singers, Gubanova apart, just did not stand a chance.</p>
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		<title>Baritenor commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104377</link>
		<dc:creator>Baritenor</dc:creator>
		<pubDate>Sun, 01 Nov 2009 09:39:13 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104377</guid>
		<description>No, just the Walkure and Siegfried Brunnhildes. Katarina Dalyman sang the Gotterdamerung Brunnhilde.</description>
		<content:encoded><![CDATA[<p>No, just the Walkure and Siegfried Brunnhildes. Katarina Dalyman sang the Gotterdamerung Brunnhilde.</p>
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		<title>Graciella Scusi commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104376</link>
		<dc:creator>Graciella Scusi</dc:creator>
		<pubDate>Sun, 01 Nov 2009 08:04:24 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104376</guid>
		<description>Did Theorin sing the Gotterdammerung Brunnhilde at the Met?!</description>
		<content:encoded><![CDATA[<p>Did Theorin sing the Gotterdammerung Brunnhilde at the Met?!</p>
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		<title>squirrel commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104371</link>
		<dc:creator>squirrel</dc:creator>
		<pubDate>Sun, 01 Nov 2009 04:39:25 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104371</guid>
		<description>Don&#039;t get me wrong, I think she&#039;s a fine musician, talented and spunky, just not a Brunnhilde for the Met. Not even close. The sound was nice, but in the Immolation scene simply too small and exhausted for the dramatic high notes. I have no other basis on which to judge her, but I think Isolde might be a better fit.</description>
		<content:encoded><![CDATA[<p>Don&#8217;t get me wrong, I think she&#8217;s a fine musician, talented and spunky, just not a Brunnhilde for the Met. Not even close. The sound was nice, but in the Immolation scene simply too small and exhausted for the dramatic high notes. I have no other basis on which to judge her, but I think Isolde might be a better fit.</p>
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		<title>senti questa commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104369</link>
		<dc:creator>senti questa</dc:creator>
		<pubDate>Sun, 01 Nov 2009 04:32:33 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104369</guid>
		<description>just listening to this now, in act II -- stemme is luminous, particularly in this act. i like koch much better here than in the octavian clips w/ fleming. i think brangäne is a much better fit for her voice.

heppner, on the other hand, is truly pathetic...on this outing at least. doing my best to ignore him and listen to nina. can one really call this singing?</description>
		<content:encoded><![CDATA[<p>just listening to this now, in act II &#8212; stemme is luminous, particularly in this act. i like koch much better here than in the octavian clips w/ fleming. i think brangäne is a much better fit for her voice.</p>
<p>heppner, on the other hand, is truly pathetic&#8230;on this outing at least. doing my best to ignore him and listen to nina. can one really call this singing?</p>
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		<title>Jay commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104368</link>
		<dc:creator>Jay</dc:creator>
		<pubDate>Sun, 01 Nov 2009 04:29:23 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104368</guid>
		<description>@36 Regina delle Fate, I had to suffer through Esser&#039;s Tristan at Bayreuth in 1981.  Ghastly.  Salminen and J. Meier more or less saved what they could of the performance.

@39 CL in DC, I also live in D.C. plan to be at both of the upcoming Gotterdammerungs.  Email:  loge44@aol.com

@40 Squirrel, Theorin&#039;s Ariadne didn&#039;t work for me, but I confess I left after &quot;Grossmachtige Prinzessin&quot;, so maybe the final scene was better.  I am hopeful about the Gotterdammerung Brunnhildes here.  I liked her in Siegfried.  Especially the third performance.  She was ailing at the prima and wasn&#039;t at peak form.  But she cooked in the third performance.</description>
		<content:encoded><![CDATA[<p>@36 Regina delle Fate, I had to suffer through Esser&#8217;s Tristan at Bayreuth in 1981.  Ghastly.  Salminen and J. Meier more or less saved what they could of the performance.</p>
<p>@39 CL in DC, I also live in D.C. plan to be at both of the upcoming Gotterdammerungs.  Email:  <a href="mailto:loge44@aol.com">loge44@aol.com</a></p>
<p>@40 Squirrel, Theorin&#8217;s Ariadne didn&#8217;t work for me, but I confess I left after &#8220;Grossmachtige Prinzessin&#8221;, so maybe the final scene was better.  I am hopeful about the Gotterdammerung Brunnhildes here.  I liked her in Siegfried.  Especially the third performance.  She was ailing at the prima and wasn&#8217;t at peak form.  But she cooked in the third performance.</p>
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		<title>CL in DC commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104366</link>
		<dc:creator>CL in DC</dc:creator>
		<pubDate>Sun, 01 Nov 2009 04:21:16 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104366</guid>
		<description>This was my first time out w/ the opera so I had nothing to compare it to, but I felt that her Ariadne was quite lovely, though there were some moments when she sang too softly that she was a bit covered by the orchestra.  Overall, it was a very enjoyable performance!  She&#039;s singing Brunnhilde in WNO&#039;s concert performance of Gotterdammerung that I might try and check out.  I&#039;ve not experienced much of the German rep before, but I&#039;m finding I really enjoy it.</description>
		<content:encoded><![CDATA[<p>This was my first time out w/ the opera so I had nothing to compare it to, but I felt that her Ariadne was quite lovely, though there were some moments when she sang too softly that she was a bit covered by the orchestra.  Overall, it was a very enjoyable performance!  She&#8217;s singing Brunnhilde in WNO&#8217;s concert performance of Gotterdammerung that I might try and check out.  I&#8217;ve not experienced much of the German rep before, but I&#8217;m finding I really enjoy it.</p>
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		<title>squirrel commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104354</link>
		<dc:creator>squirrel</dc:creator>
		<pubDate>Sun, 01 Nov 2009 02:21:51 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104354</guid>
		<description>We had a lot of her Brünnhilde last season, which was a huge stretch. Lots of hurling of sound (which she didn&#039;t have to spare) out toward the audience. I suppose Isolde would suit her more. Ariadne... can&#039;t imagine, but maybe!</description>
		<content:encoded><![CDATA[<p>We had a lot of her Brünnhilde last season, which was a huge stretch. Lots of hurling of sound (which she didn&#8217;t have to spare) out toward the audience. I suppose Isolde would suit her more. Ariadne&#8230; can&#8217;t imagine, but maybe!</p>
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		<title>CL in DC commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104353</link>
		<dc:creator>CL in DC</dc:creator>
		<pubDate>Sun, 01 Nov 2009 02:08:29 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104353</guid>
		<description>Has anyone ever heard the Isolde of Irene Theorin?  I just saw her Ariadne at Washington National Opera, and it was a performance that makes me very interested in hearing more of her.</description>
		<content:encoded><![CDATA[<p>Has anyone ever heard the Isolde of Irene Theorin?  I just saw her Ariadne at Washington National Opera, and it was a performance that makes me very interested in hearing more of her.</p>
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		<title>marisol commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104349</link>
		<dc:creator>marisol</dc:creator>
		<pubDate>Sun, 01 Nov 2009 00:04:05 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104349</guid>
		<description>I wept, the last act was wonderful.</description>
		<content:encoded><![CDATA[<p>I wept, the last act was wonderful.</p>
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		<title>MontyNostry commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104347</link>
		<dc:creator>MontyNostry</dc:creator>
		<pubDate>Sat, 31 Oct 2009 23:52:10 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104347</guid>
		<description>I&#039;ve only seen Salminen once. He was pretty much phoning in Rocco in Valencia three years ago. Still, the production was dreary as hell, as was most of the rest of the singing, so one couldn&#039;t blame him too much.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve only seen Salminen once. He was pretty much phoning in Rocco in Valencia three years ago. Still, the production was dreary as hell, as was most of the rest of the singing, so one couldn&#8217;t blame him too much.</p>
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		<title>Regina delle fate commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104346</link>
		<dc:creator>Regina delle fate</dc:creator>
		<pubDate>Sat, 31 Oct 2009 23:46:03 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104346</guid>
		<description>Jay - I first heard Salminen&#039;s Marke when he was a youngster in Germany to the Isolde of Helga Dernesch - majestic if short up top - and the Tristan of Hermin Esser - a horrible noise - in 1975. He is simply a phenomenon. His Hagen is still the best in the world.</description>
		<content:encoded><![CDATA[<p>Jay &#8211; I first heard Salminen&#8217;s Marke when he was a youngster in Germany to the Isolde of Helga Dernesch &#8211; majestic if short up top &#8211; and the Tristan of Hermin Esser &#8211; a horrible noise &#8211; in 1975. He is simply a phenomenon. His Hagen is still the best in the world.</p>
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		<title>MontyNostry commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104343</link>
		<dc:creator>MontyNostry</dc:creator>
		<pubDate>Sat, 31 Oct 2009 21:41:40 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104343</guid>
		<description>Mags would find her true home in the notorious Microsoft 7 &#039;party&#039; infomercial ...
http://www.youtube.com/watch?v=1cX4t5-YpHQ</description>
		<content:encoded><![CDATA[<p>Mags would find her true home in the notorious Microsoft 7 &#8216;party&#8217; infomercial &#8230;<br />
<a href="http://www.youtube.com/watch?v=1cX4t5-YpHQ" rel="nofollow">http://www.youtube.com/watch?v=1cX4t5-YpHQ</a></p>
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		<title>79CXR commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104339</link>
		<dc:creator>79CXR</dc:creator>
		<pubDate>Sat, 31 Oct 2009 21:26:53 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104339</guid>
		<description>&quot;The give and take, the disagreements, during the Act II intermission chats is great, enlightening. Oy vey, can you imagine Margaret J. and Will discussing opera at this level?&quot;

Will gets a hard time. he does know what he&#039;s talking about, it&#039;s just the muppet MJ that he has to work with that spoils things.

Last night for Foost,Mags only managed to get one thing right. HER NAME

I love it when she says, of course, oh really, I was just thinking about that.... Yeh Mags, of course you were my dear.</description>
		<content:encoded><![CDATA[<p>&#8220;The give and take, the disagreements, during the Act II intermission chats is great, enlightening. Oy vey, can you imagine Margaret J. and Will discussing opera at this level?&#8221;</p>
<p>Will gets a hard time. he does know what he&#8217;s talking about, it&#8217;s just the muppet MJ that he has to work with that spoils things.</p>
<p>Last night for Foost,Mags only managed to get one thing right. HER NAME</p>
<p>I love it when she says, of course, oh really, I was just thinking about that&#8230;. Yeh Mags, of course you were my dear.</p>
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		<title>Jay commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104338</link>
		<dc:creator>Jay</dc:creator>
		<pubDate>Sat, 31 Oct 2009 21:25:55 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104338</guid>
		<description>I&#039;ve heard the &quot;dumbing down&quot; as well, MontyNostry, on the BBC lunchtime concerts, etc.  At least they&#039;re racheting it up for this broadcast</description>
		<content:encoded><![CDATA[<p>I&#8217;ve heard the &#8220;dumbing down&#8221; as well, MontyNostry, on the BBC lunchtime concerts, etc.  At least they&#8217;re racheting it up for this broadcast</p>
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		<title>MontyNostry commented</title>
		<link>http://parterre.com/2009/10/31/love-in-the-afternoon/#comment-104337</link>
		<dc:creator>MontyNostry</dc:creator>
		<pubDate>Sat, 31 Oct 2009 21:17:18 +0000</pubDate>
		<guid isPermaLink="false">http://parterre.com/?p=9086#comment-104337</guid>
		<description>You are right, Jay, but a fair degree of dumbing-down still goes on on BBC Radio 3 these days. And most of the announcers are pretty appalling with foreign languages.</description>
		<content:encoded><![CDATA[<p>You are right, Jay, but a fair degree of dumbing-down still goes on on BBC Radio 3 these days. And most of the announcers are pretty appalling with foreign languages.</p>
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