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  • mandryka: Many interesting observations.And yet, having seen the p...
  • Bianca Castafiore: Das barbecuetonight was just glorious, utterly glorio...
  • bluecabochon: Sergei Leiferkus was engaged for a few seasons at the Met in...
  • sterlingkay: Here's a thought: how about losing, say, 20lbs in a slow hea...
  • bluecabochon: Camille! I wish I had known that you were there tonight - we...
  • Bosah: Rereading, I see my post above has run-on/modifier sentence ...
  • Bosah: Yes, I've heard that about Blythe, and she doesn't even sing...
  • brooklyndivo: James, I could not agree with you more about this production...
  • thirdlady: I am TOTALLY in the market for a "wanken auf planken" t-shir...
  • sterlingkay: I'm not saying she SHOULD do anything....I'm just saying tha...

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Another sloe-eyed vamp

yvonne

“Since its 1987 premiere, this Franco Zeffirelli production has transitioned from breathtaking to tasteless to endearingly camp.” [JJ in NYP]

27 comments

  • Harry says:

    Richard; I also believe that the character of Bobby in Company was based on a real life personal friend of Sondheim. A chap who was an airline steward actually called Bobby B…..!
    Jeepers , have I spat chips- when I have seen productions of it (by its direction) , that ‘pulled punches’ trying to avoid the obvious why Bobbie’s ‘not getting married’.

  • Baritenor says:

    Confession time: I actually know and enjoy the work of many of the singers the Vicar keeps promoting. I got into opera through a love of Gilbert and Sullivan (well, Musical Theater, then Gilbert and Sullivan, then Opera), so the first opera singers I knew were British G&S singers like Gillian Knight or Donald Adams, or British singers who, though primarily opera singers, recorded plenty of G&S, like Elizabeth Harwood, Della Jones and Monica Sinclair (both of whom I happen to love). So while the Vicar can get annoying, I see where he’s coming from.

    Oh, and by the way, figaroindy, Gillian Knight never recorded Ruth for the D’Oyly Carte (she did record Little Buttercup, The Duchess of Plaza Toro, The Fairy Queen, Lady Jane and Dame Hannah for them), but there is a DVD of her Ruth from BBC television (with Peter Allen, of all people, as the Pirate King.)

  • Baritenor says:

    Janet Coster, on the other hand…ick.

  • The Vicar of John Wakefield says:

    Coster is a fine London girl who ( alongside Veasey, Johnson, Guy and Finnie) stands among the finest Ebolis of the postwar period.

  • Cocky Kurwenal says:

    Surely, Vicar, Ann Murray, being Irish, is also an unworthy replacement for Felicity Palmer?

  • CruzSF says:

    A Boy and His Diva (misfiled in the archives under “I am divine! I am oblivion!”) makes for interesting reading. It almost feels like a series on queer opera history could be revived. Man, those were the days!

  • CruzSF says:

    If the Vicar could tell us why such-and-such British singer were appropriate to a role or as a replacement for whosit, then I’d find him less annoying. But since all he does is drop a name and run, I presume he is just milking his joke with no interest in informing or discussing. BORING. That’s just MO.