Headshot of La Cieca

Cher Public

  • Lindoro Almaviva: And so what? Artists make their choices. Where was Rossini at 60? Fat... 2:12 PM
  • Lindoro Almaviva: On completely unrelated news. Opera depot (http://www.ope radepot.co... 2:00 PM
  • Lindoro Almaviva: I worship the groud ATS walks in. For me she is a great example of how... 1:59 PM
  • luvtennis: When Sutherland was a mere lass of 60. Where was Cerquetti at that age? Not... 1:56 PM
  • luvtennis: Absolute rubbish if you are referring to Sutherland. She was greater musician... 1:45 PM
  • luvtennis: To which Anna TS replied to Gwyneth “Oh was that you singing, I thought... 1:40 PM
  • luvtennis: Sorry, but I must disagree. If you listen to Lehmann or Gadski it quickly... 1:28 PM
  • papopera: thats la Sutherland, isn’t she a pain though ? 1:14 PM
  • isepo: Well acc. to Robert Kraft, Stravinsky was continually revising Le sacre until the... 12:57 PM
  • Pelleas: I don’t know if there are plans to release any of these audio recordings... 12:32 PM

Archives

Another sloe-eyed vamp

yvonne

“Since its 1987 premiere, this Franco Zeffirelli production has transitioned from breathtaking to tasteless to endearingly camp.” [JJ in NYP]

Related:

27 comments

  • 21
    Harry says:

    Richard; I also believe that the character of Bobby in Company was based on a real life personal friend of Sondheim. A chap who was an airline steward actually called Bobby B…..!
    Jeepers , have I spat chips- when I have seen productions of it (by its direction) , that ‘pulled punches’ trying to avoid the obvious why Bobbie’s ‘not getting married’.

  • 22
    Baritenor says:

    Confession time: I actually know and enjoy the work of many of the singers the Vicar keeps promoting. I got into opera through a love of Gilbert and Sullivan (well, Musical Theater, then Gilbert and Sullivan, then Opera), so the first opera singers I knew were British G&S singers like Gillian Knight or Donald Adams, or British singers who, though primarily opera singers, recorded plenty of G&S, like Elizabeth Harwood, Della Jones and Monica Sinclair (both of whom I happen to love). So while the Vicar can get annoying, I see where he’s coming from.

    Oh, and by the way, figaroindy, Gillian Knight never recorded Ruth for the D’Oyly Carte (she did record Little Buttercup, The Duchess of Plaza Toro, The Fairy Queen, Lady Jane and Dame Hannah for them), but there is a DVD of her Ruth from BBC television (with Peter Allen, of all people, as the Pirate King.)

  • 23
    Baritenor says:

    Janet Coster, on the other hand…ick.

  • 24
    The Vicar of John Wakefield says:

    Coster is a fine London girl who ( alongside Veasey, Johnson, Guy and Finnie) stands among the finest Ebolis of the postwar period.

  • 25
    Cocky Kurwenal says:

    Surely, Vicar, Ann Murray, being Irish, is also an unworthy replacement for Felicity Palmer?

  • 26
    CruzSF says:

    A Boy and His Diva (misfiled in the archives under “I am divine! I am oblivion!”) makes for interesting reading. It almost feels like a series on queer opera history could be revived. Man, those were the days!

  • 27
    CruzSF says:

    If the Vicar could tell us why such-and-such British singer were appropriate to a role or as a replacement for whosit, then I’d find him less annoying. But since all he does is drop a name and run, I presume he is just milking his joke with no interest in informing or discussing. BORING. That’s just MO.