Headshot of La Cieca

Cher Public

  • Angelo Saccosta: Sorry, Signor Tenore. I thought I was still talking to Samir...
  • Angelo Saccosta: Yes, Samira. May Jane Phillips Matz first wrote about her in...
  • operacat: CAMILLE -- The Houston Opera website which is doing the Zamb...
  • Ercole Farnese: I had no idea la Traviata has a fourth act....
  • Indiana Loiterer III: Oedipe:The whole passage you quote, moving as it is, dep...
  • Feldmarschallin: I think either Elsa Msxwell or Getrude Stein need to be Fric...
  • Superconductor: For a review that does not menton Whitney Houston, the Whitn...
  • Lindoro Almaviva: Not long ago we were talking in these pages as to how some r...
  • Will: It simply means that you cast the role with the singer or ac...
  • Will: Camilla Williams, who broke the color barrier for black wome...

blog advertising is good for you

Sex, Lies & Octavian

sexlies

“She was pretty but blank onstage back then, but Tuesday night’s opening performance found her too far the other direction, transforming the ironic, moody aristocrat into a Lifetime movie drama queen.” [NYP]

47 comments

  • ellerveira says:

    I’d suggest using DiDonato as Octavian. She did a marvelous Presentation of the Rose with Damrau in concert.

  • elvino says:

    transforming the ironic, moody aristocrat into a Lifetime movie drama queen

    . . . so much for constructive criticism . . . for a moment i thought i was reading Martin Bernheimer . . . what, i wonder, is the true reason behind jj’s seemingly hateful renee fleming obsession?

  • Krunoslav says:

    21 — Outside of Manhattan — if that counts for anything– Joyce di Donato sang and acted the whole part beautifully at SFO opposite Soile Isokoski (and, later, Martina Serafin).

  • MontyNostry says:

    Kruno — did you see Serafin? She seems an interesting singer. A fine Marschallin who is also a fine Maddalena — and a fine-looking woman. I’m sort of surprised she is not more famous, though I haven’t seen her live. Her father, of course, is an operetta legend in Austria. He has sung more Danilos than anyone else in history!

  • Krunoslav says:

    MontyNostry — My spies were at the first Serafin performance and said she was even better vocally and dramatically than Isokoski, who was very good if restrained. On Youtube she sounds very good; I too wonder she is not better known.

  • I referred to Serafin over here something like 5 months ago and then ppl shushed me and said she had no top. True, she doesn’t, or rather that her top is extremely constricted, a la Polaski. But nevertheless on the basis of her youtube clips she seems to me to be an artist of real worth, having a substantial instrument, and the musical and theatrical know-how.

  • parpignol says:

    maybe I haven’t been following the threads closely enough, but with all the Rosenkavalier discussion, it seems as though the previous Marschallin from the last run of Rosenkavaliers (about 5 years ago) has been somehow quite forgotten; am I the only one who thought that Angela Denoke was a memorable Marschallin, beautiful voice, a little small for the house but very well deployed, restrained and elegant characterization, fine Viennese style (to my sensibility); has she been somehow completely eclipsed or forgotten?
    and one word for another forgotten Marschallin from years back: Evelyn Lear!
    anyway, I’m going tonight. . .

  • CruzSF says:

    Kruno: I saw that Rosenkavalier with Isokoski and DiDonato in SFO. Both of them were very good — DiDonato was dazzling — and that performance transformed my fling with opera into a full-fledged love affair. I hope both of them return soon to SFO.

  • ellerveira says:

    I wonder how many hold my invidious opinion that DiDonato is a better singer than Fleming. Better voice, better technique.

  • squirrel says:

    cruzSF -I’m glad to hear this! Isokoski was absolutely amazing as the Marschallin in at Vienna State Opera. I had found her ill suited as Desdemona in Paris and wasn’t sure about her, but boy am I now!