Headshot of La Cieca

Cher Public

  • grimoaldo: so funny! I hope you are a writer for The Simpsons or SNL or something in real life. 12:25 AM
  • Tamerlano: I am assuming Von Otter is the Cornelia? I can’t imagine her singing Sesto very well anymore. 12:06 AM
  • bobsnsane: http://tinyurl.com /3jqnqmr 11:29 PM
  • Liz.S: and I thank LaC for the chat room announcement. It’s an awful lot more fun! :-) See you tomorrow! 11:26 PM
  • bobsnsane: Well, River, the devil is always in the details, ain’t it so ? Sew, weaving in the face of TMI, I... 11:22 PM
  • bobsnsane: http://tinyurl.com /cd24oeh 11:18 PM
  • zinka: httpv://www.youtub e.com/watch?v=fqom -6bQIiA SENSATIONAL instrument..just ruined…so sad…She... 11:15 PM
  • Camille: Yes, THAT Woman, who dragged my name into the hall of shame. 11:06 PM

Raindrops on roses and whiskers on kittens

brown_paper

“Unfaithful lovers, sequined jumpsuits and giant silver dildos …. neon wigs and abundant confetti…. Filled with sexual innuendo, laughable levels of innocence and more than a few macho groin thrusts…”  [Star Observer]

7 comments

  • aulus agerius says:

    What about Sondra’s foot???? Are ya gonna tell us about Sondra’s toe, Cieca?

  • tannengrin says:

    why is the Star Observer writing about my weekend? Oh, never mind…

  • Noel Dahling says:

    As if ‘groin-thrusts’ were written an integral part of the libretto rather than a directorial flourish for this particular production. “for over 100 years.” It takes two seconds to find out Cosi is two hundred nineteen-years old.
    The writer is a fool.

  • werther says:

    It´s a VERY well known fact, Noel, that Così has been in the standard repertoire only for the past 100 years.
    The romantic 19th century found it too darkly cynical to approve of it.
    If I were you, I´d use the word “fool” much more carefully ;)

  • Noel Dahling says:

    I know you are proud of yourself, Werther because you thought you were “calling me out” on something. I have heard that Cosi didn’t jibe well with the nineteenth century sensibility.
    I said the writer is a fool based on the whole article, not just because of the “100 years” line. Reading between the lines, it just strikes me that the writer doesn’t know much about Cosi, let alone how nineteenth century audiences reacted to it. And anyway, you claim that Cosi has only been in the standard rep for 100 years, and the author of the article said “over 100 years”; so if you are right, you just made my point: she doesn’t know what she is talking about.:)

  • Harry says:

    Well one of the the Australian ABC channels decided to televise ‘this Sharman directed monstrosity Cosi fan Tutte’ – live from the stage- last night.

    Shit, it vindicates everything I said here recently, about the Opera Australia standards. The acting and singing was pathetic….. 2nd or 3 rate conservatoire standard. The ‘designer white’ staging, on the famously puny Sydney Opera house stage………..Gross Regie: watching ‘extras’ in muted army camouflage pattern ‘get -up’/ the two men returning dressed in snow glasses and strong primary colored snow gear/ the girls depicted as rich bitches – home and tired, from a designer boutique shipping trip with their white bags (of course!) in tow. Finally they run around, (stripped out of their intended white wedding dresses) in white silk petticoats and high heels! Everything about it and everybody in it, so decidedly ‘campy’, so self smitten with this amateurish display. I only want to know how much of the audience was wall papered to get that show of mild applause going; as the two comperes, gushed how there was going to be more operas televised. Shit! It always comes in waves, they say. And I did not mean Opera, per sec!

    Sharman’s work is well known. Still reveling in being a over- the – hill provocateur’: Back in the 70′s he produced a King Lear: with vomiting ; and latex suits worn, opening to reveal their ‘spaghetti -entrails’ falling out to accompany the violence. This Cosi needed a similar ‘dump’.

  • Harry says:

    And it was done in F…..English too, for I suppose, the ignoramus’ present, willing to accept such performed shush, with the strands of Mozart’s music accompanying it. Judged together, I have heard better supermarket or elevator ‘sound yak’.