Cher Public
- m. croche: "To me this whole ‘updating and modernizing’ enterprise ...
- David: The play was excellent, but Luise lost out without the music...
- MontyNostry: Ach, Ljuba. She voz a law unto herself. Ze proverbial flame ...
- m. croche: Oh, snap!
- Feldmarschallin: I don't know why Pape pulled out and I find it is difficult ...
- Quanto Painy Fakor: At this stage of Pape's career he doesn't need to work with ...
- mia apulia: Thank you Arianna; I am truly dotty with the late hour and a...
- Arianna a Nasso: Caballe's studio Duchess is Anna Reynolds. Verrett recorded...
- mia apulia: I heard this production in the 60s and have very happy memor...
- louannd: Here is a good quote for you, from "Frontal Cortex" blog: ...
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I love Boheme too, man. I was just poking you a little because it was funny to see you ask everyone about Boheme all day. No hard feelings!?
I too tend towards the traditional productions. We need the opera to make us dream. Through all these theatrical philosophical conversations (“Cognitive Theater My ASS!! ha) people are sometimes loath to admit that they love opera because it’s sentimental and romantic.
well Squirrel we may have gotten off on the wrong foot.
my opinion is opera should first make you dream, and then make you think.
rommie: I agree with you about the dreaming, though I have to remind you that not all dreams are candy-colored and sentimental. Many dreams, in fact, are disturbing, even terrifying. So isn’t opera doing its job if it gives you nightmares?
Through all these theatrical philosophical conversations[...]people are sometimes loath to admit that they love opera because it’s sentimental and romantic.
Except when it isn’t. Le nozze di Figaro, Norma, Il trovatore, Otello, Carmen sentimental and romantic? In fact, it’s amazing how few standard-repertory operas there are which are unabashed weepies.
Cieca: it does! but there are some productions that do neither. they just annoy you. and not enough to give you nightmares.
rommie: I hate boring opera too.