Headshot of La Cieca

Cher Public

  • papopera: thank you. looking forward to six o'clock
  • Will: I think the reasoning here is that these productions of what...
  • Nerva Nelli: Apparently Billingsgate has Ingrid Steger and Carol Yahr sta...
  • grimoaldo: Good lord. I find that somewhat sad. Why are they having ope...
  • oedipe: Well, I have -at last- seen the infamous Paris Opera Mano...
  • Donna Anna: Anna Russell, thou shouldst be living at this hour but since...
  • Batty Masetto: Oh. I thought Croche was calling dibs on Agathon in a comple...
  • Will: Casting note: Glimmerglass has announced that opposite Dwayn...
  • Straussmonster: I want to be Alcibiades, especially if I can come in late, a...
  • Superconductor: Considering that the Metropolitan Opera press office is noto...

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they could go on singing

La Cieca hears that after two days of negotiations a “tentative agreement” has been reached between AGMA and the New York City Opera. Members of AGMA will vote on August 20 whether they choose to ratify the agreement as the negotiating committee has recommended. According to our source, AGMA has made “some concessions,” though apparently they are “better” than those made by 802.

uncommon waitress

winslet

According to Variety, Kate Winslet will star in a remake of Mildred Pierce, to be directed by Todd Haynes. Is this, like, the Hurricane Katrina of gay sensibility, or what?

 Let’s hope HBO goes for a fuller treatment of the story than the classic 1945 Joan Crawford vehicle, including Veda’s budding career as an opera diva!

ma foi, je ne sais pas!

Which recent cancellation really has nothing to do with the music, and everything to do with the fact that the stars don’t want to play a couple onstage when offstage they will soon be an ex-pair (in the legal sense)?

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“consider the lowly libretto…”

Classical Beatnik Anne Midgette, obviously still reeling from the experience of The Letter in Santa Fe, addresses a problem we’ve been seeing more and more of in opera: even those who supposedly love the art form, and who are involved in putting it on, are increasingly laboring under the delusion that it is inherently over-the-top, overblown, ridiculous, and, well, drivel.

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triumph of the willy

Here’s a glimpse of Marina Poplavskaya in the Willy Decker production of La traviata, coming to the Met in 2010.

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Les mots de Maury

“Les Huguenots… fell from my schedule due to concerns of distance and tedium.” La Cieca only wishes she had the blasé wit so consistently displayed at My Favorite Intermissions.

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right to bare arms

Hot hot hot Erwin Schrott is obviously not not not allowing fatherhood and impending marriage to distract him from quality gym time. More photos of the Schrott gun show (as seen recently in the Vienna Volksoper Theater an der Wien production of Don Giovanni) after the jump.

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she’s no longer a gypsy

Angela Gheorghiu, not to be outdone by Anna Netrebko‘s cancellation of Violetta in 2010, has just announced that she will not sing Carmen in 2009. According to the Romanian diva’s website, “With deep regret Angela Gheorghiu has to announce that she has to withdraw just from the new production of CARMEN at the MET later this year due to personal reasons. She will appear in the title role as scheduled on April 28 and May 1, 2010.” UPDATE: It’s official. According to a press release from the Met, Gheorghiu is out of the “first six” performances of Carmen, replaced by [...]

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