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- Liz.S: and I thank LaC for the chat room announcement. It’s an awful lot more fun! :-) See you tomorrow! 11:26 PM
- bobsnsane: Well, River, the devil is always in the details, ain’t it so ? Sew, weaving in the face of TMI, I... 11:22 PM
- bobsnsane: http://tinyurl.com /cd24oeh 11:18 PM
- zinka: httpv://www.youtub e.com/watch?v=fqom -6bQIiA SENSATIONAL instrument..just ruined…so sad…She... 11:15 PM
- Camille: Yes, THAT Woman, who dragged my name into the hall of shame. 11:06 PM
- actfive: OMG. Is Sheila Smith still alive? I did YOU CAN’T TAKE IT WITH YOU with her in Cleveland, 1991!! 11:01 PM
- Camille: Thanks an awful lot for this, Liz.S. i will be there for Act Three. 10:57 PM
- Camille: Bill, I have been worried about you since the demise of Fi-Di. Even if he was elderly and had lived a... 10:53 PM
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Surely it should have been called ‘Sacrilige’
Often Admonished (36#) I disagree about Decca’s Art Dept being ‘always being bargain basement’. Today it is but a ‘shell subsidy’ of a bigger Corporation. If we are speaking of the last decade or so, yes, but go back further and the presentation at times was exceptional.. Take the original Solti Rosenkavalier with Crespin,(when released on vinyl). The full size libretto + reproduced Rollo original set designs included had to be the most lavish ever produced. The latter on Art cardboard, suitable for frame mounting if people wished to.
MontyNostry, LOVED the vinyldivas… fab!
Ceci… the new poster girl for Gardasil®.
lumpy pottery does not attractive make.
Here is the program for Bartoli’s 2-cd set (not that anyone will probably care but…)
1. NICOLA PORPORA (1686/1768): “Come nave in mezzo all’onde” (Siface, 1725)
2. ANTONIO CALDARA (1670/1736): “Profezie, di me diceste” (Sedecia, 1732)
3. FRANCESCO ARAIA (1709/1770): “Cadrò, ma qual si mira” (Berenice, 1730)
4. NICOLA PORPORA (1686/1768): “Parto, ti lascio o cara” (Germanico in Germania, 1732)
5. NICOLA PORPORA (1686/1768): “Usignolo sventurato” (Siface, 1725)
6. CARL HEINRICH GRAUN (1703/1759): “Misero pargoletto” (Demofoonte, 1746)
7. NICOLA PORPORA (1686/1768): “In braccio a mille furie” (Semiramide riconosciuta, 1729)
8. LEONARDO LEO (1694/1744): “Qual farfalla” (Zenobia in Palmira, 1725)
9. NICOLA PORPORA (1686/1768): “Nobil onda” (Adelaide, 1723)
10. CARL HEINRICH GRAUN (1703/1759): “Deh, tu bel Dio d’amore… Ov’è il mio ben” (Adriano in Siria, 1746)
11. LEONARDO VINCI (1696/1730): “Chi temea Giove regnante” (Farnace, 1724)
12. ANTONIO CALDARA (1670/1736): “Quel buon pastor son io” (La morte d’Abel figura di quella del nostro Redentore, 1732)
1. RICCARDO BROSCHI (1698/1756): “Son qual nave” (Artaserse, 1734)
2. GIOVANNI BONONCINI (1670/1747): “Ombra mai fu” (Xerse, 1694)
3. GEMINIANO GIACOMELLI (1692/1740): “Sposa non mi conosci” (Merope, 1734)