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till we meet again

La Cieca is going to bid farewell to Prima Donna and Rufus Wainwright, for the moment anyway.  But before you doyenne actually, you know, goes (i.e., “ma tu ben mio, meco ritorna in pace”) she’s just going to say this:

A piece like Prima Donna is exactly the sort of thing (or at least one sort of thing) that the New York City Opera ought to be offering. It would sell like crazy, foster the most intense debate both online and in the meat universe, and just generally be scandalous.

That the leading role seems to have “Lauren Flanigan” written on it in letters of fire doesn’t hurt either. Lauren as an insane camp opera singer? That’s what Ethan Mordden calls “Gable as Rhett casting.”

rufus roundup

photo by Clive Barda

Aggregated for your aggravation, here’s the critical response to Prima Donna, the new opéra by that little gay wolverine fellow. [Clef Notes]

tyrannosaurus regie

Was our last Regie quiz too easy? Quite a few of you (led by operacat) correctly recognized in the wartorn landscape a glimmer of I puritani.

This week, La Cieca sends in the clowns (among others). Remember, cher public, honest guesses only: no blurting out the answer if you recognize the production!

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une folle course-poursuite

“Ein Film, das Sie nie vergessen werden,” says the announcer, and this claim may very well be true. Presenting Das Lied der Balalaika, a 1971 attempt by “opera singer” Ivan Rebroff to cross over into… well, it’s difficult to define exactly the genre here. L’homme qui vient de la nuit (as the picture is entitled, even more confusingly, in French) is a musical; it’s a thriller; it’s a circus melodrama — sort of Yes, Giorgio meets The French Connection meets Berserk! And La Cieca is not even going to try to figure out what the smoking chimps are all about.  [...]

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That’s the sorrowful précis. It’s very messy.

You know, La Cieca and her alter ego JJ are just like the pair in that lovely song by Mr. Sondheim, “The Story of Lucy and Jessie.” Well, not just like, perhaps. La Cieca can hardly be accused of having “maturity and plenty of security” and dear JJ does not exactly boast “the purity along with the unsurety that comes with being only twenty-one.”  But, for the sake of the argument, let’s just say they see things in very different ways. 

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another quizzical moment

An opera quiz with the composer who’s been on everyone’s lips lately, Rufus Wainwright.

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who’s that knocking at the door?

In honor of our current series of Unnatural Acts of Opera featuring La forza del destino, La Cieca presents yet another vocal identification quiz. The aria is “Son giunta… Madre, pietosa Vergine” and your task is to identify the baker’s dozen of divas singing it. Just to shake things up, La Cieca has decided we should have the competition in the comments section. If you think you know the identities of our 13 Leonoras, list them in the correct order in a comment below. The first commenter to identify all 13 correctly wins a coveted Amazon.com Gift Card. (La Cieca’s [...]

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special talents

The first rule in writing an artist’s program bio is to find some interesting and unique detail that will catch the reader’s interest. This tidbit need not be directly relevant to the production at hand or even to the artist’s ostensible talent, so long as it’s, as the journalists like to say, “hooky.” Which is why La Cieca is simply beating herself up right now since this definitively hooky bio detail is already taken: “A self-confessed egomaniac, he once went blind while living in the Chelsea Hotel, New York, addicted to crystal meth.” [Times Online]

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