Harry,I think that when you have that reaction to Violetta, it’s because the wrong emphasis is being stressed in the role. When I think of Violetta, I think of Moffo, because her voice had such an innate pathos. And I was recently sent her Met broadcast and she doesn’t sing the high note at the end of Sempre Libera. What she *does* do is capture the anguish during the scene with the elder Germont.
Harry,I think that when you have that reaction to Violetta, it’s because the wrong emphasis is being stressed in the role. When I think of Violetta, I think of Moffo, because her voice had such an innate pathos. And I was recently sent her Met broadcast and she doesn’t sing the high note at the end of Sempre Libera. What she *does* do is capture the anguish during the scene with the elder Germont.