“exasperating!” raves the new york times
Tony Tommasini weighs in on the Met’s Sonnambula.
Cher Public
- armerjacquino: It also presupposes that there’s no place for diction in... 2:55 PM
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- speedbump: Best. Review. Title. Ever! And now I may have to grab a recording of this to... 2:43 PM
- Lindoro Almaviva: Which Price? Leontine? Cause I have news for you about the last 20 or... 2:16 PM
- Lindoro Almaviva: And so what? Artists make their choices. Where was Rossini at 60? Fat... 2:12 PM
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- luvtennis: When Sutherland was a mere lass of 60. Where was Cerquetti at that age? Not... 1:56 PM
- luvtennis: Absolute rubbish if you are referring to Sutherland. She was greater musician... 1:45 PM
- luvtennis: To which Anna TS replied to Gwyneth “Oh was that you singing, I thought... 1:40 PM
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EVIDENTLY, BOOING SOMETIMES PAYS OFF….
a number of changes were made, by the Thursday performance of La Sonnambula–chief among them, Amina/Dessay no ;onger writes “ARIA” on the blackboardm before launching onto the final sleepwalking scene…thereby ending the laughing that caused…
So far Butterfly is wobbling her way in, with no high C
Damn, getting to see her write “Aria” on the chalkboard was the only thing I was looking forward to in the Theatercast. On opening night it sounded like she was struggling a bit vocally, I bet she’d sound better in other parts at this point.
As for Chicago theatre, it does literally one thing well – hyper “realistic”, aren’t we all down in the slum dirty modern pieces, where everyone is nasty and screams at each other (which can be fun, ala August:Osage). As for range and classic theatre, not exactly a hotbed. As for Zimmerman, please, please take her back – NYC would be grateful.
As for Dessay’s current penchant for awful singing during her hypermanic “acting”, she should be forced to sit down and watch youtube vids of a real actress, who could also continually produce gorgeous reems of sound – Teresa Stratas.