February 2009
Our Own JJ is shown here “wrangling” the dancers for his friend Dorothy Bishop‘s cabaret show last night at Splash. There were supposed to be only two dancers, which is more than enough to fill the very small Splash window ledge of a stage. But three showed up: E.J., Alain and Michele. La Bishop is…
“Gypsy camp! Almost a dance outright! Sweaty musclemen! Rhythmically coordinated swings! Throbbing … impetuous … distinctive … alluring … dusky … creamy … robust … restless … full of yearning … hard-edged!” [After Dark NYT]
La Cieca thinks any revival of Adriana Lecouvreur is reason for rejoicing, though this photo made her stop and wonder: since when does Hillary Clinton sing verismo? Oh, all right, it’s La Cieca’s little joke. Our Secretary of State has not sung any opera role, recently anyhow. The Hillary lookalike is none other than Nelly…
Let’s talk about chest: theories, recollections, examples, caveats… All about chest, in fact. To start the conversational ball rolling, here’s what some celebrated mid 20th century divas have to say about the subject of chest voice. [kml_flashembed movie=”http://www.youtube.com/v/j2hd_2m1qXE” width=”425″ height=”350″ wmode=”transparent” /] Chest nut Charlie Handelman has so much to say on “voce di petto”…
Sirius XM Radio will avoid bankruptcy thanks to a half-billion dollar loan from Liberty Media. The “bailout” assures that the satellite company’s Metropolitan Opera Radio will stay on the air for now. [via Washington Post]
or, “The Art of Can’t Canto.” [kml_flashembed movie=”http://www.youtube.com/v/wk84Niba5Fo” width=”425″ height=”350″ wmode=”transparent” /]
[kml_flashembed movie=”http://www.youtube.com/v/A3Sr9bN6DBA” width=”425″ height=”350″ wmode=”transparent” /]
La Cieca reminds her cher public that the always inventive Gotham Chamber Opera returns this week with a rare production of Haydn’s L’isola disabitata. Mark Morris directs the non-dancing proceedings, with Neal Goren conducting the “typical early classical orchestra.” Castaways include Takesha Meshé Kizart, Valerie Ogbonnaya, Vale Rideout and budding barihunk Tom Corbeil. According to…
Longtime friend of the ‘box Little Stevie returns to Adriana Lecouvreur: I have always believed that as with La Gioconda, a great performance of Adriana Lecouvreur needs to serve up “the four greatest singers in the world”, and the Met seems to come close to doing just that. I have attended all of the performances…
A witty YouTube ad from Dallas Opera, who seem to be doing just fine. [kml_flashembed movie=”http://www.youtube.com/v/uLU0M6EkuKg” width=”425″ height=”350″ wmode=”transparent” /]
Following in the footsteps of Harrison Birtwistle‘s Minotaur and Thomas Adès’ The Tempest (which featured the half-human character Caliban), the Royal Opera House has commissioned yet another opera based upon a legendary monster. The as-yet-untitled oeuvre is the life story of Anna Nicole Smith, with music by Mark-Anthony Turnage (The Silver Tassie) and libretto by…
A reminder that La Cieca’s old, old, old friend Dorothy Bishop shakes her little tush on the catwalk of Splash tonight in her new cabaret show, as written and directed by Our Own JJ.
Despite rave reviews for her recent “comeback” show at the Palace, vocal problems continue to plague legendary songstress Liza Minnelli.
In the words dear Renata Scotto once used in a master class when advising a young soprano not to gesture so much, “And look who is telling her this!” Would you believe that La Cieca is actually having a gay old time reading Tony Tommasini‘s “Talk to the Newsroom” feature this week? Something about the…
La Cieca is happy to announce that you, cher public, have set a new record for pageviews in a single day here at parterre.com. On February 6, dear people, you viewed this little blog a whopping 16,713 times. Over the past 12 months parterre.com has averaged around 1,500 vistors per day, totalling more than 2.6…
La Cieca’s take on the Met’s new productions for 09-10: unless the Mary Zimmerman Armida turns into something very elaborate indeed, it looks like a return to the dreaded “empty box” syndrome of the 1990s. All the new productions are stripped down unit sets, even the Hoffmann. Not that there is anything fundamentally wrong with…
11:25: Connectivity restored. A quick catchup.
In the spirit of the equal time for all impresarios, La Cieca will note that both of New York’s operatic honchos will be making public appearances this week. Tomorrow (February 10)the Met’s Peter Gelb will do his annual season announcment pitch to the media, an event La Cieca will liveblog (connectivity permitting) for your information…
The Met’s $25 weekend ticket program this week features Adriana Lecouvreur. Though La Cieca is naturally remaining mum about this revival until Our Own JJ‘s review appears, she’s more than interested to hear what you, the cher public, think. So if you can get into the Friday night performance via the lottery (or any other…
“Anthony Tommasini, the chief classical music critic of The New York Times, is answering questions from readers Feb. 9-13, 2009. Questions may be e-mailed to [email protected].” [NYT]
Congratulations to, well, several of you who recognized that in the previous quiz, the peeling paint on the walls was caused, as so often it is, by the singing of Abigaille in Nabucco. Only one photo this week, but La Cieca offers an amazon.com gift certificate for the wittiest explanation of what the hell is…
[kml_flashembed movie=”http://www.youtube.com/v/5ZNQQxFUHw0″ width=”425″ height=”350″ wmode=”transparent” /] “The Family Pondman sings with the well-known Dutch Opera-singer Margaret Roest on request of our father, study colleague of her, spontaniously the Terzett from I Lombardi…”
Peter Gelb‘s million-dollar salary and the wit and wisdom of George Steel (“Things are tough”) are among the axes ground in Sunday’s Tony Tommasini think piece. [NYT]
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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