Headshot of La Cieca

Cher Public

  • actfive: OMG. Is Sheila Smith still alive? I did YOU CAN’T TAKE IT WITH YOU with her in Cleveland, 1991!! 11:01 PM
  • Camille: Thanks an awful lot for this, Liz.S. i will be there for Act Three. 10:57 PM
  • Camille: Bill, I have been worried about you since the demise of Fi-Di. Even if he was elderly and had lived a... 10:53 PM
  • Quanto Painy Fakor: Disappointing as it may be for his fans, he’s better off not singing this extremely... 10:49 PM
  • Camille: Betsy_Anna_Notremo lo_Bolena_Bambina_ Bobolink!!!!!!!! MUCHISIMAS SPASIBO!!!!!!!!!!! I Got It! I... 10:48 PM
  • Camille: Hahaha, Rory— just happened to see this! F. K.= “EFFETE KNIVES”. We owe our masked man... 10:40 PM
  • Camille: I thought it was Bette Midler, at first glance. Ceci Bean’s Desdemona was quite good, I thought,... 10:34 PM
  • Rory Williams: But, for the really dense of us (note that I exclude Camiille, who is clearly plugged in), what... 10:22 PM

hd anxiety

La Cieca has just heard a very soft whisper that there may be another cast change afoot for tomorrow’s HD telecast of Lucia from the Met.

84 comments

  • richard says:

    Armerj- Bumbry is Eboli on the Met DVD with Freni and Domingo.
    You may be thinking of a Met telecast/DVD from a few years earlier, back in the late 70s, with Scotto
    and Moldovaneau(sp?). Troyanos does Eboli on that one.

  • steveac10 says:

    Michael Myers SHOULD have canceled, or is that what he normally sounds like? I’ve heard better singing from aging church choir tenors at sunrise services. I know nobody listens to Lucia for the Normanno, but if he’s the best comprimario tenor they can muster up for an international telecast the casting director should be fired.

  • tamerlano says:

    I hate Damrau in belcanto. She suffers the same problem that Dessay does in that the voice is largely colorless. She has great high notes and technical facility. All the big moments “come off” nicely but belcanto really isn’t in the big moments. She also has a tendency to fill the vocal line with all sorts of “tricky” business…surges and swells, sudden dimuendi that break up the line. It adds something interesting to “Der Holle Rache” but it sounds out of place in belcanto.

  • CarlottaBorromeo says:

    When Mattila sang Elisabeth de Valois at Covent Garden (the Bondy production as at the Chatelet) she was pushed by the Act III finale – perhaps the voice lacked natral “cut” for that passage. Cotrubas, with certainly a smaller instrument than KM, was much more successful in a revival of the old production in the mid-80s. But Cotrubas was a very clever singer…