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Cher Public

  • papopera: thank you. looking forward to six o'clock
  • Will: I think the reasoning here is that these productions of what...
  • Nerva Nelli: Apparently Billingsgate has Ingrid Steger and Carol Yahr sta...
  • grimoaldo: Good lord. I find that somewhat sad. Why are they having ope...
  • oedipe: Well, I have -at last- seen the infamous Paris Opera Mano...
  • Donna Anna: Anna Russell, thou shouldst be living at this hour but since...
  • Batty Masetto: Oh. I thought Croche was calling dibs on Agathon in a comple...
  • Will: Casting note: Glimmerglass has announced that opposite Dwayn...
  • Straussmonster: I want to be Alcibiades, especially if I can come in late, a...
  • Superconductor: Considering that the Metropolitan Opera press office is noto...

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nyco roundup

The people have spoken, and so from henceforth George Steel will be known by his, whatchamacallit, you know, his sobriquet, which (per your decree) is “The Man of Steel.”

La Cieca thought she should review at least a couple of the biggest challenges facing The Man of Steel as he and the NYCO begin a restoration project that, as the saying goes, makes Hoover Dam look like an egg cup.

First and foremost, of course, is giving the heave-ho to Susan L. Baker, preferably after guilting her into flinging a couple million bucks to the company strings-free. Since (as La Cieca hears) Steel was not Baker’s choice to ascend the throne, she should reasonably be readying her exit even as we speak. Prediction: an announced resignation at the same time Steel offcially starts the job in February.  Read more »

fantastic mr. fach

La Cieca’s dear friend Donald Collup discovers and conflates operatic “oddities” into a popular series of party discs collectively entitled “Shall I Go On?” Here, ahead even of Mr. Collup, La Cieca presents the first notable Oddity of 2009, which was forwarded to your doyenne by a member of the cher public who prefers to remain anonymous.

nyco roundup

Before we start our daily Steelathon, La Cieca wants to ask you, cher public: which nickname should your doyenne use in future for the NYCO’s new honcho: “Two-Face” or “The Man of Steel?”

Okay, so our first story of the day is an editorial in the New York Times welcoming, well, you know who to town, though warning he “has his work cut out for him.” (Oh, Gray Lady, how you do turn a phrase!) Perhaps a more subtly ominous note is sounded in the final graf, when the Royal Editoral We admonish Steel, “His task will be not just to raise money and inspire his company. As he begins to take the measure of the board that hired him, we suspect he may also see the necessity of strengthening that board.” No names, please — as if any were needed!

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regie we can believe in

Well played, Tannengrin: your guess of Lucia di Lammermoor for our most recent Regie quiz was right on the mark. Hunkentenor fanciers among you will be interested to hear that the shirtless stripling in the third photo is Edgardo, in the person of Vittorio Grigolo. La Cieca cannot offer even seminudity in this week’s quiz, but at least this production doesn’t skimp on spectacle! 

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yes she can

La Cieca’s nemesis, with the eyes of the world watching, goes on her best behavior. (Well, except for that one note at 2:16, but nobody’s perfect.) Ah, if only this were change we could believe in!

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separated at maturity?

Dramatic mezzo Ildikó Komlósi and traumatic mess Elizabeth Taylor.

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afternoon delight

Karita Mattila in the HD telecast of Salome starts here in New York on Channel 13 in ten minutes. DVRs set?

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ain’t no sunshine when she’s gone

Just because the Met’s production of La rondine is on hiatus at the moment doesn’t mean we have to go without our regular ration of Angela Gheorghiu. Here is The Elusive One herself with jummy Jonas Kaufmann among others in a documentary of last summer’s recording sessions for a new EMI recording of Madama Butterfly.

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