dick or no dick?
In what will probably stand in history as her most wrong-headed judgment call ever, on December 24 La Cieca concluded that George Steel would not accept an offer from the New York City Opera. Your doyenne cited two reasons for her position: first, that the job wouldn’t have much in the way of art to offer for a few years as the company struggled to stay alive financially and second, that dumping Dallas for New York so early on would be either a dick move or else perceived as a dick move, which in the broader view amounts to the same thing.
The first (finance vs. art) reason may or may not apply: La Cieca really is as clueless about the NYCO’s finances as, say, Susan Baker. So let’s put that one aside for the moment and move on reason #2.
Well, cher public, what do you think? Is Steel behaving like a dick, and if so, why? Let’s begin by remembering that La Cieca doesn’t know the guy and is not very familiar with his work. So your doyenne is not going to jump to any conclusions. However, it does seem that Steel’s recent “Two-Face” behavior might be explained three different ways:
(A) Steel (though he is not a dick) is naive and doesn’t realize that his behavior comes off dickish.
(B) Steel (though he is not a dick) realizes his behavior comes off dickish, but figures with time and good work in the new position, the dicky smell will wear off.
(C) Steel is a dick, and as such NYCO should prepare for a major and brutal ass-fucking.
At the moment, La Cieca is leaning toward (B), with maybe a soupçon of (A), giving Steel the benefit of the doubt because of the floppy hair and the rimless glasses. Of course, the real proof of nondickery is in the pudding (La Cieca expresses herself badly) so we will all be waiting with great interest to hear reports of Steel’s first meetings with NYCO staff tomorrow. (That’s a hint, folks; La Cieca is fishing for gossip, and as always her word is her bond that sources remain confidential.)
Anyone who wants to know how Dallas feels about Steel’s leaving can read the article in the January 17 edition of The Dallas Morning News by Dallas’s classical music critic Scott Cantrell. He gets it ALL out there! Wonder no more….